Exposé Online

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Exposé print issues (1993-2011)

• 1 (October 1993)
• 2 (February 1994)
• 3 (May 1994)
• 4 (August 1994)
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• 6 (March 1995)
• 7 (July 1995)
• 8 (November 1995)
• 9 (March 1996)
• 10 (August 1996)
• 11 (February 1997)
• 12 (May 1997)
• 13 (October 1997)
• 14 (February 1998)
• 15 (July 1998)
• 16 (January 1999)
• 17 (April 1999)
• 18 (November 1999)
• 19 (May 2000)
• 20 (October 2000)
• 21 (March 2001)
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• 23 (December 2001)
• 24 (April 2002)
• 25 (September 2002)
• 26 (February 2003)
• 27 (August 2003)
• 28 (December 2003)
• 29 (April 2004)
• 30 (September 2004)
• 31 (March 2005)
• 32 (September 2005)
• 33 (May 2006)
• 34 (March 2007)
• 35 (January 2008)
• 36 (October 2008)
• 37 (July 2009)
• 38 (July 2010)
• 39 (Summer 2011)

Remanence

Country

United States

Bio / info

Remanence is the collaboration between Brian McWilliams (Aperus) and John Phipps. Both found common interest in the creative possibilities of recordings as tangible physical objects and believe that process and presentation add another dimension to the experience of the music contained within. Musically, their style is rooted in the instrumental, experimental ambient genres.

Website

http://www.geophonicrecords.com/

Related articles (1)

• Review: Remanence - Sepiadrone (Peter Thelen 2023-04-03)

Releases on file (3)

	Remanence — Sepiadrone (Bandcamp no#, 2023, CD / DL)
	Remanence — Lamkhyer (Bandcamp Resonant Effects rfxcd01, 2015, CD / DL)
	Remanence — A Strange Constellation of Events (Bandcamp mPATH no#, 2005, CD / DL)

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