Exposé print issues (1993-2011)
Showing items 1 to 10 of 10068
Here's the summary — this is easily one of the best 10 CDs claiming the progressive rock title to be released, well, since they invented the medium! How could any music live up to such lavish...
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Take two moderately decent, although thoroughly modern sounding 10+ minute rock opuses, and sandwich a bunch of mediocre-at-best pop tracks between them, and you come up with something like this...
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David Torn (guitars, effects), Mick Karn (fretless bass) and Terry Bozzio (drums, percussion) have all been around the block, and this unlikely trio have released one of the years most interesting and... » Read more
I've have to admit to seeing this trio live before listening to their disc. And while the recording does not quite capture the intensity and power of the show, it doesn't fall short either. Torn,... » Read more
I always tend to be a little suspicious when any release is accompanied with as much hype and hoopla as this one was. It better well measure up to all the chatter and attention it gets. Certainly this... » Read more
Finally, the wait is over. Three years after the awe-inspiring double release of Burning the Hard City and Suspension & Displacement, America's premier progressive...
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Having followed this band since their 1987 cassette release The Ritual Continues, I've always felt that their strongest suit was their ability to create atmospheres, emotional sonic...
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Chris Phillips is the mastermind behind Earthstone, today a band, but at the time of this recording essentially a one man project with guesting from producer Chris Bond (keys) and Marc Richards... » Read more
An American band, and another in a long line of neo-progsters produced (in part, at least) by Marillion guitarist Steve Rothery. Someday, someone ought to make a compilation of Rothery's productions.... » Read more
Getting me to review an SI release is somewhat analogous to trying to get Rolling Stone to review a Zamla Mammaz Manna album. Both would have their fair share of negative comments. I am...
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