Exposé print issues (1993-2011)
Showing items 1 to 10 of 10322
Everyone should at least be aware of who Kit Watkins is. His first gig was keyboardist with the acclaimed Happy the Man, who released two outstanding albums in the late 70s, for which Kit penned...
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Perhaps because of his classical training or his background in the rock world, Kit Watkins' music tends to have a real sense of purpose and direction when approached from the progressive rock... » Read more
It’s been quite a long time since S. Chihiro (flip through an issue of Marquee, he's the one with the bass and the weird helmets) and company have released a full album –...
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Artman's Lard Free project has received considerable amount of documentation in progressive periodicals, so I won't bore you with the details. Here's a quick overview; all are essential...
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There's mediocre neo-prog, and then there's albums like this, which almost make me want to cry. As usual, influences are acquired, but not absorbed, from Marillion, IQ, and post-Gabriel Genesis. The... » Read more
Ever since hearing this duo on the compilation A New Idea of Heaven about four years ago, it seemed like their sound had a lot going for it. Last years' A Pull of the Tide fine tuned... » Read more
This is at least the third CD reissue of this third album by the Belgian band Machiavel: a near-bootleg issue transferred from scratchy vinyl was released in the late 80s, then last year it was...
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Mad Crayon are a new Italian quintet of the symphonic variety. Two of the members play keys, so as you can expect, the sound is lush and beautiful. The band is young — which is surprising, since... » Read more
There is absolutely no information provided in the liner notes to this CD, so all I can tell you is that it is a reissue of an album originally released in Australia in the early 70s. Actually, I'm... » Read more
Here's one of those unbelievably powerful Magma concerts that's been circulating on cassette for years, finally cleaned up and transferred to CD. Hallelujah! This is one of the best live...
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