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Exposé Online

Not just outside the box, but denying the existence of boxes.
Covering music from the fringes since 1993.

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Riding the Silver Elephant —
Meet Happy Family 1995

Cover art While Sweden has taken off as a hot spot in recent years, with new young bands like Anekdoten and Änglagård which have rightfully found a lot of attention and praise from prog fans worldwide, there has been an even more vital resurgence of prog bands cropping up on the other side of the world, namely in Japan. While the new Swedish bands are heavy on the classic sounds of the 70s and are largely focused on revitalizing that approach, the most recent outbreak of Japanese talent have pursued the loftier goal of creating new, fresh, and avant-garde forms of progressive rock that combines a multitude of influences into something completely revolutionary, something completely exciting.  » Read more
(Posted by Dan Casey 1995-07-01)

A Phenomenological Phishing Expedition —
A Profile of Phish 1995

Cover art The phenomenon of Phish is a bit of an enigma. Playing music that for the most part ranges from not-particularly-commercial to wildly eclectic to seriously challenging, they are selling out large venues and even setting concert attendance records across the country. But while their fanbase has grown exponentially over the decade or so of their existence, they continue to receive little more than token mention in the music press, and what mention there is often tends to be horribly misguided and misinformed. So what is it about Phish that fans find so addictive yet critics and the music community as a whole seem to find so ungraspable?  » Read more
(Posted by Rob Walker 1995-07-01)

Removing Borders from Music —
The Landberk Interview 1995

Cover art Berkeley, California. In the middle of a long day of shopping for rare and unusual vinyl artifacts, we pause at a sidewalk coffee stand and catch up on the latest news of things musical and progressive from both sides of the Atlantic. Stefan Dimle is the bassist and a founding member of the Swedish band Landberk, whose latest release One Man Tell's Another is selling well and gaining respect for the band worldwide.  » Read more
(Posted by Peter Thelen 1995-07-01)

A Beginner's Guide to 5uu's —
The Dave Kerman Interview

Cover art It certainly was a big surprise to discover that 5uu's would be playing here in Grenoble! They were one of the bands I had always dreamed of seeing on stage, even though I had kept my expectations low that I might ever see this Californian band in France. Grenoble would be their only French date of this six week European tour so we were lucky not to miss it. The "102" is used to program experimental, industrial, concrete music and underground movies. It was the only venue that could have invited a band like 5uu's over here but compared to some artists that the "102" usually features, the American quartet is nearly a pop band. Mastermind David Kerman kindly spent some time chatting with me before the gig, a perfect opportunity to get more information about a band we don't know much about.  » Read more
(Posted by Jean-Luc Putaux 1995-07-01)

Weaving a String of Dreams —
The Hoelderlin Story

Cover art Hoelderlin are not generally mentioned in the same breath as Grobschnitt, SFF, Novalis, Wallenstein, and the other leading lights of German symphonic rock, but they should be. Their brand of progressive music, while distinctly German, was unlike any of their aforementioned peers. Hoelderlin's style is altogether mellower and more pastoral, drawing influence from rock, jazz, folk and the music of the Romantic era. The result is a lyrical, melodic music distinct from anything else happening in Germany. Perhaps this is why the recent reissues have not received the attention they deserved thus far.  » Read more
(Posted by Mike Ohman 1995-07-01)

Avoiding the Juggernaut —
The Mastermind Interview 1994

Cover art In late-1994, following a successful performance at the first "Progscape" festival in Towson, Maryland, and hard on the heels of the Japanese release of their third album Tragic Symphony, two thirds of Mastermind, brothers Bill and Rich Berends sat down with Exposé to candidly discuss the band's past, present and hopes for the future.  » Read more
(Posted by Peter Thelen 1995-03-01)

Of Ants and Tools —
The Miriodor Interview 1994

Cover art

Downtown Montréal. An old ten-story commercial building. The smell of factory. An antique elevator going up to the eighth floor. Miriodor's practice local is spacious, two walls filled with large windows giving a wide north-eastward view of the city. The sun floods in. Drumset, keyboards, hardware paraphernalia, a table, chairs, teapot and cups, a sink and counter plus various posters furnish the surroundings.

 » Read more
(Posted by Alain Lachapelle 1995-03-01)

Taking Prog to the Majors —
The Echolyn Interview 1994

Cover art The scene: a hotel room on the seventh floor at the Hollywood Metropolitan hotel, in the early morning hours of November 6th, after an outstanding performance at the Variety Arts Theater on the first day of Progfest '94. Ray Weston and Chris Buzby talk candidly about their music and experiences with a subset of the Exposé writing staff. All the while a loud party is going on at the other end of the hotel room...  » Read more
(Posted by Peter Thelen, Rob Walker, Mike Borella 1995-03-01)

From a Caricature to an Ambush —
Ange in the 70s

Cover art In the light of Musea's new tribute A Propos d'Ange and a new solo album by Christian Décamps, Exposé felt it would be an ideal time to take a look back at what was the beginning and arguably the peak of the career of one of France's most innovative and influential rock groups.  » Read more
(Posted by Mike McLatchey 1994-10-01)

Taking Your Mind off Nietzsche —
The Virgil Moorefield Interview

Cover art Composer Virgil Moorefield, drummer and one-time guitarist with Glenn Branca, has recently released his first CD with his nine-piece ensemble on Cuneiform, titled Distractions on the Way to the King's Party (see our review in Exposé #3). The ensemble has been gigging regularly in the New York area since their formation in 1992, playing venues such as The Kitchen, Roulette, and The Knitting Factory. Moorefield has also been involved with numerous other concurrent projects. Exposé caught up with Virgil while he was juggling various projects, and he was kind enough to spare a few moments out of his busy schedule with us.  » Read more
(Posted by Peter Thelen 1994-08-01)

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