Steve Roach — The Magnificent Void
(Hearts of Space HS11062-2, 1996, CD)
by Mike McLatchey, 1996-08-01:
It seems Mr. Roach can do no wrong, always working with quality musicians always following different trails into uncharted areas and always sticking to psychosomatic energy in music. Lately, Roach's focus has been on the deep ambient side – in the vein of previous albums like The Dream Circle or World's Edge disc 2, where the focus on silence and spaciousness is as important as the notes themselves. Roach is a veritable giant in this field. There's arguably no one doing it better today and The Magnificent Void is good proof of this expertise. Roach's subtle sonic exercises are a wonder to behold – they unfold in various inventive ways; phasing, shifting, fading, looping and disintegrating. At times the sounds wash like the waves in the ocean; at others you can see the sound circle like the beam from a lighthouse throbbing in front of you until it passes out of sight only to fade up again as it completes its rotation.
by Mike McLatchey, 2016-11-17:
McLatchey's Second Tier
Roach had a lot of truly great ambient albums in the 90s, but I was particularly impressed by this Hearts of Space release. With Worlds End in 1992 you had two discs split between the more tribal drum and rhythm based electronic music and the drumless, droning ambient style. I like both styles but the latter has always been my favorite, my medicine. Roach followed up Worlds End with two of his best tribal ambient albums, Origins and Artifacts, but on the other side we got the epic Dream Circle which was a bit closer to silence than The Magnificent Void, whose big soundscapes would soar with a sound that took a step in a much more modern direction. One thing about Roach which I've always admired is that he was always up on the most current technologies and you can you see his kit mutate over the years as new electronic equipment was added and replaced. This one was a big jump to my ears, it was still him but he was taking advantage of a lot of new sounds that had a real depth to them. It was a bit of a lead in to future collaborations with Vir Unis and Vidna Obmana as well.
Related artist(s): Steve Roach
Seaprog 2018 Artist Announcements Raise Festival's Profile – Seattle's Seaprog festival has been going since 2013, and the 2018 edition features a slate of artists that's sure to bring more attention to the event. Cheer-Accident, Bubblemath, and Free Salamander Exhibit are in the first round announcement of performers. In keeping with their tradition of focusing on regional artists, they will also present a number of artists from Washington, Oregon, and British Columbia. [Edit: Just added: Inner Ear Brigade] » Read more
Adelbert von Deyen RIP – Word reaches us that German electronic musician Adelbert von Deyen has died. His recorded legacy reaches back to 1978, when Sky Records released Sternzeit. Von Deyen, who was born October 25, 1953 in Süderbrarup, was also known as a painter and graphic artist. » Read more
Didier Lockwood RIP – Word reaches us today of the death of one of France's great jazz musicians, violinist Didier Lockwood. His playing bridged many worlds, from traditional jazz to fusion to progressive rock, and his talent can be heard on recordings by Magma, Clearlight, Pierre Moerlen's Gong, and many more. Lockwood was 62. » Read more
10 Years of Fruits de Mer - The Incomplete Angler – Those of you who are faithful followers of Exposé will know that we have been promoting Fruits de Mer and its side labels and releases from nearly its first year. Now music journalist and author Dave Thompson has written a book chronicling the past ten years as a celebration of this milestone. » Read more
Various Artists - Mannerisms - A Celebration of the Music of Geoff Mann – Priest and painter, Geoff Mann was also once the lyricist and vocalist for the English progressive band Twelfth Night. He died of cancer in February of 1993. To memorialize his life, musicians who... (1995) » Read more
Brian Auger's Oblivion Express - Happiness Heartaches – The latter incarnation of Oblivion Express (led by Hammond B3 player extraordinaire Brian Auger) was characterized by soulful blues-rock, percussion, and danceable grooves. Ex-Return to Forever... (2003) » Read more