Margin — Psychedelic Teatime
(Madvedge Records CD 1401, 2014, CD)
by Henry Schneider, 2014-10-29:
by Peter Thelen, 2014-10-22:
With the sprawling, five-part “A Mysterious Cup of Tea” that opens the disc, clocking in just shy of 24 minutes, it becomes pretty clear that Margin’s biggest influence is post-Barrett, pre-DSOTM Floyd, in a big way. This sidelong cut nicks the sound palette of the back side of Atom Heart Mother or Meddle without any shame, even recalling Roger Waters’ vocals to a degree, adding some additional stylistic variation in the guitar solos and bass riffage that might remind of same period Caravan. So who is Margin, anyway? From the album credits, it almost seems like the Berlin based project is pretty much the work of one Lutz Meinert, responsible for all the compositions, arrangements, and production, with a little help from Carola Meinert (backing vocals on two tracks) and Arne Spekat (acoustic guitar on two cuts); everything else on the album, plus the lead vocals is Lutz. Things shift gears a bit after that lengthy opener, and “Psychedelic Underground” (presented here twice, once in a succinct 3:36 version, and again as a nearly 11 minute version as the album closer) provides a bit of a lift into a more upbeat space-rock realm, and “Landscapes on the Sky” is probably the high point of the entire disc, launching with a muted vibraphone sound, following up with an interesting acoustic guitar rhythm and excellent vocal harmonies, all with a main melody that will surely find a place in the listener’s memory. The remaining track, “Last Exit to Pluto,” is a very lengthy and spacy instrumental that fits somewhere between all the rest of what’s here: a little More Floyd, a little bit early Tangerine Dream, with some rock outbursts to add color and power to the proceedings. All taken though, with Margin we are definitely caught in that late-sixties / early-seventies proto space rock place. Enjoy!Filed under: New releases , 2014 releases
Related artist(s): Margin
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