Exposé Online banner

Magma — Live (Hhaï)
(Seventh Records REX X-XI, 1975/2012, 2LP)

by Rob Walker, 1995-11-01:

Live (Hhaï) Cover art

1975 saw several personnel changes in Magma's lineup, but the instrumentation which recorded the brilliant Köhntarkösz remained virtually unchanged, only adding Didier Lockwood on violin. This ensemble recorded what is generally considered Magma's strongest, most diverse, and most impressive album. The double live record contains versions of six of Magma's most appealing works, infused with even more drama, emotion, and dynamics than the studio material. An awe-inspiring full-length rendition of "Köhntark" opens the album, following the studio version closely but opening up in the second part for a frenzied violin solo from Lockwood and a short bass solo from Bernard Paganotti. The piece culminates with a rousing choral climax replacing the slower, darker conclusion to the studio recording. A new track, "Hhaï," follows, featuring a bright, optimistic repeating electric piano figure which accompanies the melody, stated through Klaus Blasquiz's inspiring vocal gymnastics and Lockwood's supple violin. The piece opens up for some electric piano soloing and builds to another dramatic vocal conclusion. Vander significantly rearranged the opening track from Magma's first album, "Kobaïa," to construct the next piece. With a prominent bass line and syncopated electric piano chords, "Kobah" has a flowing, laid-back funk feel to it, incorporating some tight violin and guitar fills. "Lïhns" is another new track, a peaceful, celestial, hymn-like piece with gentle vocals lilting over a delicate electric piano figure. The album closes with the second half of a "Mekanïk Destruktïw Kommandöh" performance, beginning with a short, violent bass solo and a soaring violin solo before proceeding into the dramatic finale. This live version omits the closing choral coda. The Seventh CD release of Live also includes two extra tracks. "Da Zeuhl Wortz Mëkanïk" immediately precedes the "Mekanïk Destruktïw Kommandöh" excerpt, effectively capturing about two-thirds of the full piece. "Ëmëhntëht-Rê" is another new track which begins with a haunting choral melody, leading into a rhythmically augmented variation accompanied by a repetitive violin, bass, and high-hat groove.


by Mike McLatchey, 2016-05-12:

McLatchey's Second Tier

This post will be umlaut free for efficiency. Hhai Live is the top Magma on my list if for no other reason than it was probably the first one I could sink my teeth into. My first actual Magma was the studio album Kohntarkosz which I later grow to love but found impenetrable at first. In fact my opinion remains that the band was pretty much always better on stage than in the studio, like any good, essentially, jazz band is. Magma was always a true original even from their debut but by 1975 I think it's fair to say that the sound had taken a slight turn to fusion, if only because the great violinist Didier Lockwood was in the group and certainly because the genre was in full flight by 1975. And so the studio pieces started to grow in length in areas to give the soloists time to jam a while. And the jams on this are astoundingly great. The album is dominated largely by music from their third and fourth albums but there's some excellent new material as well. It was nice when I finally got to see Magma to see them actually perform "Hhai." Is their best live album? Hard to say anymore, as Magma has to be one of the few bands who have managed to reform and be just as good and sometimes even better than they were in the 70s, and there's lots of great documents to show for it. But this one's like returning home.


Filed under: New releases , 2012 releases, 1975 releases

Related artist(s): Magma, Stella Vander, Christian Vander / Offering, Bernard Paganotti, Didier Lockwood

More info

Latest news

2018-11-16
The Seventeenth Dream of Dr Sardonicus Festival Tickets Now Available – Fruits de Mer Records and their merry crew of psychedelic explorers are getting set to present the next The Seventeenth Dream of Dr. Sardonicus Festival. The dates are set for August 2-4, 2019 at The Cellar Bar in Cardigan, Wales. They've also announced that the legendary Groundhogs will top the bill. » Read more

2018-11-02
Charles O'Meara (C.W. Vrtacek) RIP – A true musical original has left us. Charles O'Meara, who recorded under the name C.W. Vrtacek, was a wild-card musical talent, ranging from complex progressive rock to introspective modern compositions, with stops at many places inbetween. » Read more

2018-10-17
Eurock Documentary Seeks Funding – We've been fans and fellow travelers with Archie Patterson and his Eurock project on the journey to discover great music. After many years of promoting and trying to spread the word,a new phase is beginning: a documentary film. Things like this don't just happen, and money does not magically appear to make it happen, so it's up to the fans to get it done. » Read more

2018-09-29
Marty Balin RIP – One of the architects of the 60s psychedelic sound of San Francisco has died at the age of 76. Marty Balin was a singer, songwriter, and guitarist who was one of the founders of Jefferson Airplane. After the split of the original Airplane, Balin went on to form the highly successful Jefferson Starship. » Read more

2018-09-25
Help the Psychic Equalizer Avoid Extinction – Last year we reviewed the debut album by Psychic Equalizer, a musical project of Hugo Selles. He's now working on the ambitious follow-up to that release, and is seeking funding from listeners around the world. » Read more


Previously in Exposé...

Gentle Giant - Scraping the Barrel – The title of this second volume of Gentle Giant audio and audiovisual archives is simply a long time fan’s obsessive labor of love. Dan Bornemark has been a charter member of the band’s on-line...  (2005) » Read more

Mike Keneally - Boil That Dust Speck – Having made his solo debut in 1992 with the fantastic Hat, Mike Keneally returns with his second album of bizarre and unique musical entertainment. A member of Frank Zappa's '88 touring band,...  (1995) » Read more

Fruitcake - How to Make It – A good first effort from this Norwegian five-piece featuring two guitarists, as well as bass, keys and drums. Vocals are handled by both keyboardist Siri Seland and drummer Pål Søvik, the...  (1995) » Read more

Orange Peel - Orange Peel – Another one of the bright spots on the shaky Germanofon roster, Orange Peel were a one-shot that put out a great album in 1970 and then disappeared. The music is typical of early German groups more in...  (1996) » Read more

Seate - Kedarui Gogono – This hitherto unknown five-piece from Japan features violinist Junko Minobe, ex- of Cinderella Search, and is fronted by vocalist Yoko Tuchiya. The remainder of the band features piano, bass and...  (1997) » Read more



Listen & discover



Print issues