Exposé Online banner

Leo Abrahams — Daylight
(Lo Records, 2015, CD)

by Jon Davis, 2016-01-24:

Daylight Cover art

Much of the music that appears on the pop charts these days should probably be credited to the producer(s) rather than the singer whose picture is on the cover. The sounds heard are assembled on hard drives, copied and pasted, processed, filtered, and manipulated in ways that were never possible in the days of bands gathering in a studio and banging out tunes live. Like any technological development, this can be good or bad, and the dividing line is highly subjective. Leo Abrahams is an artist who has taken hold of the reins of the process for his own ends, with Daylight applying the technology to his own music, which serves to blur the lines between performance and production. There are live drums, and Abrahams himself plays guitar, but the parts are often mangled in ways that couldn’t possibly be performed on stage by a live band. But in this case, I’m willing to accept the artificiality as art – I find the result sonically fascinating. Sonically, it’s not too foreign from Brian Eno’s later song-oriented albums, some of which Abrahams was involved with, though somewhat more processed. In some cases, the vocals, which are processed and vocoded (or whatever), seem to function more as additional instruments than as means of conveying lyrics. For me, the bottom line is that the melodies are good, and all the production tricks work as ear-candy in a fluffy way. There’s nothing difficult or dissonant, no jarring odd meters, though there are times when the choppy editing results in a rhythm of its own. While Daylight may be a bit too pop-oriented for some listeners, or too ADHD for lovers of traditional songcraft, it’s an interesting entry into the exploration of what today’s technology means in music.


by Henry Schneider, 2016-01-24:

I did not know what to expect from this new album by producer and guitarist Leo Abrahams. Over the years he has worked with artists such as Brian Eno, Pulp, Roxy Music, and Anthony and the Johnsons. On his previous solo albums, he explored folk, art rock, ambient electronica, and songs. So I approached Daylight with an open mind. On Daylight Abrahams takes his music in a completely new direction. While not exactly an academic approach to music and songwriting, Daylight consists of 11 experiments in song deconstruction. Leo deliberately introduced elements of chaos into several of his tracks, as well as noise, cutting things up, and reassembling them. In some sense it is akin to viewing a landscape through a venetian blind. You gain an idea of the whole but there are interfering factors. Vocoded vocals drift in and out of the electronic rhythms along with Leo’s guitar. Just when you think you have figured things out he blindsides you with a new element. I am not at all sure where he is going with this album. Is he indulging himself? Is this purely an introspective effort? And after its 45 minutes I am left puzzled. The sole aspect uniting the songs is the electronic rhythm. I only found one track worthy of my attention, “Chain.” “Chain” is the closest to what we normally think of as a song and it features Brian Eno on vocals. The adventurous listener may find something of note here, but the album failed to engage me.


Filed under: New releases , 2015 releases

Related artist(s): Brian Eno, Leo Abrahams

More info

Latest news

2019-04-10
The Pineapple Thief to Tour North America – November and December of 2019 will see The Pineapple Thief bringing their music to Canada, Mexico, and the US, and famed drummer Gavin Harrison will be on board. The band has been touring extensively in Europe, but North America will be new territory for them. » Read more

2019-03-25
Scott Walker RIP – Noel Scott Engel, better known as Scott Walker, was one of the most intriguing and enigmatic musical figures in the second half of the 20th Century. His strange career started with The Walker Brothers, an American pop group that featured no one named Walker and no brothers. After moving to England in 1965, they had a series of hit singles. Scott's solo work started with Scott in 1967. Starting in the 80s, his work took an increasingly avant-garde turn. » Read more

2019-03-20
Freedom to Spend Unearths June Chikuma's Archives – Jun (June) Chikuma is well known for her video game and anime soundtracks, but she also released an album of experimental electronic music back in 1986 called Divertimento where she indulged the kind of spontaneity that wouldn't work in a soundtrack. RVNG Int'l label Freedom to Spend is bringing this overlooked item to broader attention with a deluxe reissue. » Read more

2019-03-03
Seaprog 2019 Lineup Almost Complete – The Seaprog festival in Seattle is scheduled for June 7-9 this year, and they've announced their lineup of performers. The revitalized Trettioåriga Kriget will cap Friday night, perennial favorites Marbin are on Saturday, and District 97 will finish off the fest on Sunday night. In support, they've booked a stellar variety of artists from the Northwest and around the world, including EchoTest, Markus Reuter and Trey Gunn, and the live debut of the amazing Troot project. » Read more

2019-02-21
You Can Be Part of an Ambient Electronic Project – The Gesture of History is a new electronic project put together by Sam Rosenthal of Black Tape for a Blue Girl, Steve Roach, and violist Sam Shadow. The music started as an instrumental track Rosenthal was working on for a Black Tape album, but took on a life of its own and demanded further enhancements. The majority of the funds raised will go to manufacturing costs for LP and CD editions, as well as other items as detailed on the Kickstarter page. » Read more


Previously in Exposé...

Starcastle - Song of Times – The late bassist Gary Strater’s dream to create one more Starcastle record was realized in 2006 with help from his long time engineer friend Mark Rubel, along with old band members and friends. Many...  (2008) » Read more

Slapp Happy - Acnalbasac Noom – Dagmar Krause’s singing tends to be one of those divisive factors in music. A lot of people really detest her voice, mostly due to what they’ve heard on later recordings like Art Bears. For those...  (2007) » Read more

Magma - Magma – Magma's earliest incarnation found its musical roots in the experimental electric jazz scene of the late 60s. Their debut double album, featuring a lineup of keyboards, guitar, bass, and drums,...  (1995) » Read more

Dug Pinnick - Emotional Animal – Dug Pinnick is the voice and bass presence of King’s X. His last two solo recordings under the Poundhound moniker were outlets from the artist’s main gig with his power trio and these...  (2006) » Read more

In Cahoots - All That – It seems hard to believe that it’s been over 20 years since Phil Miller formed In Cahoots after the late great National Health disbanded. All That is only the sixth full In Cahoots album,...  (2003) » Read more



Listen & discover



Print issues