Finisterre — In Limine
(Mellow MMP 291, 1996, CD)
by Mike McLatchey, 1997-02-01:
Still spacey, ethereal and sublime, Finisterre are one of the most interesting of the new Italian groups, skirting the Marillion school that so many are fond of and embracing that refined subtlety I thought was left being in Italy's 70s (or at least since Ezra Winston's Ancient Afternoons in 1989.) Finisterre’s music moves in slow waves, almost ambient at times. The wide palate of instrumentation including many analog synths, flutes, and guitars gives the overall feel reminders of bands like Celeste, Errata Corrige, or Banco at their most restrained. Yes, Finisterre's trump card is atmosphere and the luxurious instrumentation is quite effective in its execution. The music is folkier this time around and the spirit of Italy's 70s at times is revived with the varying classical and Mediterranean themes. While a few more intense and upbeat parts would have balanced out the entirety more, Finisterre’s blend is authentic, well thought out and precariously beautiful. I'm sure they're on to something although the potential hasn't quite panned out yet. A beautiful album overall.
by Alain Lachapelle, 1997-02-01:
Finisterre surprised us last year with their debut album. In Limine is an excellent follow-up. Compared to their first, we find here in most pieces more of an acoustic atmosphere. Time is given to install sonic foundations and stretch forward. The atmosphere is generally more pensive, carried admirably by the flute of new member Francesca Biagini, who along with the nuanced and expressive work of new drummer Marcello Mazzocchi supports the thoughtful moods found throughout In Limine. This is a gentle music rendered with due dedication by fellows Boris Valle playing the grand piano and Hammond organ, Fabio Zuppanti on a harmonically supportive bass an lead vocals, Stefano Marelli on mostly acoustic guitar and lead vocals, and also a host of guests on cello, vocals, violin, trumpet, clarinet, and Edmondo Romano (Eris Pluvia, Ancient Veil) on soprano sax and recorder. In Limine stands out as a mature work that ranks along the best in progressive rock. It becomes oft-rediscovered soundscapes strongly rooted in the essence of a commitment towards an expressive yet subtle and gentle music, a rich musical research that simply awaits your listening. Highly recommended.
by Mike Grimes, 1997-02-01:
After a respectable first album, Finisterre returns with a solid follow-up. The band doesn't really have any weak links. All of the musicians are on about the same musical level, and their compositions and arrangements reflect this balance nicely. In this age of one-man-bands, it's nice to hear a strong group effort. At times moody and atmospheric, at times jazzy and heavy, In Limine has lots of diversity. The base five-piece group is often augmented with a variety of different acoustic instruments ranging from strings to brass to wind. These guest musicians actually contribute quite a lot to music throughout the album. The last two tracks "Algos" and "Orizzonte delgi Eventi" especially take advantage of the orchestral element. Many of the acoustic parts bring King Crimson's "The Night Watch" to mind. They don't sound exactly like that song, but recall that same mood. Even many of the shorter tracks are pretty intricate compositions with multiple sections. Often part changes involve switching the focus between the electric and acoustic instruments. One song can go from sounding like a peaceful symphonic piece to a fast-paced Ozric Tentacles style number. There are sporadic vocals, both in English and Italian, but much of the album is instrumental. Dissonant harmonies and jazzy chord voicings permeate the album. The guitarist uses many different tones and sometimes makes the guitar sound remarkably like a sax. You certainly won't get bored because any of the songs sounding too repetitive. In Limine is a well-rounded release.
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more
Help MoonJune Bring Great Music to Life – Like many music lovers around the world, we’ve been thrilled and amazed to hear the recordings that have been released by MoonJune from sessions at La Casa Murada in Spain. Such label stalwarts as Mark Wingfield, Markus Reuter, Asaf Sirkis, Tony Levin, Dusan Jevtovic, Vasil Hadzimanov, and many more have gathered in various combinations at the studio to produce some of the most creative music in recent years. Now, label head Leonardo Pavkovic is offering a compilation, La Casa Murada - MoonJune Sessions, Volume One, as a fundraiser for upcoming sessions. » Read more
The Pineapple Thief to Tour North America – November and December of 2019 will see The Pineapple Thief bringing their music to Canada, Mexico, and the US, and famed drummer Gavin Harrison will be on board. The band has been touring extensively in Europe, but North America will be new territory for them. » Read more
Scott Walker RIP – Noel Scott Engel, better known as Scott Walker, was one of the most intriguing and enigmatic musical figures in the second half of the 20th Century. His strange career started with The Walker Brothers, an American pop group that featured no one named Walker and no brothers. After moving to England in 1965, they had a series of hit singles. Scott's solo work started with Scott in 1967. Starting in the 80s, his work took an increasingly avant-garde turn. » Read more
Freedom to Spend Unearths June Chikuma's Archives – Jun (June) Chikuma is well known for her video game and anime soundtracks, but she also released an album of experimental electronic music back in 1986 called Divertimento where she indulged the kind of spontaneity that wouldn't work in a soundtrack. RVNG Int'l label Freedom to Spend is bringing this overlooked item to broader attention with a deluxe reissue. » Read more