Exposé Online banner

Finisterre — Finisterre
(Mellow MMP 254, 1995, CD)

by Peter Thelen, 1995-11-01:

Finisterre Cover art

How good it is to hear a new Italian band with such a solid footing in the 70s. Sure they tinker around with some neo-progressivisms (and they do that quite well also), but it's clear that this young five-piece from Genova have cut their teeth on the classics. They give many of the 70s bands a good run for their effort, yet Finisterre have to be commended for capturing the spirit without copping the riffs. They have done their homework well. All five members play something – there is no dedicated vocalist / frontman here to get in the way of the music. In fact only three of the album's eight tracks feature vocals, capably provided by the various band members, lyrics in Italian, of course. The instrumentation is guitar, keys, bass, and drums, augmented by flute, with guests providing additional flute, recorder, alto and tenor saxes, violin, and viola – plus full chorus on one track. There is so much going on here musically that it's difficult to itemize, and furthermore each track is significantly different from the others – yet it can be said that the sound is a band effort, and while there are solos aplenty, no one instrument seems to dominate the mix. They bounce between driving high energy rock excursions and more serene folk and classical elements with surprising ease. Influences are evident, but well assimilated within their own vision. Suffice to say that fans of Camel, PFM, Osanna, Tull, as well as newer bands should find much here to enjoy. Evidence again that symphonic rock in the classic style is alive and well. Finisterre is one of the best new surprises of the year.


by Mike McLatchey, 1995-11-01:

Finisterre is another debut from the country with more bands than fans. While many of Italy's newer outfits fall squarely in mediocrity, Finisterre looks like one of the brighter spots. The band is essentially a quintet with several guests and perform an atmospheric symphonic rock with influences from both the 70s Italian scene and the British neo-psych outfits like Ozric Tentacles or Omnia Opera. Finisterre have created an elaborate and elegant music and aren't afraid to be inventive or complex. There are some brilliant moments with great guitar and keys, yet the entirety isn't all that gripping as Finisterre spend more time in low key than where they really shine which is in the upbeat vein. The spacey synths that provide the atmospheres and ambiance are quite prevalent throughout the album yet prove to be a bit overdone through the length of the album. Debuts tend to get the rough edges out in a band and hopefully their second will prove this group's tremendous potential, as this is a nice album.


by Alain Lachapelle, 1995-11-01:

The name Finisterre comes from the Latin finis terrae, the limits of the Earth. Romans used to believe that the Earth ended near Hercules' columns which we call now the Gibraltar passage. Finisterre is the name of this region located in Spain. Finisterre is also the title of a collection of poems by Italian poet Eugenio Montale who was born in Genoa, the city where the band lives. This reference to a poet is an apt one, as Finisterre's music is an arabesque of lightly-colored nuances, with eloquent orchestrations. To the traditional grouping of acoustic guitar, keyboard, drums and bass we also find a flute player who also doubles on electric guitar and backing vocals. Add to this initial setup guests on recorder, soprano and tenor saxophones, viola, violin, and a five-person choir and you get the ingredients needed for a broad variety of styles. From the rather new-agey intro to Gregorian-like vocals to hard rock bits where Mozart and Gershwin suddenly are making appearances, to the tragico-romantic vocal parts on "Macinaaqua, macinaluna," the broad feeling of the music is one of playfulness that doesn't sacrifice the underlying seriousness of the compositions. Finisterre aren't doing the heaviest prog around. Rather, a gentle approach is used where often the flute moves from back to foreground, supported aptly by a good rhythmic section and at times poignant melodic lines. A large part of the album is instrumental and this shines on the 15-minute "Sun," a smooth-going melodic piece, perhaps echoing a bit of Genesis in the Selling England by the Pound period by the voluptuous guitar leads. All in all it makes for a very interesting debut album. The band has already started composing the material for the next album and they'll enter the studios in November for a possible disc release in January or February. The Earth doesn't stop at Gibraltar and Finisterre makes for a sweet celebration of a newfound territory where romanticism neighbors an ambivalence of dynamic and subtle moments.


Filed under: New releases , Issue 8 , 1995 releases

Related artist(s): Finisterre, Fabio Zuffanti / ZBand

More info
http://mellowrecords.bandcamp.com/album/finisterre-finisterre

Latest news

2018-05-14
Glenn Branca RIP – Experimental guitarist and composer Glenn Branca has died at the age of 69. He was known for compositions featuring large ensembles of guitars, and for the use of feedback. He founded his band Theoretical Girls in the mid-70s as an art-punk answer to what he saw as the increasing commercialization of punk music. His compositions were highly influential, with such figures as David Bowie, Thurston Moore, and John Lurie among his fans. » Read more

2018-04-05
OBEY Convention XI Set for May 24-28 in Halifax – As the 2018 festival season rapidly approaches, we’d like you to be aware of a real treasure of diverse and creative music that’s going to take place in Halifax, Nova Scotia, next month. The OBEY Convention is on its 11th outing, and features a wide range of artists from around the world. From avant-industrial noise to experimental takes on Classical Chinese music, from chamber jazz to doom metal, from ambient soundscapes to Canadian First Nations drumming, you’d be hard pressed to find a festival with more variety in sound anywhere in the world. » Read more

2018-04-04
Close to the Rain Festival in Bergen Announces Lineup – Now in its second year, the Close to the Rain Festival of progressive music is scheduled to take place in Bergen, Norway, on June 7 - 9. They've got an amazing slate of bands lined up, including such powerhouses as Anekdoten, Major Parkinson, Arabs in Aspic, Tusmørke, and many more. » Read more

2018-03-01
Seaprog 2018 Artist Announcements Raise Festival's Profile – Seattle's Seaprog festival has been going since 2013, and the 2018 edition features a slate of artists that's sure to bring more attention to the event. Cheer-Accident, Bubblemath, and Free Salamander Exhibit are in the first round announcement of performers. In keeping with their tradition of focusing on regional artists, they will also present a number of artists from Washington and Oregon. [Edit: Just added: Inner Ear Brigade] » Read more

2018-02-26
Adelbert von Deyen RIP – Word reaches us that German electronic musician Adelbert von Deyen has died. His recorded legacy reaches back to 1978, when Sky Records released Sternzeit. Von Deyen, who was born October 25, 1953 in Süderbrarup, was also known as a painter and graphic artist. » Read more


Previously in Exposé...

Homestead & Wolfe - Our Times – Homestead & Wolfe represents an obscure bit of early 70s Bay Area music history. The name refers to the location of the church in Cupertino, California, where this group formed out of a youth...  (2006) » Read more

Centrozoon - The Scent of Crash and Burn – Centrozoon represents the combined talents of singer Tim Bowness together with the German duo of Markus Reuter and Bernhard Wösteinrich. The trio does a fine job navigating around sophisticated dance...  (2004) » Read more

Cold Fairyland & Lin Di - Ten Days in Magic Land, Bride in Legend, 2005 Live & Seeds on the Ground – One of the first musical things I discovered after moving to Beijing was this band from Shanghai. Their Chinese name (Lengku Xianjing) is taken from the Chinese title of a book by Japanese writer...  (2008) » Read more

Dream Theater - Awake – The second album by this part-prog, part-metal outfit with vocalist Jamie LaBrie follows in the footsteps of its predecessor Images and Words without changing much. LaBrie tries to sound more gruff...  (1995) » Read more

The Foundation - Departure – Tepid 80s symphonic rock certainly doesn’t do a lot of head turning in the pages of Exposé, and Swiss group The Foundation may not do anything to change one’s mind. The keys are...  (2000) » Read more



Listen & discover



Print issues