David Cross & David Jackson — Another Day
(Cherry Red CJMCD001, 2018, CD)
by Jon Davis, Published 2018-06-26
Expectations can be dangerous. For example, this collaboration between a former King Crimson violinist and a former Van der Graaf Generator saxophonist is bound to generate high expectations in a person who’s a fan of both bands, especially considering the excellent work Cross did on his recent guest spot with Stick Men. From the very first notes of Another Day, an atonal squawk of feedback, it’s clear that these two are not going soft on us. This track, “Predator,” moves into an ominous rhythmic motif backing edgy melodies with imaginative arrangements for strings and woodwinds. Bass (Mick Paul) and drums (Craig Blundell) capture the mood effectively, with a muscular tone on the bass and drums that balance deftly between power and subtlety. Keyboards (handled jointly by the leaders) provide dissonant washes of synth tones. There’s no guitar listed in the credits, so I’ll assume the distorted lines are from Cross, and he blends these in with numerous other parts, sounding at times like a really grumpy string quartet, lashing out with lines that are anything but pretty. The 12 tracks run just short of an hour, and there’s not a minute wasted on filler — even the parts that are clearly improvised maintain interest due to the creative talents of all involved. There are some wonderfully spooky ambient moments with weird noises and strange echoes. On “Going Nowhere,” the roles between the two leaders are somewhat reversed, with Jackson’s saxes overdubbed into an ensemble sound like the violins are elsewhere. Cross and Jackson both shine when they take the leads, both for composed melodies and on solos, but Paul and Blundell make substantial contributions as well, earning co-composer credits on four of the tracks. Another Day is one of the best instrumental rock albums of the year, and sets itself apart from many others with both the great compositions and the distinctive playing of the musicians involved. They approach their rock with the attitude of seasoned jazzmen, freely incorporating diverse sounds, be they advanced scales, sophisticated counterpoint, or free-wheeling improvisation, and it’s a blast to listen to.
Harold Budd RIP – Harold Budd, one of pre-eminent American composers of avant-garde and minimalism, has died of complications from the coronavirus. Budd came to prominence in the 70s, championed by Brian Eno on his Obscure Records label, with music that blended academic minimalism with electric jazz and electronic music. Much of Budd's best known work was done in collaboration with other artists, including Eno, Daniel Lanois, Robin Guthrie, Andy Partridge, John Foxx, Jah Wobble, and many others. » Read more
Audion Is Back in Business – Our esteemed colleague Alan Freeman has restarted Audion Magazine after a seven year hiatus. The new incarnation is available online on their Bandcamp site. Audion's history goes back to 1984, and included 58 issues up to 2013. Issue #59 is available now, and #60 is in the works. » Read more
Romantic Warriors IV – Krautrock (Part 2) Is in the Works – Zeitgeist Media, the people who have brought us the great series of documentary films chronicling the history of progressive rock, are working on the second installment of their examination of German music. Krautrock 2 will focus on artists from Münich such as Guru Guru, Amon Düül II, Xhol Caravan, Kraan, Witthüser & Westrupp, and Popol Vuh. » Read more
Simeon Coxe RIP – Simeon Coxe, best known for his experimental electronics in the band Silver Apples, has died at the age of 82. The band's 1968 debut album set the stage for both German electronic music and experimental punk music a decade later. Coxe died on September 8 from pulmonary fibrosis. » Read more