Arti + Mestieri — Giro di Valzer per Domani
(Cramps Records 88843073662, 1975/2014, CD)
Arti e Mestieri — Tilt - Immagini per un Orecchio
(VM 004, 1974/1989, CD)
by Mike McLatchey, 2016-08-18:
McLatchey's Second Tier
I was about to write that there aren't too many debuts as powerful as this title by Italians Arti e Mesteri but then I realized I had just written about Änglagård and Area. Anyway, I've sort of gotten used to thinking of AeM as a jazz rock or fusion group because if you look at their long discography it really does seem to be their ballpark even on the live material where they dip back into this one. Tilt was in many ways a symphonic progressive rock album played by jazz musicians. It didn't introduce drummer Furio Chirico (I believe you'd have to go back to The Trip for that), but it did solidify his place as one of the world's truly great practitioners, a man who attacks his kit like a whirlwind and could have easily been as well known as Billy Cobham or Lenny White in an alternate universe. Tilt has such swing to it with a soaring, positive sense of melody provided by guitar, keys, violin, and sax that provided a really diverse range of moods. It's also a pretty solid Mellotron album and there is an atmosphere and depth to it that the later albums had lost. It definitely has to be considered one of the high points of the Italian progressive rock genre in the 70s.
by Mike Taylor, 1994-02-01:
Much ink has been spilled about the drumming of Furio Chirico and for good reason: the guy is phenomenal. He is all over the place using all available musical space yet is never bombastic or overbearing. The music on Tilt and Giro di Valzer per Domani is generally pretty similar, though there are some differences. For the most part, I'm reminded of Ponty-era Mahavishnu Orchestra with violin and guitar trading licks against the non-stop riffing of Chirico. The guitar player, Gigi Venegoni, shows some nice McLaughlin influences with fiery guitar runs burning up the tune while the soaring violin adds more fuel to the flame. Add in some saxophone to round out the sound, the style perhaps a bit reminiscent of Elton Dean's playing with Soft Machine or Wayne Shorter from Miles Davis and Weather Report. Tilt has a slightly more symphonic edge, though still very much fusion, because the keyboard work is featured a bit more. The keys lean toward the lush end of the spectrum, hence the symphonic edge. Vocals are found on a few songs on each album; though a full-time singer is found on Giro..., he can be heard only on approximately one-third of the songs. Highly recommended to all fusion fans.
Didier Lockwood RIP – Word reaches us today of the death of one of France's great jazz musicians, violinist Didier Lockwood. His playing bridged many worlds, from traditional jazz to fusion to progressive rock, and his talent can be heard on recordings by Magma, Clearlight, Pierre Moerlen's Gong, and many more. Lockwood was 62. » Read more
10 Years of Fruits de Mer - The Incomplete Angler – Those of you who are faithful followers of Exposé will know that we have been promoting Fruits de Mer and its side labels and releases from nearly its first year. Now music journalist and author Dave Thompson has written a book chronicling the past ten years as a celebration of this milestone. » Read more
Bill Bruford Ventures into Uncharted Territory – Drum master Bill Bruford, veteran of some of the most creative bands in history (King Crimson, Yes, Genese, etc.), is sharing some of what he's learned about being a drummer and a musician in his new book, Uncharted: Creativity and the Expert Drummer, out on University of Michigan Press. » Read more
JPP, Troka, Loituma & Frifot - History, Smash, In the Moonlight & SummerSong – Here we have new releases by some of the more traditional of NorthSide’s Scandinavian artists, three from Finland and one from Sweden. You’ll find no electronic textures on these discs,... (1999) » Read more