Exposé Online banner

Ampledeed — BYOB
((Not on label) no#, 2016, CD)

by Jon Davis, 2016-05-04:

BYOB Cover art

If I had to pick a short phrase to sum up Ampledeed’s second album, it would be “meticulously complex.” It’s been nearly three years since I first heard this band, and it sounds like every minute of the intervening time has been spent assembling this sophomore effort. This is not the kind of music you can just throw together in a few weeks, with each tune built on one riff, a chorus, and maybe one other bit for variety. Each track, even the shorter ones, is composed of intricate interactions between guitars, keyboards, vocals, and rhythm section. Elaborate vocal arrangements are a big part of this Ampledeed collection: not only do the three original members all sing, but some of the newcomers do as well, most notably Lisa Vitale and Allie Taylor, whose parts nicely complement the male vocals and provide an appealing alternative sound. This band definitely fits in the stream of American progressive rock that stems from Echolyn back in the 90s, combining tricky rhythms and arrangements with catchy melodies immaculately sung. But they have developed a sound all their own, and can’t be pinned down in any particular stream of progressive rock. The thing they do best, and most impressively, is to produce music that leaves virtually nothing to chance (every drum fill and keyboard lick planned in detail) but doesn’t sound sterile and lifeless. It’s pretty hard to image the band pulling off this music in a live setting, especially given that all of them play multiple instruments, at least not without substantial reworking and adjustment. But that’s okay — BYOB manages to be exciting and full of the kind of intricacies that lend themselves to repeated listening. It’s an amazing achievement, and deserves a spot in the highest echelon of current American progressive rock.


by Henry Schneider, 2016-02-19:

Three years ago Ampledeed released their debut album, A Is for Ampledeed. 2016 sees the release of their sophomore effort BYOB – so I assume that their next release will be brought to you by the letter “C.” The cover art reminds me of the children’s magazine Highlights, how many items can you name in the picture that begin with “B?” Looking closely I see bubble gum, brain, Beach Boys, bug, bee, bear, booze, burger, beetle, baby, books, Beelzebub, beer, ball, bike, bubbles, baboon, bunny, burning, bun, etc. I challenge you to find something I missed!

Now to the music. For BYOB, Ampledeed have expanded their lineup. In addition to original members Max Taylor (vocals, keyboards), Aaron Goldich (vocals, keyboards), and Luis Flores (vocals, guitar, cuatro), they’ve added Isaac Watts (drums, bass, vocals), Lisa Vitale (vocals), Allie Taylor (vocals), and Aaron Munoz (bass). In contrast to their first release that was mostly instrumentals, BYOB contains mostly songs. The musical compositions continue in the same direction charted by their first release; complex melodies and arrangements of jazz / progressive rock fusion. The addition of vocals, especially the female vocals, is a nice accompaniment to the music. On a number of songs there are interesting organ licks similar to Keith Emerson as well as some soaring guitar solos that impart a 70s ambiance to the modern progressive rock arrangements. Once in a while Ampledeed throws in a Robert Fripp reference for good measure. Ampledeed has matured over the past three years and BYOB is definitely a step forward from A Is for Ampledeed. Let us all hope that we won’t have to wait another three years for their next release.


Filed under: New releases , 2016 releases

Related artist(s): Ampledeed

More info
http://ampledeed.com/ampledeed_004.htm

Latest news

2020-11-20
25 Views of Worthing Finally Gets Released – A while ago, we wrote about the discovery of a "long lost" Canterbury-style gem by a band called 25 Views of Worthing. And now we're pleased to find out that Wind Waker Records has released their music on an LP. » Read more

2020-10-14
Audion Is Back in Business – Our esteemed colleague Alan Freeman has restarted Audion Magazine after a seven year hiatus. The new incarnation is available online on their Bandcamp site. Audion's history goes back to 1984, and included 58 issues up to 2013. Issue #59 is available now, and #60 is in the works. » Read more

2020-10-06
Romantic Warriors IV – Krautrock (Part 2) Is in the Works – Zeitgeist Media, the people who have brought us the great series of documentary films chronicling the history of progressive rock, are working on the second installment of their examination of German music. Krautrock 2 will focus on artists from Münich such as Guru Guru, Amon Düül II, Xhol Caravan, Kraan, Witthüser & Westrupp, and Popol Vuh. » Read more

2020-09-09
Simeon Coxe RIP – Simeon Coxe, best known for his experimental electronics in the band Silver Apples, has died at the age of 82. The band's 1968 debut album set the stage for both German electronic music and experimental punk music a decade later. Coxe died on September 8 from pulmonary fibrosis. » Read more

2020-09-05
Gary Peacock RIP – Legendary bassist Gary Peacock, veteran of many recordings and performances with Paul Bley, George Russell, Roland Kirk, Bill Evans, Tony Williams, and many more. » Read more


Previously in Exposé...

Court - Frost of Watermelon – A recent stateside tour was the first I had heard of this Italian quintet since their two WMMS label releases over a decade ago. What is surprising is how little has changed with their sound in the...  (2008) » Read more

Legendary Pink Dots - Seconds Late for the Brighton Line – 2010 marks the 30th anniversary of this band as well as a major change to their lineup. Long time band member Niels van Hoorn departed because of the demands of constant touring, reducing the band to...  (2011) » Read more

Grails - Take Refuge in Clean Living – Grails are a band from Portland who have been recording and releasing music since 2003 and Take Refuge in Clean Living is their sixth release. The CD opens with “Stoned at the Taj Again,” a nod...  (2009) » Read more

Conrad Schnitzler - Blue Glow & Charred Machinery – Herr Schnitzler is probably the most prolific synthesist (we might as well say musician) on the planet. He has been around since the early days of Kluster and Tangerine Dream (he was a member of...  (1996) » Read more

Present - High Infidelity – The bleak occasion of Roger Trigaux's seventh nightmarish vision is filled with extreme trauma. This time out, the composer has seen fit to fill an orchestral gap by adding sax, trumpet, and cello...  (2001) » Read more



Listen & discover



Print issues