Exposé Online banner

Alain Markusfeld — Chaos or Not?
(Aloha Music no #, 2017, CD)

by Peter Thelen, Published 2017-10-06

Chaos or Not? Cover art

There are changes in musical directions, then there are complete about-faces, and then there are shifts to entirely new musical universes. Markusfeld built a career in the 70s on mind-massaging psychedelic acoustic-electric instrumental guitar rock that was about as strange and unique as anything one might find coming out of France at the time, his four Egg label albums beginning with Le Desert Noir (1977) and Platock (1978) being prime examples of guitar craft. I mean, how many guitarists can retune their instrument right in the middle of a song while they keep on playing? Even in those days he always had a few great piano pieces on each album, a true master multi-instrumentalist. But who would have thought he would ditch the guitar completely for a keyboard-only (along with some brass, woodwind, and percussion) future in an almost alien sounding jazz world? The long silence from the early 80s until a few years ago (his 2012 comeback album Roll over the Eiger Trail) most definitely altered his musical outlook, and while what he is doing today on piano and synths is every bit as innovative as his 70s guitar works, it is as different as night and day. The 19 cuts on Chaos or Not? comprise something just shy of 40 minutes of strange jazz vignettes, most around one to three minutes in length, reminding a bit of some of the cool piano jazz of the late 50s, but without the string bass and drum kit, instead replaced by multiple layers of pianos and synthesizers, with other instruments joining in from time to time. Some of the pieces (mostly toward the last half) are more melodic workouts that tend to make a succinct melodic statement and terminate before they wear out their welcome. The first half of the disc is mostly occupied by the nine-part title suite which asks that very question numerous times in musical terms, many parts of which tend toward the chaotic with near impossible to comprehend rhythms, spider-like melodies played across instruments and abundant switchbacks and changes, all gliding along in a curious jazzy style. Markusfeld plays every instrument masterfully, and there are no other credits here. This is the world where we find Markusfeld, the composer, the arranger, the alchemist, at work in his laboratory today.


Filed under: New releases, 2017 releases

Related artist(s): Alain Markusfeld

Latest news

2019-06-05
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more

2019-04-24
Help MoonJune Bring Great Music to Life – Like many music lovers around the world, we’ve been thrilled and amazed to hear the recordings that have been released by MoonJune from sessions at La Casa Murada in Spain. Such label stalwarts as Mark Wingfield, Markus Reuter, Asaf Sirkis, Tony Levin, Dusan Jevtovic, Vasil Hadzimanov, and many more have gathered in various combinations at the studio to produce some of the most creative music in recent years. Now, label head Leonardo Pavkovic is offering a compilation, La Casa Murada - MoonJune Sessions, Volume One, as a fundraiser for upcoming sessions. » Read more

2019-04-10
The Pineapple Thief to Tour North America – November and December of 2019 will see The Pineapple Thief bringing their music to Canada, Mexico, and the US, and famed drummer Gavin Harrison will be on board. The band has been touring extensively in Europe, but North America will be new territory for them. » Read more

2019-03-25
Scott Walker RIP – Noel Scott Engel, better known as Scott Walker, was one of the most intriguing and enigmatic musical figures in the second half of the 20th Century. His strange career started with The Walker Brothers, an American pop group that featured no one named Walker and no brothers. After moving to England in 1965, they had a series of hit singles. Scott's solo work started with Scott in 1967. Starting in the 80s, his work took an increasingly avant-garde turn. » Read more

2019-03-20
Freedom to Spend Unearths June Chikuma's Archives – Jun (June) Chikuma is well known for her video game and anime soundtracks, but she also released an album of experimental electronic music back in 1986 called Divertimento where she indulged the kind of spontaneity that wouldn't work in a soundtrack. RVNG Int'l label Freedom to Spend is bringing this overlooked item to broader attention with a deluxe reissue. » Read more


Previously in Exposé...

The Foundation - Departure – Tepid 80s symphonic rock certainly doesn’t do a lot of head turning in the pages of Exposé, and Swiss group The Foundation may not do anything to change one’s mind. The keys are...  (2000) » Read more



Listen & discover



Print issues