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Henry Kaiser / Mari Kimura / Jim O'Rourke / John Oswald — Acoustics

Henry Kaiser / Mari Kimura / Jim O'Rourke / John Oswald — Acoustics
Label
Victo
Catalog number
025
Year released
1994
Related articles
Not on file

Related artist(s): Henry Kaiser, Jim O'Rourke

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2019-06-05
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2019-04-24
Help MoonJune Bring Great Music to Life – Like many music lovers around the world, we’ve been thrilled and amazed to hear the recordings that have been released by MoonJune from sessions at La Casa Murada in Spain. Such label stalwarts as Mark Wingfield, Markus Reuter, Asaf Sirkis, Tony Levin, Dusan Jevtovic, Vasil Hadzimanov, and many more have gathered in various combinations at the studio to produce some of the most creative music in recent years. Now, label head Leonardo Pavkovic is offering a compilation, La Casa Murada - MoonJune Sessions, Volume One, as a fundraiser for upcoming sessions. » Read more

2019-04-10
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2019-03-25
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2019-03-20
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Previously in Exposé...

Green Isac - Etnotronica – Green Isac (the Norwegian duo of percussionist Andreas Eriksen and multi-instrumentalist Morten Lund) have returned with the fourth release since their 1990 debut, Strings and Pottery. This release...  (2006) » Read more

In Spe - Typewriter Concerto – This is the second album by this outstanding Estonian ensemble, probably better known as The Girl on the Beach (based on the photo on the front cover, all information on the original LP was in...  (1995) » Read more

Tim Hodgkinson - Sang – Henry Cow fans looking for jagged, experimental rock will likely be disappointed by Tim Hodgkinson's new CD. This is very experimental stuff, lacking many of the qualities often regarded as...  (2000) » Read more

Irrgarten - Home and Sanctuary – Irrgarten is part of the new wave of Québec prog that surfaced in the 90s, and will be familiar to those who attended ProgEst 1997, where they were one of the eight bands performing. This is...  (2000) » Read more

Ilous & Decuyper - Ilous & Decuyper – Ilous & Decuyper occupy an interesting niche in French rock, one that doesn't relate much to what is even vaguely referred to as progressive or symphonic rock. Yet this album is certainly one...  (1997) » Read more



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