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Free Nelson Mandoomjazz — The Shape of Doomjazz to Come / Saxophone Giganticus

Free Nelson Mandoomjazz — The Shape of Doomjazz to Come / Saxophone Giganticus
Label
RareNoise
Catalog number
RNR039
Year released
2014
Related articles
Not on file

Related artist(s): Free Nelson Mandoomjazz

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OBEY Convention XI Set for May 24-28 in Halifax – As the 2018 festival season rapidly approaches, we’d like you to be aware of a real treasure of diverse and creative music that’s going to take place in Halifax, Nova Scotia, next month. The OBEY Convention is on its 11th outing, and features a wide range of artists from around the world. From avant-industrial noise to experimental takes on Classical Chinese music, from chamber jazz to doom metal, from ambient soundscapes to Canadian First Nations drumming, you’d be hard pressed to find a festival with more variety in sound anywhere in the world. » Read more

2018-04-04
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Previously in Exposé...

Smell of Incense - All Mimsy Were the Borogoves – If you want to wax nostalgic and hearken back to an era where a faction of psychedelic music was metamorphosing into progressive rock, you might want to check out Smell of Incense. This is not a...  (1996) » Read more

Edward Ka-Spel - O'er a Shalabast'r Tyde Strolt Ay – Edward Ka-Spel records and releases two basic types of solo music, songs and experimental music (collages, found sounds, and electronics). O’er a Shalabast’r Tyde Strolt Ay is an amalgam of both...  (2010) » Read more

Clepsydra - More Grains of Sand – Ever miss the sound of Marillion in their glory days? This Swiss five-piece regularly evokes the memory of Misplaced Childhood on this, their second album, and build upon that general sound using...  (1995) » Read more

Lazuli - En Avant Doute – Atendees of either the 2006 or 2007 Baja Prog festivals have been fortunate enough to see Lazuli do their thing live on stage. They truly are one of the most interesting groups among Musea’s...  (2008) » Read more

Mushroom - Alive and in Full Bloom – "Krautrock, psychedelic and Jazz influences” or so it states in a large orange label on the CD cover. I saw this band open for Kevin Ayers in San Francisco so I was already familiar with...  (1999) » Read more



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