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Not just outside the box, but denying the existence of boxes.
Covering music from the fringes since 1993.

Reviews of Interviews

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Showing items 61 to 70 of 80

Trying on New Threads —
The Doane Perry Interview

Cover art We spoke with Doane Perry, drummer for Jethro Tull, about his new project called Thread backstage at the Concord Pavilion, prior to their gig that night with ELP. We'd like to thank the following people for their involvement in setting up the interview: Mark Cella from M&M Music, and Kenny Wiley, Tull's tour manager.  » Read more
(Posted by Jeff Melton, Paul Hightower 1997-05-01)

Keeping the Man Happy —
The Happy the Man Interviews

Cover art Composers of American classical music over the last century have often been criticized for their lack of originality, for borrowing too heavily from their European counterparts. People often point to Aaron Copeland as the exception to the rule. Similarly, in the 70s, American progressive rock bands were often just knock-offs of the European bands. Happy the Man are to American progressive what Copeland was to classical — a fantastic exception to the rule.  » Read more
(Posted by Dan Casey 1997-02-01)

Osiris Is Dead, Long Live Heretic —
The Heretic Interview 1997

Cover art For over a decade and a half, Hiro Kawahara has been one of Japan's leading electronic-based musicians. Picking up his first guitar at the age of 13, he later taught himself keyboards. "I'm not musically trained" adds Hiro, "so I cannot make classical music." He didn't let that slow him down, as he continued to teach himself electronic music, composition, and MIDI studio techniques.  » Read more
(Posted by Peter Thelen 1997-02-01)

Riding a Runaway Freight Train —
The Boud Deun Interview

Cover art If you haven’t heard of Boud Deun by now, then you owe it to you yourself to pick up one of their two CDs (their latest release on Cuneiform should be available by the time you read this), or better yet, catch one of their spirited live shows. Their smokin’ hot performance at Progscape ‘96 left everyone in attendance speechless and stunned. Exposé caught up with the band immediately after their set, just before they headed back to Warrenton, Virginia, which is the town they call home.  » Read more
(Posted by Peter Thelen 1997-02-01)

From Middle Earth to Perelandra—
A Profile of Glass Hammer 1996

Cover art Two years ago, one would have been hard-pressed to find the one out of ten who had even heard of Glass Hammer, let alone actually heard their debut CD, Journey of the Dunadan. This year, with a second release, Perelandra, and solid management behind them, Glass Hammer is becoming widely known among progressive fans, and are fortifying their reputation with numerous live appearances, such as their day-two opener at Progscape in Baltimore.  » Read more
(Posted by Peter Thelen 1996-08-01)

Mallets and Gongs —
The Pierre Moerlen Interview 1996

Cover art Pierre Moerlen is among the most loved, most creative members of Gong’s family tree. His flawless percussion technique and colorful compositional style led the way during Gong’s mid to late-70s period. I managed to catch him (by phone) in his Washington, DC suite. Pierre has been pursuing interesting new directions lately, and he was eager to tell me about them. Of course, he also had a fair share of old war stories to tell, from the Gong days of yore...  » Read more
(Posted by Steve Robey 1996-08-01)

No Necrophiliac Pantomime, Please —
The Pip Pyle Interview 1996

Cover art I spoke to Pip Pyle prior to his performance with Gong at the Great America Music Hall on the last part of their first US tour (March 1996). We talked inside a small deli across the street from the infamous Mitchell Brothers (which Pip seemed slightly amused about). I was accompanied by Malcolm Humes during the fifty minute conversation who helped to clarify a few key points. I picked up a spot of espresso for Pip before we started since he appeared in need of caffeine. I’d like to thank Sean Ahern of Pangea Music and Michael Clare for helping to set up the interview.  » Read more
(Posted by Jeff Melton 1996-08-01)

A Circle of Women —
A Conversation with Ars Nova 1995

Cover art The scene: A poolside bar at the Figueroa Hotel in Los Angeles. The time: late night Saturday, or actually early morning Sunday. Earlier, Japanese trio Ars Nova had just given their debut performance in the United States as part of the first day’s lineup for Progfest ‘95. The entire band is here, as well as their manager Mr. Numero Ueno, a translator, and at various times different members of the Exposé staff and friends. All the while, fans who caught their show are stopping by to get CDs and posters signed, and a couple of side conversations are going on between Ueno and others.  » Read more
(Posted by Peter Thelen, Mike McLatchey 1996-03-01)

Words from the Surrealist —
A Chat with Wittox O'Hara

Cover art What can you do with an acoustic guitar and a drum machine? Wittox O'Hara's The Surrealist is a mystifying piece of work. Lots of xylophone-sounding timbres weaving intricate lines, much like a percussion ensemble, with plentiful of odd percussion blending in with the eclectic acoustic guitar and occasional accomplice electric guitar, shaping everything together, forming an impressionist world on its own.  » Read more
(Posted by Alain Lachapelle 1995-11-01)

Tending the Progressive Garden —
Carl Tafel and Terraced Garden

Cover art Terraced Garden began in early '81 as a solo project by Toronto-born multi-instrumentalist/composer Carl Tafel. Prior to this, he was one third of a band called Cardboard Brains, for whom he played bass and sang, a "demonically heavy" outfit by Tafel's own admission, that was "too far outside for any broad acceptance." He left the band in order to concentrate on writing, playing guitar and keyboards, and developing a more expanded sound. The first recordings began in 1981, but the money quickly ran out. A year later, Tafel went back into the studio, and with the help of some other musicians, finished the recordings for the first album by the end of 1982, and it was finally released in January '83.  » Read more
(Posted by Peter Thelen 1995-11-01)

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