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Exposé Online

Not just outside the box, but denying the existence of boxes.
Covering music from the fringes since 1993.

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Showing items 1 to 10 of 127

Thoughtful Boats and Rocky Oceans —
A Profile of the German Octopus

Cover art Not to be confused with the many other bands of the same name, the German Octopus was perhaps the classic Sky-label band. The band was conceived in Frankfurt, Germany in 1973 by bass player Claus Kniemeyer and guitarist Pit Hensel. Kniemeyer was playing in American G.I. clubs with a commercial rock band at the time. However, he had a desire to make a more heavily conceptual music. Upon meeting like-minded Pit Hensel, who had previously been playing jazz, Octopus was born. With powerful singer Jennifer Hensel (no relation, apparently), organist Werner Littau, and drummer Dieter Becke, they made their live debut in February 1974 at the Fachoberschule Frankfurt.  » Read more
(Posted by Mike Ohman 1996-08-01)

Returning to the Well of Creativity —
Yes Live in San Luis Obispo 1996

Cover art By now most of you in the progressive rock community have heard about the reunion of the classic Yes line-up. In an attempt to revitalize interest in the band, three live shows were played and recorded in San Luis Obispo in early March to a combination of die-hard fans, band family, and associates. You may ask yourself what this event has to do with the state of progressive rock in 1996. In my opinion: plenty! They came, they saw, they played complex music and it was damn good.  » Read more
(Posted by Jeff Melton 1996-08-01)

From Middle Earth to Perelandra—
A Profile of Glass Hammer 1996

Cover art Two years ago, one would have been hard-pressed to find the one out of ten who had even heard of Glass Hammer, let alone actually heard their debut CD, Journey of the Dunadan. This year, with a second release, Perelandra, and solid management behind them, Glass Hammer is becoming widely known among progressive fans, and are fortifying their reputation with numerous live appearances, such as their day-two opener at Progscape in Baltimore.  » Read more
(Posted by Peter Thelen 1996-08-01)

Beyond the Hall of Mirrors —
A History of The Enid to 1996

Cover art To put into perspective The Enid's background we need to be acquainted with the soil in which the seeds of their history were sown. This place was called Finchden Manor. Finchden was a very unorthodox, informally structured boys boarding school in England. And it was here, in 1973, where the nucleus of Robert John Godfrey, Francis Lickerish, and Steve Stewart, met and later formed the group. Let's pick up the story a few years earlier in time.  » Read more
(Posted by Mike Ezzo 1996-08-01)

A Circle of Women —
A Conversation with Ars Nova 1995

Cover art The scene: A poolside bar at the Figueroa Hotel in Los Angeles. The time: late night Saturday, or actually early morning Sunday. Earlier, Japanese trio Ars Nova had just given their debut performance in the United States as part of the first day’s lineup for Progfest ‘95. The entire band is here, as well as their manager Mr. Numero Ueno, a translator, and at various times different members of the Exposé staff and friends. All the while, fans who caught their show are stopping by to get CDs and posters signed, and a couple of side conversations are going on between Ueno and others.  » Read more
(Posted by Peter Thelen, Mike McLatchey 1996-03-01)

Lengthy Silence Punctuated By... —
A Profile of French TV 1996

Cover art An unlikely name for a collective of progressive musicians from Louisville, Kentucky, French TV is essentially bassist / bandleader Mike Sary and whoever he happens to be working with at any given point in time. From one album to the next, the high turnover rate in the lineup may, at first lead one to believe that French TV is more of a solo project — yet considering the time elapsed between recording of the band's four releases (nearly eight years in some cases), these are only snapshots of what has been a gradual change.  » Read more
(Posted by Peter Thelen 1996-03-01)

Kenso - Overview of Pre-1996 Releases

Cover art If Japan has the equivalent of a Happy the Man, Kenso is it. Their sound encompasses everything, from polished symphonic prog, to fusion, Canterbury, even touches of Japanese traditional music. The music is (with a couple of exceptions) entirely instrumental, melodically rich, highly spirited, and completely energized. They've been together since the late 70s, off and on, and the lineup has changed over time, but has always centered around guitarist Yoshihisa Shimizu. In addition to guitar, the lineup typically features dual keyboards, bass, and drums — and early on included a flautist as well.  » Read more
(Posted by Peter Thelen 1996-03-01)

Tending the Progressive Garden —
Carl Tafel and Terraced Garden

Cover art Terraced Garden began in early '81 as a solo project by Toronto-born multi-instrumentalist/composer Carl Tafel. Prior to this, he was one third of a band called Cardboard Brains, for whom he played bass and sang, a "demonically heavy" outfit by Tafel's own admission, that was "too far outside for any broad acceptance." He left the band in order to concentrate on writing, playing guitar and keyboards, and developing a more expanded sound. The first recordings began in 1981, but the money quickly ran out. A year later, Tafel went back into the studio, and with the help of some other musicians, finished the recordings for the first album by the end of 1982, and it was finally released in January '83.  » Read more
(Posted by Peter Thelen 1995-11-01)

Return of the King —
King Crimson in San Francisco 1995

Cover art Man, was it hot! Saturday, the 24th of June was the hottest day of 1995 in San Francisco. As the temperature outside soared to 100 degrees, a group of us eagerly awaited outside the Warfield Theater for what, to us anyway, was the concert event of the year. It had been just over 11 years since King Crimson last performed in the Bay Area. Saturday night was the first of three consecutive sold-out performances at the Warfield. Initially, I pondered which of three shows to attend. Would the sound or performance be better the second or third night as the band and crew got used to the venue? Should I wait and go Sunday or Monday instead of Saturday? I wonder... No, it had to be the first show. I had to be there for the return of the King.  » Read more
(Posted by Mike Grimes 1995-11-01)

From Coltrane to Kobaïa —
The Christian Vander Interview

Cover art The Place: The Glass Slipper, Vancouver BC
The Time: Saturday afternoon, April 22, 1995 before the Christian Vander Trio show that evening
Laurent Goldstein: Translator  » Read more
(Posted by George Allen, Robert Pearson 1995-11-01)

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