Zhongyu — Zhongyu Is Chinese for Finally
(Moonjune MJR078, 2016, CD)
by Henry Schneider, 2016-07-02:
Zhongyu is the musical project of Exposé’s own Jon Davis (noted reviewer and our web master). About ten years ago Jon spent three years living and working in Beijing, China and that immersion experience revitalized his enthusiasm for music. On returning to Seattle in 2009 he continued to explore non-standard structures and tonalities, eventually connecting with kindred spirits Rik Wright (Zen Tornado) and Dennis Rea (Moraine) and forming Zhongyu. The result, “finally,” is Zhongyu, an interesting and adventurous East Meets West fusion of jazz, progressive rock, and Chinese music. Jon brought home with him a guzheng, the Chinese traditional plucked musical string instrument that is much like a zither. Jon is quite accomplished on the guzheng, that he also plays in a non-traditional mode with a bow. Zhongyu's twelve instrumental tracks explore multiple genres. The opening track “Apple of My Mind’s Eye 2” is an experimental track with heavy use of reverb, gongs, and sweeping analog ARP sounds. And there is a hint of a melody in there as well. The next track “Torture Chamber of Commerce” launches right into complex progressive jazz with distorted guitar, Jon’s Chapman Stick, and percussion. Fans of Present will love this track. The third track “Iron Rice Bowl Has Rusted” prominently features Jon on the guzheng, creating a hauntingly beautiful example of Chinese influenced progressive rock. Track four “Hydraulic Fracas” starts out slow with flute and some dissonance, that slowly grows on you to culminate in another fusion of world music and progressive jazz rock. This should give you a good idea of the range of music on the disc. Other noteworthy tracks are “Half Remembered Drowning Dream” which is an amorphous tone poem that sounds like it is trying to build to something, but never quite gets there, much like what you may experience when trying to draw together those elusive threads and thoughts upon awakening from a dream. Then there are the comparisons to Jade Warrior that I note on “Sleepwalking the Dog” and the closing track “All Food Comes from China.” I could go on, but suffice it to say, Zhongyu is an excellent album and something you probably have not encountered before. And since we at Exposé strive to bring attention to new and unusual musics, by all means check out the musical efforts from one our own.
by Peter Thelen, 2017-01-22:
What first hits me as a listener on the album opener “Apple of My Mind’s Eye 2” is the strong Chinese influence, in the instrumentation, scales and percussion used, which should be no surprise when one realizes that the two principals in the band Jon Davis (Chapman Stick, guzheng, keys) and Dennis Rea (guitars) have both spent good portions of their lives living inside China, soaking up the cultural influences and music. Here, and throughout the twelve cuts presented, those influences are intertwined with a strong chamber rock feel, sometimes vaguely reminiscent of Starless era Crimson, Present, and others, though nothing to be found here sounds derivative in any way. The band also includes James DeJoie on baritone sax, flute, and bass clarinet, reinforcing the band’s chamber feel in conjunction with Alicia DeJoie’s violin, with Randy Doak’s drums providing a solid rhythmic connection on a number of levels. The push and pull of Eastern versus Western sensibilities might recall some early Jade Warrior infused with occasional Forrest Fang, but the hard driving moments on this all instrumental set are nothing short of take-no-prisoners avant rock. All these forces pulling and pushing in opposite directions makes for a powerful mix that brings home a unique musical vision that cross-pollinates a wide spectrum of ideas. Some of the pieces like “Sleepwalking the Dog” seem to be borne of improvisation, while others like “MBBL” and “Torture Chamber of Commerce” offer a more composed feel. There’s a lot of excitement to be found from one cut to the next as all these ideas compete and vie for prominence. Overall, this is definitely a strong opening statement from a band with a fresh approach.
Phil Miller RIP – Sad word reaches us today of the passing of another of the great musicians of the Canterbury Scene — guitarist Phil Miller. His distinctive sound added greatly to Matching Mole, Hatfield and the North, and National Health, and he also contributed to albums by Caravan, Dave Stewart $amp; Barbara Gaskin, and many others. He was 68. » Read more
Moonjune to Distribute Tony Levin's Back Catalog – It has been announced that Moonjune will now handle distribution for Tony Levin's catalog of releases. These great albums will now be a bit easier to get hold of, so check out the site and see what you're missing. The veteran of King Crimson and Stick Men worked with a host of great players on these albums, and we've reviewed most of them over the course of the years. » Read more
Bandcamp Shines Light on Niches We Like – Bandcamp has developed into one of the best places to discover new music, and even a lot of old music is showing up there. In addition, their staff has been producing periodic articles spotlighting some interesting stylistic areas. On 20 September, they published one called "The New Face of Prog Rock" which bears checking out. » Read more
Holger Czukay RIP – Holger Czukay, a musical experimentalist without boundaries who has been involved with expanding the sound palette of rock music since the late 60s, has died at the age of 79. After studying with Karlheinz Stockhausen in the early 60s, he became fascinated with the possibilities of rock music, and was a co-founder of the pioneering group Can. He leaves behind an impressive body of work both as musician and producer. » Read more
John Abercrombie RIP – Another of the greats of jazz guitar has left us. John Abercrombie plied his way through a beautiful series of albums on the ECM label as well as bringing his talent to bear on albums by many of jazz's greatest artists. From his early work in the group Dreams to Gateway and outstanding work with Billy Cobham, Jack DeJohnette, Kenny Wheeler, and many more to his own trios and quartets, he brought a unique instrumental voice to the world. » Read more