Due to technical difficulties, we are temporarily using a scaled-down version of our website. Please pardon the sound of jackhammers.
Wappa Gappa — Yamatai Koku (AKA Wappa Gappa)
(AIR-5001, 1996, CD)
by Mike Grimes, Published 1997-05-01
Combining elements of several types of rock into one package, Wappa Gappa touches on just about everything. Vocalist Tamami Yamamoto is a mezzo with a really smooth voice, and she typically sings without the aid of backing vocals. Many of the eight Japanese-titled tracks (sans "Angel's Song" — a Mellotron-laden slow song with excellent vocals) have at least one section that falls into the stadium rock, 4/4 do-da-do-da, head-banging category. However, most all of these tunes also have some cooler instrumental or solo section that sounds way better. The guitar solos on the first and last tracks are very Allan Holdsworth influenced, and quite good. The intro to the album is very "Magnum Opus" (from Kansas) derived. Probably the best track on the album, the fourth number features some fat 'n' heavy crunch guitars playing this James Bond sounding riff in 15/8 with a smoking keyboard solo on top. Nice... The few slower tracks are subdued and simple musically and feature angelic vocals rather than the alternating guitar and keyboard melodies that dominate the harder rock songs. Despite the occasional pomp rock tendencies, most of the tracks have more good parts than bad. There are several good elements to Wappa Gappa: the tasteful keyboard and guitar solos, the overall talent of the individual players, and of course the vocals. Fans of Annie Haslam style singing should get this for the voice of Yamamoto alone.
Related artist(s): Wappa Gappa
These are the most recent changes made to artists, releases, and articles.