Exposé print issues (1993-2011)
Versailles — Le Trésor de Valliesres
(Musea FGBG 4103.AR, 1994, CD)
This latest offering from the French four-piece Versailles takes the spirit of the classic French symphonics (Ange, Mona Lisa, etc.) and dresses it in a modern suit of heavy armor. Vocalist Guillaume de la Pilière links the present to the past, and although his voice is a bit more gravelly and uncontrolled than Christian Décamps (of Ange), it's still quite evident that there is a major influence here. Lyrics are all in French. Guillaume is also the guitarist and flautist, and on the longer tracks he and the rest of the band stretch out and show what they are made of, a powerful symphonic based rock with a very French feel, dramatic and emotional. They do an excellent job on these instrumental passages, and nobly attempt to do some very complex licks, yet at times I get the feeling they are in a little over their heads. At their instrumental best (eg. the twenty minute "Une Saint Barthélémy Dévote" or the thirteen minute "Dégénérescence obsessionelle") they can call in all the powers and deliver a powerful rock based opus with a complex edge and gripping solos. Shorter tracks like "Exquisite Betise,” "Avec Tous Mes Hommages" and "Viendra L'heure" call up the spirit of the past a bit more, due to their high degree of vocal content — yet the inclusion of both keeps the album from weighing down or becoming too lofty and poetic. An acoustic guitar instrumental "Jadis" flows nicely in the mix as well. One complaint is of the sound quality, of concern only when everyone is playing at once — but which is probably when a listener wants to hear the most. The clarity suffers a bit at some of these power points, yet still it's not as bad as the mix in Deus Ex Machina's Gladium Caeli. Overall, this is a winner, one I'm certain that most listeners would enjoy.
by Peter Thelen, Published 1994-08-01
by Mike McLatchey, Published 1994-08-01
Related artist(s): Versailles
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