Exposé Online banner

Versailles — Le Trésor de Valliesres
(Musea FGBG 4103.AR, 1994, CD)

by Mike McLatchey, 1994-08-01:

Le Trésor de Valliesres Cover art It’s amazing how with opinions on bands, even one or two can sway you. This is French group Versailles' third album, and by the reports of their first album Le Cathédrale du Temps, I was warned to stay far away. This opinion also affected my decision to ignore their Don Giovanni, which was declared by some as a big step up. Their third album here has been quite a talking point in the scene now, and with all the good opinions on this one I'd figure I'd take a listen. I'm very glad I did as well, as this album is by far one of the best I have heard in its style in quite some time. First comparison is obvious in that these guys used to listen to a lot of Ange, which is evident by their contribution to the A Propos d'Ange compilation. Vocalist Guillaume de la Pillière sounds quite a bit like Christian Décamps at time, yet not quite as strong. In fact some of the narration reminds me heavily of the style on the Emile Jacotey album. Instrumentally, all are constantly improving musicians, most notably the keyboadist whose organ chops and synth leads are quite pleasing to the senses. At times the music is a tad sloppy in the rhythm department — not that they are bad players, the fact that they're taking these impressive steps up is more than enough to cover for it. The music is excellent with a good mix of digital and analog (the Mellotron is extremely effective here) keys, and is in a restrained powerful style comparable to Pink Floyd circa Meddle (parts of it are practically plagiaristic — check out the David Gilmour guitar lines a la “Echoes” in “Une Saint Barthélémy Dévote” ) or classic Pulsar ("Strands" or "Halloween"). The music is dynamic, melodic, well constructed with diverse use of sounds and textures. By the time you get to the incredible 20 minute "Une Saint Barthélémy Dévote" I'm sure any symphonic fan will be under its spell. This is great music, and a tribute to a band trying hard to improve in all ways. Excellent and highly recommended (except for the tacky cover).

by Peter Thelen, 1994-08-01:

This latest offering from the French four-piece Versailles takes the spirit of the classic French symphonics (Ange, Mona Lisa, etc.) and dresses it in a modern suit of heavy armor. Vocalist Guillaume de la Pilière links the present to the past, and although his voice is a bit more gravelly and uncontrolled than Christian Décamps (of Ange), it's still quite evident that there is a major influence here. Lyrics are all in French. Guillaume is also the guitarist and flautist, and on the longer tracks he and the rest of the band stretch out and show what they are made of, a powerful symphonic based rock with a very French feel, dramatic and emotional. They do an excellent job on these instrumental passages, and nobly attempt to do some very complex licks, yet at times I get the feeling they are in a little over their heads. At their instrumental best (eg. the twenty minute "Une Saint Barthélémy Dévote" or the thirteen minute "Dégénérescence obsessionelle") they can call in all the powers and deliver a powerful rock based opus with a complex edge and gripping solos. Shorter tracks like "Exquisite Betise,” "Avec Tous Mes Hommages" and "Viendra L'heure" call up the spirit of the past a bit more, due to their high degree of vocal content — yet the inclusion of both keeps the album from weighing down or becoming too lofty and poetic. An acoustic guitar instrumental "Jadis" flows nicely in the mix as well. One complaint is of the sound quality, of concern only when everyone is playing at once — but which is probably when a listener wants to hear the most. The clarity suffers a bit at some of these power points, yet still it's not as bad as the mix in Deus Ex Machina's Gladium Caeli. Overall, this is a winner, one I'm certain that most listeners would enjoy.

Filed under: New releases , Issue 4 , 1994 releases

Related artist(s): Versailles

More info

Latest news

2020-10-14
Audion Is Back in Business – Our esteemed colleague Alan Freeman has restarted Audion Magazine after a seven year hiatus. The new incarnation is available online on their Bandcamp site. Audion's history goes back to 1984, and included 58 issues up to 2013. Issue #59 is available now, and #60 is in the works. » Read more

2020-10-06
Romantic Warriors IV – Krautrock (Part 2) Is in the Works – Zeitgeist Media, the people who have brought us the great series of documentary films chronicling the history of progressive rock, are working on the second installment of their examination of German music. Krautrock 2 will focus on artists from Münich such as Guru Guru, Amon Düül II, Xhol Caravan, Kraan, Witthüser & Westrupp, and Popol Vuh. » Read more

2020-09-09
Simeon Coxe RIP – Simeon Coxe, best known for his experimental electronics in the band Silver Apples, has died at the age of 82. The band's 1968 debut album set the stage for both German electronic music and experimental punk music a decade later. Coxe died on September 8 from pulmonary fibrosis. » Read more

2020-09-05
Gary Peacock RIP – Legendary bassist Gary Peacock, veteran of many recordings and performances with Paul Bley, George Russell, Roland Kirk, Bill Evans, Tony Williams, and many more. » Read more

2020-07-22
Tim Smith RIP – Tim Smith, leader of the eccentric band Cardiacs, has died at the age of 59 after many years of health problems. Cardiacs was known for intense and complicated music that combined punk energy with the rhythmic and harmonic sophistication of progressive rock. » Read more


Previously in Exposé...

XII Alfonso - Under – Apparently taking a break from their three-part tribute to painter Claude Monet, this French band has put out this lush instrumental concept album. You might typically say that an instrumental concept...  (2010) » Read more

Yes - Songs from Tsongas – Yes' management has done a pretty good job documenting the various incarnations of the group since the botched Keys to Ascension reunion shows from 1996. Ensuring the classic line-up was intact was...  (2007) » Read more

Mind Furniture - Hoop of Flame – Mind Furniture, a Bay Area band recording their first CD in 2000, is Brett Barnett (keys), Bill Estes (guitars), Paul Harrison (bass), John Mabry (vocals and acoustic guitar), and Greg Miller (drums)....  (2008) » Read more

Light - Light – It's rejuvenating to hear a modern-sounding progressive rock band that is driven by a solid guitar player. With Light, Mario Driessen not only supplies the guitar, he also writes all the music and...  (1996) » Read more

Twelfth Night - Smiling at Grief & Art and Illusion - The Definitive Editions – Those interested in discovering the roots of neo-prog owe it to themselves to explore the music of Twelfth Night, and I can’t think of a better place to start than here. Smiling at Grief was...  (2011) » Read more



Listen & discover



Print issues