Tibet — Tibet
(Musea FGBG 4115.AR, 1978/1994, CD)
by Mike McLatchey, 1995-03-01:Musea seem to have an affinity for the late-70s/early-80s German symphonic genre — the type of music that started with Eloy and Grobschnitt and ended with a million one or two shots — you know Neuschwanstein, Rebekka, Ivory and others. Tibet fits very comfortably in this style and released one album in 1979 that this is a reissue of. Tibet were practically the long lost brother of Sky symphonic group Octopus and had the same tendencies — flowing tracks with drums that make the music ride along effortlessly and high tenor vocals (female on Octopus, male on Tibet, yet very similar). While I would rate Octopus' debut Boat of Thoughts one of the best to come from this genre, I would say that Tibet is fool's gold in comparison. Even with two keyboards, the music can be too sparse, the musicianship not as adept, and the emotional content either not communicated adequately or lacking altogether. I'm not much of a fan of this subgenre of symphonic rock; Tibet is a decent but unremarkable album.
by Henry Schneider, 1995-03-01:
Tibet is another one of Musea’s reissues of obscure 70s bands. Unfortunately for Musea, the master tapes were lost over the past 15 years. They had to remaster the CD from a vinyl copy using state-of-the-art equipment to remove the surface noise. It baffles me why Musea went to this expense to reissue this mediocre album by this derivative German band. The best things about this reissue are Musea’s trademarked extensive liner notes, band history, lyrics, and outstanding artwork. The music is a poor imitation of Genesis’ Selling England by the Pound and the vocals are extremely annoying. Only three of the seven songs rise above the ooze but not enough to make it worthwhile for you to invest your hard earned money.
Related artist(s): Tibet
Holger Czukay RIP – Holger Czukay, a musical experimentalist without boundaries who has been involved with expanding the sound palette of rock music since the late 60s, has died at the age of 79. After studying with Karlheinz Stockhausen in the early 60s, he became fascinated with the possibilities of rock music, and was a co-founder of the pioneering group Can. He leaves behind an impressive body of work both as musician and producer. » Read more
John Abercrombie RIP – Another of the greats of jazz guitar has left us. John Abercrombie plied his way through a beautiful series of albums on the ECM label as well as bringing his talent to bear on albums by many of jazz's greatest artists. From his early work in the group Dreams to Gateway and outstanding work with Billy Cobham, Jack DeJohnette, Kenny Wheeler, and many more to his own trios and quartets, he brought a unique instrumental voice to the world. » Read more
First ProgStock Festival Set for October – October 2017 will see the inaugural edition of a festival called ProgStock in Rahway, New Jersey at the Union County Performing Arts Center. With a definite slant towards neo-progressive music, the event is sure to please many fans with the inclusion of such artists as Echolyn, Glass Hammer, and Aisles. The festival will take place October 13-15. » Read more
Clive Brooks RIP – Word reaches us today of another sad passing in the music world. Drummer Clive Brooks, best known as a member of such Canterbury bands as Egg, Uriel / Arzachel, and Groundhogs, has died at the age of 67. Details are sketchy at this point. The news was reported on Nick Mason's Facebook page — Brooks was Mason's drum tech. » Read more