Exposé Online banner

The Worm Ouroboros — Of Things That Never Were
(AltrOck Productions Fading FAD011, 2013, CD)

by Peter Thelen, Published 2013-11-20

Of Things That Never Were Cover artWhile one might be mystified by the opener “L’Impasse Sainte Beregonne,” a sort of crepuscular instrumental prog dirge highlighted by electric guitar, flute, and bassoon, things take a more light, playful and colorful turn with “Shelieth,” seemingly inspired by classic period PFM, though not derivative in any sense. There must be something in the water in Minsk that produces brilliant musicians with outstanding compositional ideas. The band is nominally a four-piece with multi-instrumentalist Sergey Gvozdyukevich handling most of the writing, as well as the vocals, though guitarist Vladamir Sobolevsky has a strong hand in the arrangements, with bassist Alexey Zapolsky and drummer Eugene Zarkhin providing a solid rhythmic foundation that adds just the right touches to their sound. The wild card is reed player Vitaly Appow, from Rational Diet and more recently Five-Storey Ensemble, who appears on many of the tracks here, adding melodic counterpoint to Gvozdyukevich’s flute and keys. The album’s first vocal cut “The Pear Shaped Man” most definitely plays the Van Der Graaf / Hammill card, an influence that can be heard on some of the other tracks as the album proceeds, but nowhere more so than here. “Soleil Noir” starts by recalling the gentler side of classic period PFM, though this time with vocals, as it slowly morphs into a more edgy rock piece. The album’s darkest cut is “The Curfew,” one that may at different times recall elements of Magma, Present, or Art Zoyd; here electric piano duels with guitar and bassoon, with a funky zeuhl-like bass figure supporting, all topped off with mysterious chanting. “Dawn Angel” is a beautiful acoustic guitar duet that leads nicely into “Pirates in Pingaree,” a powerful, shifting symphonic piece that at times evokes classic Camel and other Canterbury and classic Italian influences. This Worm Ouroboros (not to be confused with a Bay Area post-rock band with the same name) pushes all the right buttons, and Of Things That Never Were is nothing if not a startling debut.

Filed under: New releases, 2013 releases

Related artist(s): The Worm Ouroboros

Latest news

2020-09-09
Simeon Coxe RIP – Simeon Coxe, best known for his experimental electronics in the band Silver Apples, has died at the age of 82. The band's 1968 debut album set the stage for both German electronic music and experimental punk music a decade later. Coxe died on September 8 from pulmonary fibrosis. » Read more

2020-09-05
Gary Peacock RIP – Legendary bassist Gary Peacock, veteran of many recordings and performances with Paul Bley, George Russell, Roland Kirk, Bill Evans, Tony Williams, and many more. » Read more

2020-07-22
Tim Smith RIP – Tim Smith, leader of the eccentric band Cardiacs, has died at the age of 59 after many years of health problems. Cardiacs was known for intense and complicated music that combined punk energy with the rhythmic and harmonic sophistication of progressive rock. » Read more

2020-07-12
Judy Dyble RIP – Singer-songwriter Judy Dyble, who was a founding member of Fairport Convention and one of the distinctive voices of the 60s folk revival in Britain, has died at the age of 71. Her passing came at the end of a long illness, though which she continued to work. » Read more

2020-07-06
Ennio Morricone RIP – Famed composer Ennio Morricone has died at the age of 91. The creator of scores for more than 500 movies, some of his works have become the most recognizable sounds in the history of cinema. His soundtracks for Sergio Leone's Westerns made from 1964 to 1971, are iconic landmarks in film music, but he also composed for dramas, comedies, and other genres. He won the Academy Award for Best Original Score in 2016 for The Hateful Eight. » Read more


Previously in Exposé...

Änglagård - Epilog – Since Änglagård's superb 1992 debut Hybris, more than a few folks have been eagerly awaiting the follow-up effort from this magnificent Swedish ensemble. Everyone wondered — would they be able to...  (1995) » Read more



Listen & discover



Print issues