Exposé Online banner

The Underground Railroad — Through and Through
(Laser's Edge LE1033, 2000, CD)

by Jon Davis, 2001-12-01:

Through and Through Cover art

The Underground Railroad was formed with the express intent of playing music in the style of Genesis, but they have luckily strayed from the strict observance of that intention. There is a remnant of Genesis in the arrangements, the way the guitar and keyboards mix, but Bill Pohl’s guitar playing isn’t much like Steve Hackett’s, and Kurt Rongey uses keyboard voicings that don’t sound like Tony Banks. All in all, there’s a slight jazz-fusion edge to the playing, a bit of wandering outside the tonality of the songs. The album was recorded in a very piecemeal fashion – keyboard and backing guitar parts with drum machine first, then (when they added drummer John Livingston) real drumming, then (when Matt Hembree was hired) bass parts, and finally the vocals and lead guitar parts. The whole process took several years, so it’s amazing the music sounds so natural, as if the band had actually played it all together. The up side of the process is that the compositions are highly polished, almost like the band had developed them during years of live performances. This is one of the better neo-prog efforts of the last few years, taking the best elements of first-generation pioneers and updating them without losing sight of what makes progressive music appealing: a sense of adventure, instrumental prowess that serves rather than overpowers the songs, and a willingness to work outside the borders of accepted convention.


by Jeff Melton, 2000-10-01:

Kurt Rongey has finally found a group outlet for his advanced Canterbury and symphonic based ideas. Much like early Echolyn with Holdsworthian guitar blasts or similar to jazz inflected Scott McGill's role in Finneus Gauge without as strong a vocalist. Thus there's a strong link with UK and Bruford band material (circa One of a Kind) where Dave Stewart handled much of the arrangements. Guitarist Bill Pohl and Rongey have roots which stretch back several years including Pohl's lead guitarwork on "Long, Dark Corridor" from Rongey's first solo album, Book in Hand (1991). "The Comprachicos of the Mind" is a prime indicator keyboard wise, giving rise to Happy the Man and UK comparisons. Probably the most outstanding tracks are "The Doorman" where Pohl and Rongey unison leads within unique chord variations and tempo changes. Plus the album's title track is a strong summary piece which highlights the strengths of the group. I don't sense a strong Genesis vibe throughout the disc (comparable to that up San Francisco's Metaphor), but that's only due to the prominent use of variant keyboards throughout. Too bad the group didn't also include their excellent Egg cover from Mellow's Canterbury and Beyond tribute. Compositionally the group has far more complex roots and influences than Iluvatar or other neo-prog examples, which could explain why it's taken so long to arrive at this completed work. Overall, this is the best US progressive release since Discipline's last studio release and my safest bet for prog album of the year.


by Peter Thelen, 2000-10-01:

While this debut is impressive for its compositional savvy and great arrangements, one needs to remember that two of the main movers in this four-piece unit are guitarist Bill Pohl and keys-man Kurt Rongey, both having had at least critical success on several previous solo albums. So does that make this a supergroup of sorts? OK, maybe that’s a stretch, but on every track beginning to end it’s obvious that these guys are no amateurs. Using a palette of guitars, bass (and bass pedals), multi-synths, drums, and vocals, the compositions herein are angular and employ an abundance of dynamic contrasts, shifting key signatures, and frequent use of dissonance. While three of the six tracks are 10+ minute multi-part epics in the best prog tradition, nowhere will one find these guys falling back on the standard clichés; indeed the material and arrangements here are some of the freshest, most original this writer has heard in some time. Some influences in evidence might be Genesis, Van der Graaf, and other bands in the early Charisma camp. The vocal parts (note that UGRR’s music is predominantly instrumental) are strongly reminiscent of Happy the Man’s vocal material, or Italian band Leviathan’s Bee Yourself (is that an obscure enough reference?). In summary an exceptional, challenging, and surprisingly accessible debut, which this writer can wholeheartedly recommend.


Filed under: New releases , Issue 20 , 2000 releases

Related artist(s): Kurt Rongey, The Underground Railroad, Bill Pohl

More info

Latest news

2021-04-01
New Aristocrats Live Album on the Way – No foolin'! These supreme musicians toured Europe early in 2020, just before touring ceased to be a thing musicians could do, and there were some hot performances captured. On May 7, some of these will be releases as Freeze! Live in Europe 2020. » Read more

2021-03-25
Return of Jerry Lucky's Progressive Rock Files – After much consideration and surprisingly, positive feedback, Jerry Lucky is announcing the launch of the progressive Rock Files podcast, featuring the latest progressive rock music from around the world. » Read more

2021-03-14
Jewlia Eisenberg RIP – The sad news has come out that Jewlia Eisenberg has died. As a founding member of Charming Hostess, Eisenberg changed the face of music, bringing together Balkan klezmer, American folk, and experimental rock in a distinctive blend that garnered much praise. » Read more

2021-03-11
RIP Roger Trigaux – The sad news has come to our attention that Roger Trigaux, the guiding force of Present and former member of Univers Zero, passed away on the evening of March 10, 2021 after a long ilness. » Read more

2021-02-14
SoundQuest Fest 2021 – SoundQuest Fest, first experienced as a live festival in Tucson Arizona in 2010 was created by ambient music pioneer Steve Roach. This 2021 event will unite a worldwide gathering of artists and audience members together for a 3-day online event unique in the realm of ambient music. From March 26-28th a continuous flow of streamed performances, audio-video wonder worlds and deep immersion zones will burn bright on Roach’s YouTube channel. » Read more


Previously in Exposé...

French TV - Virtue in Futility – French TV hails from Louisville, KY and has a handful of releases to their name since their inception in the early/mid-80s. Led by bassist Mike Sary, they play an aggressive, complex, and somewhat...  (1994) » Read more

Paolo Angeli - Plays Frith & Björk - Tessuti – To paraphrase Shakespeare, there are more musics in heaven and earth than are dreamt of in your CD collection. Unless you have one of his previous releases, Paolo Angeli is probably an example of...  (2008) » Read more

Iva Bittová - Ne Nehledej – Iva is a Czech violinist/vocalist who worked with drummer Pavel Fajt on two stupendous albums (Bittova & Fajt and Svatba) before going it alone. This is her third solo work. (Caution: on her first...  (1996) » Read more

Xinema - Basic Communication – Xinema is a three-piece group from Sweden; the members originally played in a band called Madrigal in the mid-80s (not to be confused with the current band of the same name). Basic Communication, the...  (2008) » Read more

Melodic Energy Commision - Moon Phase Compendium – Rarely does one uncover psychedelic music from the late 70s or early 80s, so when one finds a pair of albums as anachronistic as these, and as good as these, one is obliged to wax superlative. Melodic...  (1999) » Read more



Listen & discover



Print issues