The Underground Railroad — Through and Through
(Laser's Edge LE1033, 2000, CD)
by Jon Davis, Published 2001-12-01
The Underground Railroad was formed with the express intent of playing music in the style of Genesis, but they have luckily strayed from the strict observance of that intention. There is a remnant of Genesis in the arrangements, the way the guitar and keyboards mix, but Bill Pohl’s guitar playing isn’t much like Steve Hackett’s, and Kurt Rongey uses keyboard voicings that don’t sound like Tony Banks. All in all, there’s a slight jazz-fusion edge to the playing, a bit of wandering outside the tonality of the songs. The album was recorded in a very piecemeal fashion – keyboard and backing guitar parts with drum machine first, then (when they added drummer John Livingston) real drumming, then (when Matt Hembree was hired) bass parts, and finally the vocals and lead guitar parts. The whole process took several years, so it’s amazing the music sounds so natural, as if the band had actually played it all together. The up side of the process is that the compositions are highly polished, almost like the band had developed them during years of live performances. This is one of the better neo-prog efforts of the last few years, taking the best elements of first-generation pioneers and updating them without losing sight of what makes progressive music appealing: a sense of adventure, instrumental prowess that serves rather than overpowers the songs, and a willingness to work outside the borders of accepted convention.
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