Exposé Online banner

The Moor — Flux
(Bishop Garden BGR 03.1996.01, 1996, CD)

by Peter Thelen, Published 1997-02-01

Flux Cover art

The Moor's first album, Every Pixie Sells a Story (reviewed in #9), set the stage with a dark and ominous gothic style that weighed in somewhere between Hawkwind and Anekdoten, with vocalist Hans Moll's low-register crooning adding to the sinister and foreboding nature of their sound. This time around space captain Nik Turner has joined the band's ranks as their sixth member, on sax and flute, and their style has gotten even darker and more aggressive, moving into near-industrial realms at times. Keyboards remain a potent and prominent part of their sound, although they seem to have finally planted both feet in the 90s, there's not as much 'tron to be heard on the new album, but what is there is powerful and magnificent. The lyrics seem particularly disturbed, very dark and disconnected, and a perfect match for where they are travelling musically. Across the album's seven tracks (each titled with a single four letter word...), this is the kind of dark, detached sound that Landberk hints at, mixed with ample amounts of techno-aggression, swirling effects, frightening images, and modern production techniques. Guests add trumpets, violin, flugelhorn (courtesy Jerker Rellmark of Masque), and trombone. So in short, if one liked what The Moor was doing last time out, Flux takes it all a couple steps further.


Filed under: New releases, Issue 11, 1996 releases

Related artist(s): Nik Turner, The Moor

Latest news

2018-06-05
Koenjihyakkei Seeks Funding for New Album – It's been quite a few years since the last new studio album by the amazing Koenjihyakkei. Now they are preparing Dhormimviskha for worldwide release, and they're asking fans to pre-order via a Kickstarter campaign to help it happen. » Read more

2018-05-14
Glenn Branca RIP – Experimental guitarist and composer Glenn Branca has died at the age of 69. He was known for compositions featuring large ensembles of guitars, and for the use of feedback. He founded his band Theoretical Girls in the mid-70s as an art-punk answer to what he saw as the increasing commercialization of punk music. His compositions were highly influential, with such figures as David Bowie, Thurston Moore, and John Lurie among his fans. » Read more

2018-04-05
OBEY Convention XI Set for May 24-28 in Halifax – As the 2018 festival season rapidly approaches, we’d like you to be aware of a real treasure of diverse and creative music that’s going to take place in Halifax, Nova Scotia, next month. The OBEY Convention is on its 11th outing, and features a wide range of artists from around the world. From avant-industrial noise to experimental takes on Classical Chinese music, from chamber jazz to doom metal, from ambient soundscapes to Canadian First Nations drumming, you’d be hard pressed to find a festival with more variety in sound anywhere in the world. » Read more

2018-04-04
Close to the Rain Festival in Bergen Announces Lineup – Now in its second year, the Close to the Rain Festival of progressive music is scheduled to take place in Bergen, Norway, on June 7 - 9. They've got an amazing slate of bands lined up, including such powerhouses as Anekdoten, Major Parkinson, Arabs in Aspic, Tusmørke, and many more. » Read more

2018-03-01
Seaprog 2018 Artist Announcements Raise Festival's Profile – Seattle's Seaprog festival has been going since 2013, and the 2018 edition features a slate of artists that's sure to bring more attention to the event. Cheer-Accident, Bubblemath, and Free Salamander Exhibit are in the first round announcement of performers. In keeping with their tradition of focusing on regional artists, they will also present a number of artists from Washington and Oregon. [Edit: Just added: Inner Ear Brigade] » Read more


Previously in Exposé...

Chas Smith - Descent – Like opening a portal into a dreamworld, Chas Smith’s music pulls the listener in immediately. The disc contains two sidelong tracks and a shorter ten minute closer, all explorations in...  (2006) » Read more



Listen & discover



Print issues