Exposé Online banner

Roots of Consciousness — Roots of Consciousness
(Syn-Phonic SYNCD12, 1993, CD)

by Mike McLatchey, 1994-02-01:

Roots of Consciousness Cover art These guys inhabit that area of progressive rock that tends to make me cringe. Influences? Rush, Marillion, maybe even Be Bop Deluxe. This type ofmusic is more in an "art rock" vein - very vocal oriented (and in that Fish kind of vein), straight song structure, little or no depth of sound, cliched ideas, and when they do tend to broaden themselves instrumentally it seems forced rather than natural. Take "Put You Away," which sounds like an updated version of late seventies/early eighties Rush with annoying "Cygnus X-1" like narration. One thing I do like about some neo progressives is the lushness of some of the music, yet Roots seem to be lacking heavily in this area. A lot of their music reminds me of stuff like the Ventures ("Candelabra") trying to do progressive rock. I suppose this is a more unique approach than the average neo but it still doesn't sound good to my ears. I doubt this will be high on many lists.

by Peter Thelen, 1994-05-01:

On first listen I wasn't sure what to make of this debut release from Atlanta's Roots of Consciousness, a four piece of guitars, keys, bass and drums, with vocals by all. After a few listens those distorted and grotesque voices, the quirky arrangements and seemingly over-familiar themes from the 70s began to grow on me and provide a window to an inner side of this band that combines an experimental 60s neo-psychedelicism with the hard-rock mystical approach of early-Rush and bands like UFO. These two comparisons work well for a starting point, yet there are other elements in this sound that are not that easy to categorize, some fairly original ideas that juxtapose elements of the simpler 70s hard rock with the progressive elements of the same period. The weird distorted dialog and such may annoy some as being gimmicky, but taken in the spirit of the times the music seems to represent, they are quite appropriate. Tracks like "Remorse," the lengthy four-parter "( )," and "Candelabra" go far to clarify the dark vision that the album overall seems to embrace, both lyrically and musically. "Lethe Wharf," an instrumental that sounds a bit too up-to-date among the album's other tracks, tinkers with dissonance. Topping the album off is the not- intended-to-be-serious track "For Radio Airplay," with it's spoken vocals riddled with bleeped four letter expletives! In all, this is one that fans of the early Rush sound and the more experimental facets of the early 70s might appreciate wholeheartedly.

Filed under: New releases , Issue 3 , 1993 releases

Related artist(s): Roots of Consciousness

More info

Latest news

2020-10-14
Audion Is Back in Business – Our esteemed colleague Alan Freeman has restarted Audion Magazine after a seven year hiatus. The new incarnation is available online on their Bandcamp site. Audion's history goes back to 1984, and included 58 issues up to 2013. Issue #59 is available now, and #60 is in the works. » Read more

2020-10-06
Romantic Warriors IV – Krautrock (Part 2) Is in the Works – Zeitgeist Media, the people who have brought us the great series of documentary films chronicling the history of progressive rock, are working on the second installment of their examination of German music. Krautrock 2 will focus on artists from Münich such as Guru Guru, Amon Düül II, Xhol Caravan, Kraan, Witthüser & Westrupp, and Popol Vuh. » Read more

2020-09-09
Simeon Coxe RIP – Simeon Coxe, best known for his experimental electronics in the band Silver Apples, has died at the age of 82. The band's 1968 debut album set the stage for both German electronic music and experimental punk music a decade later. Coxe died on September 8 from pulmonary fibrosis. » Read more

2020-09-05
Gary Peacock RIP – Legendary bassist Gary Peacock, veteran of many recordings and performances with Paul Bley, George Russell, Roland Kirk, Bill Evans, Tony Williams, and many more. » Read more

2020-07-22
Tim Smith RIP – Tim Smith, leader of the eccentric band Cardiacs, has died at the age of 59 after many years of health problems. Cardiacs was known for intense and complicated music that combined punk energy with the rhythmic and harmonic sophistication of progressive rock. » Read more


Previously in Exposé...

Buckethead - Monsters and Robots – For readers of superhero comics, the Origin issue was always a treat. How did Radioman develop the ability to project radio waves from his eyes? How did Buckethead get his name and strange persona? On...  (2000) » Read more

Circus 2000 - Circus 2000 & Escape from a Box – Circus 2000 is an entirely different beast from the rest of the Vinyl Magic catalog, falling more in the psych realm than in the more classically styled progressive genre. It's not to say they...  (1995) » Read more

Groove Unlimited 2002-2003 Releases – The Netherlands’ Groove label, perhaps the premiere label for sequencer-heavy electronic music, has been on quite the roll lately, releasing and distributing a number of albums by newcomers and...  (2003) » Read more

Kubusschnitt - The Cube – If you are still searching for the near-perfect modern equivalent to Tangerine Dream and Klaus Schulze from their peak form in the 70s, you may find something tantalizingly close with this stellar...  (2000) » Read more

Tuner - Totem – Tuner is the two-man power group featuring Pat Mastelotto (King Crimson) and Marcus Reuter (Centrozoon). Mastelotto is at home playing modern electric percussion while Reuter is better known as a...  (2007) » Read more



Listen & discover



Print issues