Exposé print issues (1993-2011)
Quasar Lux Symphoniæ — Abraham - One Act Rock Opera
(Music Is Intelligence WMMS 038/39, 1994, 2CD)
Quasar Lux Symphoniæ is a new Italian outfit that has made its entrance into the prog world with quite a bang. Abraham is a one act rock opera spanning two CDs, that is almost Wagnerian in its ambitiousness. With recitative-like dialog, grandiose arias, and extensive instrumental breaks which utilize themes and leitmotifs introduced in the "Overture," the work tells the Old Testament story of Abraham. If all this sounds slightly pretensious, well... Musically Abraham is sort of a mixed bag. The instrumental sections tend to be in a somewhat neo-proggish style, with a basic rhythm section supporting either a guitar lead over keyboard pads or a keyboard lead over guitar power chords. Within the confines of this genre, though, there is some very good music here. The guitarist, Roberto Sgorlon, seems to have some prog-metal influences, evident in his digital distortion laced leads as well as his acoustic style. The keyboardist, Paolo Paroni, is the most versatile of the bunch, serving up sampled analog synth leads, huge walls of digital synths, and long Romantic-styled solo piano interludes. Unfortunately, the plodding, repetitive rhythm section, the typical downfall of the neo-prog style, is here as well. The vocal pieces, featuring both male and female vocals, come in a variety of styles. There are driving, aggressive neo-proggish songs, as well as pieces that can best be described as lying somewhere in between a pop ballad and something from an Andrew Lloyd Weber musical, probably closer to the latter. Still other parts of this work feature dramatic dialog over bare synths or a huge baroque choir. Annalisa Malvasio, who sings the part of Sarah, is quite a strong vocalist, and her songs are among the high points of the entire double-CD. The vocals are all in English, though there is a fairly thick accent at times, making it hard to understand the words. Overall, this release is rather impressive in its scope and zeal, but the music is not quite as compelling. In the end, your mileage with Abraham will probably depend on your feelings about neo-prog and somewhat bombastic, double album-length "rock" operas. Regardless, its hard not to admire the ambition of this new group, or deny that progressive music has been without an epic work like this for quite some time.
by Rob Walker, Published 1994-10-01
by Peter Thelen, Published 1994-10-01
Related artist(s): Quasar Lux Symphoniæ
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