Exposé Online banner

Present — Live!
(Cuneiform Rune 87, 1996, CD)

by Mike Ezzo, 1997-02-01:

Live! Cover art

What a treat this was — to hear a live recording by the enigmatic Present. Led by Roger Trigaux, this band has unfortunately dwelt in the shadow of his alma mater, Univers Zero. With only three studio releases to his credit since forming Present in 1981, Roger is a composer whose oeuvre is shrouded in mystery, leaving in its lengthy absences quite an obsessive curiosity for what he will do next. Live! features the following : one track from C.O.D. Performance; two previously unheard pieces; and finally, the monstrous "Promenade au Fond d'un Canal" from his first album, Triskaidekaphobie. This release captures a very raw live sound, unencumbered by technical razzle-dazzle. Roger and his son Reginald divide the guitar duties between themselves, and cover all the bases of playing: tortured, sustained solos; dissonant chordal work; multi-layered interlocking patterns; even some bluesy flourishes. They practically strangle every last drop of blood out of the instrument. I marvel at Roger's ability to pace his compositions. It always leaves you guessing. "Promenade" is a veritable textbook in how to mark a piece with drama and contrasts. More than ever hitherto vocals are employed, and this was unexpected, especially on a live recording. I don't know who is doing the singing, but it is very evocative nonetheless. The hushed, dull tones of "Alone" are very appropriate for the setting, a contrast to the Beefheartesque wailing on "Laundry Blues," and the grunge-oid French intonations of "Contre."

Describing Roger's music isn't a piece of cake by any means, but it shares a similar musical vocabulary to his one-time partner / usual Present drummer, Daniel Denis. Trigaux tends to go for a more visceral, from-the-gut approach, probably because he is a guitarist. It is a peculiarly Belgian way of doing things that I find has its roots not only in music ("Contre" bears the fingerprints of Stravinsky), but in Flemish painting: Peter Bruegel often comes to my mind when I listen to Present. Is this a sort of threnody for souls in torment? A Dostoyevsky-inspired dissection of evil? Or a warning, along the lines of Bruegel's "Triumph of Death"? That kind of brooding imagery comes alive in the landscape of Present's work. The ambiguity of possible interpretations is what makes this criminally underrated music so profound. Don't miss it.


by Dan Casey, 1997-02-01:

On again, off again, and on again, this mini-tour eventually did occur (with 5uu's David Kerman subbing for the rumored Daniel Denis) and is captured on this fine release. Along with Kerman, is frontman Roger Trigaux and son Reginald (both handle keys, guitar, and vocals) and bassist Bruno Bernas. The opener is "Laundry Blues" and it's a killer. Imagine Philharmonie gone heavy, very Crimson-esque and very dark and you'd have some idea of what this sounds like. Kerman's drumming is hot, and the Trigaux boys add a lot of grotesque Heresie-like gutteral vocalizing. The second tune, "Contre," is even more intense, more jamming than the previous one. Things take a turn for the worse with the third tune "Alone," with its annoying screaming vocals and horrible lyrics ("Everything is bad, nothing is real") repeated ad nauseum. This is vengeful and angry stuff, and it doesn't have much to do with the original neo-classical sound of the original band. But they close the disc out with a new rendition of the classic "Promenade au Fond d'un Canal" and this brings the more familiar, more enjoyable Present stylings to the fore. Note the added vocals to cover the virtual lack of keyboards. This is easily the highlight of the disc. Overall a pretty strong album, not without its problems to be sure, but very solid. Great to hear these guys burning like this, hopefully more music will materialize...


by Peter Thelen, 1997-02-01:

Present is back in black. When we last heard from this Belgian band — 1995's studio reformation disc COD Performance, the lineup consisted only of Roger Trigaux and his son Reginald, both on guitars, vocals, and percussion. This latest live disc, recorded December of last year in Germany, features a full lineup including Bruno Bernas on bass and Dave Kerman (U-Totem / 5uu's) on drums. What the studio album lacked in aggressiveness and raw power is more than compensated for here; one and a half tracks from COD are featured, as well as one from the first album ("Promenade..."), and one new tune. With this dual guitar approach and the band's predisposition to dark and brooding themes (Roger Trigaux was one of the original members of Univers Zero — 'nuff said), the complex compositions and edgy improvisational guitar stylings deliver on what Crimson albums like "Starless and Bible Black" only hinted at, making it clear that — like Univers Zero, 70's Crimson, Magma, and so many other bands — Present are best heard in a live setting. The only negative one could say about the disc are the painfully twisted and sinister vocals on the first two tracks, which do take a few listens to get accustomed to; but on the plus side, most of the disc's fifty-odd minutes are purely instrumental. Fans of guitar-driven complex prog should find much herein to enjoy.


Filed under: New releases , Issue 11 , 1996 releases

Related artist(s): Dave Kerman, Present

More info

Latest news

2017-05-19
First ProgStock Festival Set for October – October 2017 will see the inaugural edition of a festival called ProgStock in Rahway, New Jersey at the Union County Performing Arts Center. With a definite slant towards neo-progressive music, the event is sure to please many fans with the inclusion of such artists as Echolyn, Glass Hammer, and Aisles. The festival will take place October 13-15. » Read more

2017-05-05
Clive Brooks RIP – Word reaches us today of another sad passing in the music world. Drummer Clive Brooks, best known as a member of such Canterbury bands as Egg, Uriel / Arzachel, and Groundhogs, has died at the age of 67. Details are sketchy at this point. The news was reported on Nick Mason's Facebook page — Brooks was Mason's drum tech. » Read more

2017-05-02
Col. Bruce Hampton RIP – The phrase "He died doing what he loved" is almost a cliche, but in the case of Col. Bruce Hampton, it couldn't be more true. Hampton, who was born Gustav Berglund III, collapsed on stage at his own 70th birthday celebration and later passed away. The event took place at the Fox Theater in Atlanta. » Read more

2017-04-16
ProgDay 2017 Announces First Bands – Flor de Loto, Sonar, and Infinien are the first three performers to be announced for the 2017 edition of the long-running ProgDay Festival. The 23rd ProgDay takes place Saturday and Sunday, September 2nd and 3rd, at Storybook Farm in Chapel Hill, North Carolina. » Read more

2017-04-16
Allan Holdsworth RIP – Surely in the list of artists who have contributed to the sound of modern music, there is a special spot for guitarist Allan Holdsworth. His name is known to virtually every student of the instrument in jazz and rock, and his style has been so widely emulated that it's hardly worth mentioning anymore — we can just assume that every guitarist has Holdsworth as an influence. » Read more


Previously in Exposé...

Tom Heasley & Toss Panos - Passages – For those who admire purely timbral musics, Tom Heasley and Toss Panos have put together more than an hour of inventive, often original work based wholly on the tuba and percussion. Original because...  (2008) » Read more

Apoteosi - Apoteosi – The Mellow label, run by Mauro Moroni, has probably released more discs in the last year and a half than Musea, Kinetic, Cuneiform and Syn-phonic put together. Dedicated to re-issuing long-lost...  (1994) » Read more

Krokodil & Düde Dürst - An Invisible World Revealed & Krokodil Solo – Krokodil is a rock band — let's make no mistake. Their strong points are the guitars and vocals. However on An Invisible World Revealed they have mixed in two tracks with a mid-eastern feel...  (1996) » Read more

Dave Fulton / Giles Reaves - The Range – Opening with an unadulterated nod to the analog synth sound, The Range lets loose with some overtly modulated white noise, trailing into trilling piano and finally settling into a pleasant pentatonic...  (2008) » Read more

Som Nosso de Cada Dia - Snegs – This three-man band is apparently well-remembered in their native Brazil. One look at the line-up will have the average listener thinking "ELP-clone" before the CD even starts playing, but...  (1997) » Read more



Listen & discover



Print issues