Exposé Online banner

Ozric Tentacles — Arborescence
(IRS 72438 29486 29, 1994, CD)

by Peter Thelen, 1994-08-01:

Arborescence Cover art The Ozrics are masters of the hypnotic groove, finding that seemingly endless psychedelic guitar and synth riff, a repetitive - nearly trance-like structure, and then exploring all of its possibilities to some sort of conclusion. The writing isn't particularly flashy, certainly not complex, nor does it have many of the traditional progressive traits. But the music, embellished by plenty of synth dweedling and strong rhythm patterns, is nonetheless powerful, and does take the listener somewhere special if the mind is open and the spirit free. The latest disc Arborescence is no different. The focus is only slightly different from previous releases, so anyone who was looking for some grand scale changes can rest assured that there are no major surprises here. The tracks alternate between power-drive ("Myriapod," "Shima Koto," "Astro Cortex"), more spacey tunes ("Dance of the Loomi," "There's a Planet Here," the title track), and those with a specific ethnic flavor ("Al-Saloog"). Of course that's the same as all the other Ozrics albums before it - which I suppose means the band is in a huge rut, offering only predictability, or perhaps consistency. Either way, they do one thing very well and that's exactly what they've done here; after twelve-plus albums I'm not tired of it yet.

by Mike Borella, 1994-08-01:

The Ozrics seem to be believers in the old saying, "If it ain't broke, don't fix it." They've found a style that works for them and that their fans seem to like. On this, their latest release, they've recorded 45 minutes of music that uses ideas from their previous four studio CDs, especially Erpland and Pungent Effulgent. As usual, Ed Wynne's guitar is the focal point of the music, with the expected swishy keyboards and repetitive bass lines simple enough to be sequenced (in some cases, I'm pretty sure they are). The drummer plays snare-bass rhythms and, unlike Strangeitude and Jurassic Shift, adds some interesting fills. But as a whole the band rarely breaks 4/4, uses the same key changes, many of the same riffs, and the same basic feel and sound as their previous works. What this adds up to is that fans of the old Ozric sound will most likely enjoy Arborescence, while those of us looking for something new and exciting (or even slightly different from their previous work) will be impressed with how well Ozrics can repeat themselves.

by Dan Casey, 1994-08-01:

With Arborescence Ozric Tentacles have their fifth studio effort in as many years. As usual the texturing of the soundscape remains their focus and their foremost strength. Alarmingly unique in their ability to dress up crude and simple compositions with unbelievably rich synth textures and electronic effects/samples, the Ozrics certainly make up for their lack of songwriting with production and atmospherics. But they've been doing that for 10 years now, and for many longtime fans the formula has grown tiresome. Some feared that the Tentacles would sell out when they signed with IRS but, in fact, the opposite has happened - they have set new standards in stagnation. Those who have never heard Ozrics before shouldn't let this stand in their way, though. Arborescene is as good a place to start as any, with the trademark Hillage-like guitar, gurgling and whirling synths, tight (but awfully simplistic) bass and drums, wrapped around rave, techno, African, and Middle Eastern influences. Highly recommended for beginners, but not much to get excited about for those who have been following the band for more than two albums.

Filed under: New releases , Issue 4 , 1994 releases

Related artist(s): Ozric Tentacles, Ed Wynne

More info

Latest news

2019-03-20
Freedom to Spend Unearths June Chikuma's Archives – Jun (June) Chikuma is well known for her video game and anime soundtracks, but she also released an album of experimental electronic music back in 1986 called Divertimento where she indulged the kind of spontaneity that wouldn't work in a soundtrack. RVNG Int'l label Freedom to Spend is bringing this overlooked item to broader attention with a deluxe reissue. » Read more

2019-03-03
Seaprog 2019 Lineup Almost Complete – The Seaprog festival in Seattle is scheduled for June 7-9 this year, and they've announced their lineup of performers. The revitalized Trettioåriga Kriget will cap Friday night, perennial favorites Marbin are on Saturday, and District 97 will finish off the fest on Sunday night. In support, they've booked a stellar variety of artists from the Northwest and around the world, including EchoTest, Markus Reuter and Trey Gunn, and the live debut of the amazing Troot project. » Read more

2019-02-21
You Can Be Part of an Ambient Electronic Project – The Gesture of History is a new electronic project put together by Sam Rosenthal of Black Tape for a Blue Girl, Steve Roach, and violist Sam Shadow. The music started as an instrumental track Rosenthal was working on for a Black Tape album, but took on a life of its own and demanded further enhancements. The majority of the funds raised will go to manufacturing costs for LP and CD editions, as well as other items as detailed on the Kickstarter page. » Read more

2019-01-31
Keyboardist Ingo Bischof R.I.P. – Keyboard player Ingo Bischof, best known as the longtime keyboard player of German band Kraan, passed away on January 29th, 2019. Bischof was born January 2, 1951 in Berlin-Kreuzberg and joined Kraan in 1975. » Read more

2019-01-11
Jazz Composer Mark Lomax, II Releases Epic 12CD Set – In addition to being a fine jazz drummer, Dr. Mark Lomax, II is a composer in residence at Ohio State University, where he has been very busy on the compositional front. The year 2019 is the 400th anniversary of the arrival of the first ship bringing African slaves to North America, and in commemoration of this, Lomax has produced 400: An Afrikan Epic, a 12 volume set of CDs featuring a variety of different musical ensembles. » Read more


Previously in Exposé...

Big Brother & the Holding Company - Live in San Francisco, 1966 – Live in San Francisco 1966 is an early recording by the band, from July 28th, only about six weeks after Janis joined the band. The fourteen songs presented here are loaded with energy, great playing...  (2004) » Read more

Murray Head - Greatest Hits – Summarizing Head's career of singles and one off recordings is actually a great career retrospective opportunity. Opening the track is Head's sensitive piece, "Say It Ain't So,...  (2002) » Read more

Pär Lindh Project - Gothic Impressions – For the few outside of Sweden who recognize his name, he is the one who sat in on the house pipe organ during Änglagård's performance of "Jordrok" at last year's Progfest. But Pär Lindh has...  (1995) » Read more

Gamelan Pacifica - Trance Gong – Based in the Seattle area, Gamelan Pacifica is a group of musicians in residence at Cornish College of the Arts. Their music – while not strictly traditional in itself – uses the...  (1996) » Read more

Project Creation - Floating World – Project Creation is the brain child of multi-instrumentalist and composer Hugo Flores, who has built a minor progressive rock masterpiece on par with the best of Queensrÿche, Fates Warning, and...  (2007) » Read more



Listen & discover



Print issues