Exposé Online banner

Ozric Tentacles — Arborescence
(IRS 72438 29486 29, 1994, CD)

by Peter Thelen, 1994-08-01:

Arborescence Cover art The Ozrics are masters of the hypnotic groove, finding that seemingly endless psychedelic guitar and synth riff, a repetitive - nearly trance-like structure, and then exploring all of its possibilities to some sort of conclusion. The writing isn't particularly flashy, certainly not complex, nor does it have many of the traditional progressive traits. But the music, embellished by plenty of synth dweedling and strong rhythm patterns, is nonetheless powerful, and does take the listener somewhere special if the mind is open and the spirit free. The latest disc Arborescence is no different. The focus is only slightly different from previous releases, so anyone who was looking for some grand scale changes can rest assured that there are no major surprises here. The tracks alternate between power-drive ("Myriapod," "Shima Koto," "Astro Cortex"), more spacey tunes ("Dance of the Loomi," "There's a Planet Here," the title track), and those with a specific ethnic flavor ("Al-Saloog"). Of course that's the same as all the other Ozrics albums before it - which I suppose means the band is in a huge rut, offering only predictability, or perhaps consistency. Either way, they do one thing very well and that's exactly what they've done here; after twelve-plus albums I'm not tired of it yet.

by Mike Borella, 1994-08-01:

The Ozrics seem to be believers in the old saying, "If it ain't broke, don't fix it." They've found a style that works for them and that their fans seem to like. On this, their latest release, they've recorded 45 minutes of music that uses ideas from their previous four studio CDs, especially Erpland and Pungent Effulgent. As usual, Ed Wynne's guitar is the focal point of the music, with the expected swishy keyboards and repetitive bass lines simple enough to be sequenced (in some cases, I'm pretty sure they are). The drummer plays snare-bass rhythms and, unlike Strangeitude and Jurassic Shift, adds some interesting fills. But as a whole the band rarely breaks 4/4, uses the same key changes, many of the same riffs, and the same basic feel and sound as their previous works. What this adds up to is that fans of the old Ozric sound will most likely enjoy Arborescence, while those of us looking for something new and exciting (or even slightly different from their previous work) will be impressed with how well Ozrics can repeat themselves.

by Dan Casey, 1994-08-01:

With Arborescence Ozric Tentacles have their fifth studio effort in as many years. As usual the texturing of the soundscape remains their focus and their foremost strength. Alarmingly unique in their ability to dress up crude and simple compositions with unbelievably rich synth textures and electronic effects/samples, the Ozrics certainly make up for their lack of songwriting with production and atmospherics. But they've been doing that for 10 years now, and for many longtime fans the formula has grown tiresome. Some feared that the Tentacles would sell out when they signed with IRS but, in fact, the opposite has happened - they have set new standards in stagnation. Those who have never heard Ozrics before shouldn't let this stand in their way, though. Arborescene is as good a place to start as any, with the trademark Hillage-like guitar, gurgling and whirling synths, tight (but awfully simplistic) bass and drums, wrapped around rave, techno, African, and Middle Eastern influences. Highly recommended for beginners, but not much to get excited about for those who have been following the band for more than two albums.

Filed under: New releases , Issue 4 , 1994 releases

Related artist(s): Ozric Tentacles

More info

Latest news

2017-02-20
Larry Coryell RIP – One of the greats of jazz guitar has left us at the age of 73. Larry Coryell was one of the founding figures of jazz fusion, but produced a significant body of work the bridged many styles. His group Eleventh House provided a unique take on the combination of jazz and rock that was distinct from contemporaries such as Mahavishnu Orchestra, Return to Forever, and Weather Report. » Read more

2017-01-31
John Wetton RIP – After a long battle with colon cancer, singer and bassist John Wetton has died at the age of 67. As an integral member of such bands as King Crimson, UK, and Asia, his was one of the distinctive voices in progressive rock, lending a human touch to often difficult music. » Read more

2017-01-30
Seaprog Announces First Artists for 2017 – The organizers of the Seaprog Festival in Seattle have announced the first set of confirmed performers for the 2017 festival. The best known names are Jack o' the Clock and Zero Times Everything, but a host of other bands are featured, mostly from the Northwest. The festival will take place June 2-4, 2017. » Read more

2017-01-27
Acoustic Festival of Britain 2017 Announces Eclectic Lineup – The Acoustic Festival of Britain has been going since 2006, and this year's event sees a number of outstanding artists on the bill. Fairport Convention, Tir na nOg, and Martin Turner are some of the artists we've covered, and there are many more, including The Men They Couldn't Hang, Howard Jones, Chantel McGregor, and many more. The festival runs June 2-4, 2017 at Uttoxeter Racecourse in Staffordshire. » Read more

2017-01-26
Butch Trucks RIP – Butch Trucks was one of two drummers in the first incarnation of the Allman Brothers Band in 1969, helping the band achieve its legendary status as an American original. He died on January 24, 2017 of a self-inflicted gunshot would. He was 69. » Read more


Previously in Exposé...

Blow up Hollywood - Fake – I’m sure they intend the band name to be interpreted as a command to attack Hollywood with explosives (sort of like “Kill Your Television”), but I choose to take the other meaning, imagining a...  (2005) » Read more

Iconoclasta - Live in France – Is it amazing that the Mexican band Iconoclasta is still around? Yes, but on the other hand with the passion founder member Riccardo Moreno shows to keep the torch of prog rock in Mexico burning, it's...  (2004) » Read more

Land - Road Movies – Jeff Greinke’s Seattle project has evolved from a small collective to a full ensemble taking on an entirely evolved format. This time out, there are smooth grooves and a forward outlook, and...  (2001) » Read more

Väsen - Trio – I’ll admit that one of the things I normally like most about Väsen is the unconventional use of percussion, so the prospect of a Väsen album without a percussionist was not at first...  (2004) » Read more

Peter Gach - Fresh Piano – Californian pianist Peter Gach here presents a set of pieces by five different contemporary composers from his home state; a variety of styles are represented, from decidedly lyrical to angular and...  (2011) » Read more



Listen & discover

Merkaba streaming



Print issues