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October Equus — October Equus
(Ma.Ra.Cash Records MRC 007, 2005, CD)
While there are bits and pieces of many recognizable influences in the palette of this Spanish band, I keep coming back to Museo Rosenbach. This is very much the same kind of dark, heavy progressive rock at which the classic Italian band excelled. And also like Museo, the quality is high enough to bode well for its staying power – not that I’m saying October Equus is quite in that exalted realm, since only time will tell how it ages, but it’s good stuff. The other main comparison is Änglagård, and Mellotron has something to do with that, as well as the fondness for minor keys and the fact that it’s entirely instrumental. In fact, October Equus is more relentlessly minor and even dissonant than either of the bands mentioned, into the territory of King Crimson, Present, or Univers Zero. But what this band has going for them over Crimson is more variety in tone colors. In addition to the ‘Tron, the keyboards feature good work on organ, piano, and the kind of Clavinet/harpsichord sounds that Kerry Minnear used to use with Gentle Giant. And the rhythms are less repetitive than Present – one thing about this album is that it’s constantly changing. It’s pretty dense stuff, but you weren’t looking for party music anyway, were you?
by Jon Davis, Published 2007-03-01
by Henry Schneider, Published 2007-03-01
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