Nyl — Nyl
(Soyuz Music SM 724-02, 2003, CD)
by Roel Steverink, Published 2005-09-01This prog rock quartet from Russia aims at two often hefty contrasting concepts: commercialism and ingenuity. It’s amazing how a complex structure flows out in a sing-song refrain. You can’t possibly accuse these guys for not being colourful, but these colors clash badly. There’s nothing wrong with their musicianship, competence is not in question, all players are skilled, and compositions have solid foundations. No, it’s the upbeat, smash hit attitude of the melodies that really annoys, that overly lyrical, bombastic kind of music you normally find in a commercial pop band like Starship. The most ridiculous piece here, I guess an ode to Duke Ellington (what the hell is he doing here?), starts out as jazz and changes into sympho again. When I have heard this album and I look again at the beautfiful cover of the CD where the head of an Egyptian sphinx has transcended into a labyrinth, I fear that they chose this imagery just to show off. Not only in the way of their musical thinking, but also in the lyrics which miss out on complexity and inventiveness. I don’t think that Nyl should continue to strive for complexity, that it would be better if they primely concentrate on commercial music from now on.
Related artist(s): Nyl
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From the press release:
To Wake a Dream in Moving Water takes from Echo Us' past and spins it into a whole new direction, one closer to traditional acoustic Celtic music than ever before.
To Wake a Dream in Moving Water was composed and recorded during the first few months of 2017. Although Celtic influenced and comprised of a number of re-workings of Irish folk tunes and Breton aires, the album is still in large part new and original Echo Us music that fits right in the Echo Us ‘canon’. “Wake” is a natural progression from “A Priori Memoriae”, which was released to critical acclaim in Europe in 2014.
To Wake a Dream in Moving Water is Echo Us’ ‘Celtic’ album that was planned for a long time but never executed because of the work on the trilogy that came before it. The album title is a typical ‘Echo Us’ play on words which one can find their own meaning.
“It is also both evocative of the Oregon rain, which I am told is not too unlike the rain in Ireland.”(Matthews)
To Wake a Dream in Moving Water is also a comment on conception- which was unintentional when the lyric was written. Matthews surprised himself a few months after writing it, realizing that the song was actually about the nitty gritty, biological workings of what happens when a child is conceived. The folk song it derives from musically describes a courting ritual, one that even today we can all relate to in our own way.
“Come With Me Over the Mountain" in acapella was the musical inspiration for the song, and came into my consciousness after the lyrics were written a few months prior. “ (Matthews)
As with all Echo Us recordings, a number of seeming coincidences resulted in connections being drawn where prior there were none. Another experience of similar capacity was found in oboe samples from A Priori Memoriae that echoed the traditional “May Morning Dew’, also reworked for guitar on the new album.