No-Man — Flowermix
(Hidden Art hi-art 2, 1995, CD)
No-Man — Heaven Taste
(Hidden Art hi-art 1, 1995, CD)
by Mike Ezzo, Published 1997-02-01
I suppose the music on these two remix CDs by No-Man could be categorized as loosely flirting with the techno / trance / ambient realm of things, but since the exceptions far outweigh the rule, it would be grossly misleading. Other influences and styles creep into the mix more than just a little. And this makes these two releases a real challenge to review fairly and accurately. Heaven Taste gives you five mid-length tracks plus an epic. Two members supply most of the electronics and instrumentation, plus vocals. And guests (including Mick Karn, Steve Jansen, and Richard Barbieri) provide violin, sax, and keyboards. Musically they seem to stand at a crossroads of sorts, and could conceivably go into two or three different directions. You've got the big beat of techno trance that, when it is present (about half the time, or less) creates a tension with the peaceful blissed out element; and then there is the spaciness that might attract adherents of Tangerine Dream, et al. The epic title track features a motif that sounds like it was almost lifted off Schulze's Mirage album. There are sporadic vocals sprinkled in intermittently, that don't always seem to fit since these are not song structures. If they were left out completely I don't think the music would suffer a bit. And the addition of instrumentalists lends an air of impressionistic jazz that spices things up beautifully. "Long Day Fall" begins with a lengthy violin rhapsody that could go on forever and I wouldn't complain. For my tastes, the more of this the better.
Flowermix is a much longer and detailed work, that gets even more diverse. Again, the exceptions outweigh the rule: a David Sylvian-type rock song, and a few pieces where I was bludgeoned by the beat left me unprepared for the remainder. Drifting Fripp "soundscapes" pervade much of the music, along with a Fripp guitar solo on "Angel Dust," which also includes a Mel Collins sax contribution. And his flute shows up in the most unexpected setting during "Why the Noise." "Natural Neck" adds bass and a swelling cloud cover of violins along with some simple but effective acoustic drum work. I could imagine detractors begging for an entire album of material like this. Even without the guests you've got some fine manipulation of electronics. Check out "All I See" for synth-laden textural imagery that creates a cavernous sinister mood. It's not that I object to heavy-duty rhythm at all; plenty of great music is filled with it. It's just that sometimes the beat feels as though it were an afterthought, rather than an integral part of the arrangement — as though the music would be invalidated without it, only to leave me confused by its sporadic absence. For me, both of No-Man's albums stand alone quite well, bereft of so prevalent an accent on the heavy beat.
Larry Coryell RIP – One of the greats of jazz guitar has left us at the age of 73. Larry Coryell was one of the founding figures of jazz fusion, but produced a significant body of work the bridged many styles. His group Eleventh House provided a unique take on the combination of jazz and rock that was distinct from contemporaries such as Mahavishnu Orchestra, Return to Forever, and Weather Report. » Read more
John Wetton RIP – After a long battle with colon cancer, singer and bassist John Wetton has died at the age of 67. As an integral member of such bands as King Crimson, UK, and Asia, his was one of the distinctive voices in progressive rock, lending a human touch to often difficult music. » Read more
Seaprog Announces First Artists for 2017 – The organizers of the Seaprog Festival in Seattle have announced the first set of confirmed performers for the 2017 festival. The best known names are Cabezas de Cera and Jack o' the Clock, but a host of other bands are featured, mostly from the Northwest. The festival will take place June 2-4, 2017. » Read more
Acoustic Festival of Britain 2017 Announces Eclectic Lineup – The Acoustic Festival of Britain has been going since 2006, and this year's event sees a number of outstanding artists on the bill. Fairport Convention, Tir na nOg, and Martin Turner are some of the artists we've covered, and there are many more, including The Men They Couldn't Hang, Howard Jones, Chantel McGregor, and many more. The festival runs June 2-4, 2017 at Uttoxeter Racecourse in Staffordshire. » Read more