No-Man — Flowermix
(Hidden Art hi-art 2, 1995, CD)
No-Man — Heaven Taste
(Hidden Art hi-art 1, 1995, CD)
by Mike Ezzo, Published 1997-02-01
I suppose the music on these two remix CDs by No-Man could be categorized as loosely flirting with the techno / trance / ambient realm of things, but since the exceptions far outweigh the rule, it would be grossly misleading. Other influences and styles creep into the mix more than just a little. And this makes these two releases a real challenge to review fairly and accurately. Heaven Taste gives you five mid-length tracks plus an epic. Two members supply most of the electronics and instrumentation, plus vocals. And guests (including Mick Karn, Steve Jansen, and Richard Barbieri) provide violin, sax, and keyboards. Musically they seem to stand at a crossroads of sorts, and could conceivably go into two or three different directions. You've got the big beat of techno trance that, when it is present (about half the time, or less) creates a tension with the peaceful blissed out element; and then there is the spaciness that might attract adherents of Tangerine Dream, et al. The epic title track features a motif that sounds like it was almost lifted off Schulze's Mirage album. There are sporadic vocals sprinkled in intermittently, that don't always seem to fit since these are not song structures. If they were left out completely I don't think the music would suffer a bit. And the addition of instrumentalists lends an air of impressionistic jazz that spices things up beautifully. "Long Day Fall" begins with a lengthy violin rhapsody that could go on forever and I wouldn't complain. For my tastes, the more of this the better.
Flowermix is a much longer and detailed work, that gets even more diverse. Again, the exceptions outweigh the rule: a David Sylvian-type rock song, and a few pieces where I was bludgeoned by the beat left me unprepared for the remainder. Drifting Fripp "soundscapes" pervade much of the music, along with a Fripp guitar solo on "Angel Dust," which also includes a Mel Collins sax contribution. And his flute shows up in the most unexpected setting during "Why the Noise." "Natural Neck" adds bass and a swelling cloud cover of violins along with some simple but effective acoustic drum work. I could imagine detractors begging for an entire album of material like this. Even without the guests you've got some fine manipulation of electronics. Check out "All I See" for synth-laden textural imagery that creates a cavernous sinister mood. It's not that I object to heavy-duty rhythm at all; plenty of great music is filled with it. It's just that sometimes the beat feels as though it were an afterthought, rather than an integral part of the arrangement — as though the music would be invalidated without it, only to leave me confused by its sporadic absence. For me, both of No-Man's albums stand alone quite well, bereft of so prevalent an accent on the heavy beat.
Seaprog 2018 Artist Announcements Raise Festival's Profile – Seattle's Seaprog festival has been going since 2013, and the 2018 edition features a slate of artists that's sure to bring more attention to the event. Cheer-Accident, Bubblemath, and Free Salamander Exhibit are in the first round announcement of performers. In keeping with their tradition of focusing on regional artists, they will also present a number of artists from Washington, Oregon, and British Columbia. [Edit: Just added: Inner Ear Brigade] » Read more
Adelbert von Deyen RIP – Word reaches us that German electronic musician Adelbert von Deyen has died. His recorded legacy reaches back to 1978, when Sky Records released Sternzeit. Von Deyen, who was born October 25, 1953 in Süderbrarup, was also known as a painter and graphic artist. » Read more
Didier Lockwood RIP – Word reaches us today of the death of one of France's great jazz musicians, violinist Didier Lockwood. His playing bridged many worlds, from traditional jazz to fusion to progressive rock, and his talent can be heard on recordings by Magma, Clearlight, Pierre Moerlen's Gong, and many more. Lockwood was 62. » Read more
10 Years of Fruits de Mer - The Incomplete Angler – Those of you who are faithful followers of Exposé will know that we have been promoting Fruits de Mer and its side labels and releases from nearly its first year. Now music journalist and author Dave Thompson has written a book chronicling the past ten years as a celebration of this milestone. » Read more
The Owl Watches - Tales from the Inflatable Forest – Multi-instrumentalist Phil McKenna is The Owl Watches. This is his first sometimes meandering solo endeavor by a composer who has proactively adopted the "do it yourself at home" option to recording.... (2005) » Read more