Ni-Hao! — No Respect
(Tenzenmen 182tzm, 2016, DL)
by Jon Davis, Published 2016-04-27
I often find recordings of the “lo-fi” esthetic very frustrating. Bad quality sound in a live situation is something that often can’t be avoided, and is mitigated by the positives of having the performers right there making the music. But when you take the time to record for later listening, distortion and poor equalization can be very tiring and distract from the content and quality of the music. In the case of vintage live recordings, I’m willing to make some allowances if the performance is of historical significance. This recording by the now-international group Ni-Hao! is quite a mixed bag in a lot of ways, not least the fidelity of the recording. Some tracks have an overdriven distortion that could have been recorded on a smartphone in a dive bar, and one track is explicitly called out as a live recording. Others have cleaner sound, akin to good quality modern demos. But the band’s style, which they call “cheer punk,” might be described in outside-world terms as “art-punk,” and lends itself to quick-and-dirty recording. They’re all about spontaneous fun, and precision playing is not at all required. That being said, there are some very inventive sounds on No Respect, with thrashing guitars and shouted vocals one moment and rinky-dink drum machine with piano bass the next. Or wildly oscillating synthesizer, or chopped up sampled spoken words. The inconsistency becomes the theme, and the album becomes a sonic collage, a cut-and-paste vision of the weird musical world these women inhabit.
Related artist(s): Ni-Hao!
First ProgStock Festival Set for October – October 2017 will see the inaugural edition of a festival called ProgStock in Rahway, New Jersey at the Union County Performing Arts Center. With a definite slant towards neo-progressive music, the event is sure to please many fans with the inclusion of such artists as Echolyn, Glass Hammer, and Aisles. The festival will take place October 13-15. » Read more
Clive Brooks RIP – Word reaches us today of another sad passing in the music world. Drummer Clive Brooks, best known as a member of such Canterbury bands as Egg, Uriel / Arzachel, and Groundhogs, has died at the age of 67. Details are sketchy at this point. The news was reported on Nick Mason's Facebook page — Brooks was Mason's drum tech. » Read more
Col. Bruce Hampton RIP – The phrase "He died doing what he loved" is almost a cliche, but in the case of Col. Bruce Hampton, it couldn't be more true. Hampton, who was born Gustav Berglund III, collapsed on stage at his own 70th birthday celebration and later passed away. The event took place at the Fox Theater in Atlanta. » Read more
ProgDay 2017 Announces First Bands – Flor de Loto, Sonar, and Infinien are the first three performers to be announced for the 2017 edition of the long-running ProgDay Festival. The 23rd ProgDay takes place Saturday and Sunday, September 2nd and 3rd, at Storybook Farm in Chapel Hill, North Carolina. » Read more
Allan Holdsworth RIP – Surely in the list of artists who have contributed to the sound of modern music, there is a special spot for guitarist Allan Holdsworth. His name is known to virtually every student of the instrument in jazz and rock, and his style has been so widely emulated that it's hardly worth mentioning anymore — we can just assume that every guitarist has Holdsworth as an influence. » Read more
The Blue Series Continuum - The Sorcerer Sessions: Featuring the Music of Matthew Shipp – Collisions between jazz and semi-classical music structure is the format for this new collective set of twelve pieces. Each new project is based on lessons learned and best-known methods applied to an... (2004) » Read more