Exposé Online banner

Moving Gelatine Plates — The World of Genius Hans
(Musea FGBG 4101.AR, 1972/1994, CD)

by Peter Thelen, Published 1994-08-01

The World of Genius Hans Cover artMGP was an early French underground band that eschewed the tendency of other bands of that period in France to propogate a left-wing political message. By contrast, MGP's lyrics (in English) were intentfully benign and sometimes silly, that is - if they used lyrics at all. A full half of the songs on this, their second album, are completely instrumental, and those that are not have a clear instrumental focus. The band was the four-piece of Gerard Pons (drums), Didier Thibault (bass), Gerard Bertram (guitars and vocals) and Maurice Helmlinger (trumpet, saxes, flute and hammond organ); in addition, guests contribute trombone, bassoon, vibes and backing vocals. Their music was a powerful jazz-rock with a strong improvisational quality, yet all was tightly arranged and played fluently. Because of Thibault's fuzz-bass and Helminler's smooth alto and tenor sax delivery - as well as the overall feel of their sound, one might be reminded of Soft Machine around their second or third album, yet MGPs tunes are more pure and playful, from a strictly compositional standpoint. Another point of reference might be early pre-zeuhl Magma, maybe circa 1001 Centigrades, as well as The Muffins (this was still a few years before the Muffins formed, but the comparison still holds true.) Their command of melodics is solid, yet the tunes take a few listens to sink in, mostly due to the band's not indulging in the endless use of hooks and repeats. Signature and tempo can change at any time unexpectedly, as the instrumental "Astromonster" capably illustrates. The vocals on "Funny Doll" give that song an almost Blood, Sweat & Tears-in-high-gear feel. The fourteen minute title track delivers some of the sweetest yet energetic sax soloing on the entire disc. The five bonus tracks Musea included were from the 1980 album by Moving, a band formed by Didier Thibault many years later in an attempt to re-create the MGP sound (other tracks from Moving's album are on the first MGP reissue). Unfortunately, these bonus tracks hardly live up to the quality of Genius Hans, yet if taken on their own are still quite good. In all, this is a most welcome reissue. In closing I should at least mention the cow's head decorated with parsley and cigar that graces the front cover (was this their answer to Blodwyn Pig's Ahead Rings Out?).

Filed under: Reissues, Issue 4, 1994 releases, 1972 recordings

Related artist(s): Moving Gelatine Plates

Latest news

2021-04-01
New Aristocrats Live Album on the Way – No foolin'! These supreme musicians toured Europe early in 2020, just before touring ceased to be a thing musicians could do, and there were some hot performances captured. On May 7, some of these will be releases as Freeze! Live in Europe 2020. » Read more

2021-03-25
Return of Jerry Lucky's Progressive Rock Files – After much consideration and surprisingly, positive feedback, Jerry Lucky is announcing the launch of the progressive Rock Files podcast, featuring the latest progressive rock music from around the world. » Read more

2021-03-14
Jewlia Eisenberg RIP – The sad news has come out that Jewlia Eisenberg has died. As a founding member of Charming Hostess, Eisenberg changed the face of music, bringing together Balkan klezmer, American folk, and experimental rock in a distinctive blend that garnered much praise. » Read more

2021-03-11
RIP Roger Trigaux – The sad news has come to our attention that Roger Trigaux, the guiding force of Present and former member of Univers Zero, passed away on the evening of March 10, 2021 after a long ilness. » Read more

2021-02-14
SoundQuest Fest 2021 – SoundQuest Fest, first experienced as a live festival in Tucson Arizona in 2010 was created by ambient music pioneer Steve Roach. This 2021 event will unite a worldwide gathering of artists and audience members together for a 3-day online event unique in the realm of ambient music. From March 26-28th a continuous flow of streamed performances, audio-video wonder worlds and deep immersion zones will burn bright on Roach’s YouTube channel. » Read more


Previously in Exposé...

Peter Blegvad - Downtime Etc. – After Peter Blegvad’s first two solo albums (The Naked Shakespeare in 1983 and Knights Like This from 1985) failed to make much money for his record label, the former Slapp Happy songwriter...  (2002) » Read more



Listen & discover



Print issues