Exposé Online banner

MJ12 — MJ12
(Gonzo Multimedia HST402C, 2016, CD)

by Jon Davis, Published 2016-11-07

MJ12 Cover art

At first, this album seemed to come out of nowhere, a release from a band I never heard of. But one look at the personnel and my hopes went up. The name Percy Jones jumps out, bringing up all sorts of wonderful associations, most notably with Brand X, though of course he’s been a part of many other great recordings, ranging from Brian Eno to Steve Hackett to Tunnels and more. The other names — Stephen Moses (drums), Chris Bacas (saxophone), and David Phelps (guitar) — are less familiar, though a little research turns up Moses working with Michael Zentner, Gary Windo, Blind Melon, Voltaire, Alice Donut, and more. Phelps shows up on recordings by John Zorn, Peter Apfelbaum, and even Public Enemy. Right out of the gate, “Call 911” brings to mind the kind of energetic, quirky jazz rock of Unorthodox Behaviour, though with a sax and without keyboards. The sprightly 7/8 piece builds into a great unison line, then breaks into a crazy guitar solo. Jones’ massive fretless sound slips and slides around for a really tasty backing to the guitar, then they hit the unison part again before Bacas takes a turn. During the sax solo, Moses’ tricky cymbal work is impressive, keeping the rapid rhythm going even at low volume. “Bad American Dream Pt 2” starts out with a beautiful bass solo backed by what must be washes of guitar synth, and later features gritty slide work from Phelps. On the whole, the music is much more jazz oriented than Brand X was, even in the earliest times, which I’d put down to the presence of the sax, and the fact that Phelps is much less of a rock guitarist, much more into avant-garde sounds and effects, than John Goodsall. Some parts of the album are very loose sounding, nearly free improvisation, and it’s great to hear Percy Jones in this kind of setting, with room to wander, tossing in his harmonics and sliding fills. MJ12 gives me everything I want in an electric jazz recording and avoids all of the overindulgent technical showboating that fusion so often falls prey to.


Filed under: New releases, 2016 releases

Related artist(s): Percy Jones, MJ12

Latest news

2019-11-07
Glenn Smith RIP – Glenn Smith, founder, mandolinist, and primary composer of the DeLand, Florida based prog / fusion band Magnatar, passed away on October 18th 2019 at the age of 68, after a brief illness.  » Read more

2019-11-04
Dino Brassea RIP – Word reaches us of the passing of Dino Brassea, who sang and played flute in Cast for many years. By our count, Brassea appeared on 11 Cast albums between 1994 and 2002. He also released music as a solo artist. » Read more

2019-10-06
Ginger Baker RIP – Legendary English drummer Ginger Baker has died at the age of 80. After coming to fame with Cream in the 60s alongside Eric Clapton and Jack Bruce, he became one of the most recognized and influential drummers of the rock era. On September 25, his family announced that he was critically ill, and on October 6 his death was confirmed. » Read more

2019-08-20
Alex's Hand Seeks Spa Treatment – American / European band Alex's Hand has a new album in the works called Hungarian Spa, which looks to be their biggest and best yet, featuring a large roster of guest musicians. They're seeking funding to take the project on the road, and are looking for help from the crowd of wisdom. » Read more

2019-06-05
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more


Previously in Exposé...

FM - Black Noise – The reissue of the second album by this excellent Canadian trio has been long awaited by many. A rather nonstandard three-piece, their most unique feature was the substitution of mandolin/violin for...  (1994) » Read more



Listen & discover



Print issues