Markus Reuter — Falling for Ascension
(7d Media , 2017, CD)
by Jon Davis, Published 2017-06-10
It’s beginning to look like a reviewer could make a full-time job of just writing about the music Markus Reuter releases. Even taking into consideration that many of them are live improvisations like Centrozoon, there’s a lot of them. This particular one is a bit of a different beast than other recent releases. The music is based on somewhat minimalistic patterns on different instruments that are fit together and repeated with different permutations, a technique that was pioneered in rock music by the 80s incarnation of King Crimson. Reuter’s take on it here ventures into more esoteric territory than Crimson ever did, without any concessions to song forms (and certainly no vocal parts). To manifest this vision, he’s enlisted the Swiss band Sonar, and if you’ve heard their minimalist rock, it’s immediately apparent that they are the perfect collaborators for the project. But when playing Reuter’s compositions, they stray from their obsession with C and F#, giving this music much more harmonic variety than their own recordings. Combine this with the composer’s own playing and production, and this is a very satisfying work of art. I suppose that, given the generally understated nature of the music, it could function in an ambient role, and given the lack of hummable melodies, might come off as lacking substance or emotional engagement for some listeners. To some extent, it seems like an intellectual exercise, but for someone who goes in for that sort of thing, it is a gem. And to be fair, there are elements of human expression involved, mainly in some parts that might be called solos (almost certainly Reuter’s own playing) which have a vaguely Frippian tinge and tone. Falling for Ascension is a bit like a halfway point between Stick Men and Todmorden 513 – I’m not going to say it’s for everyone, but it definitely gets my synapses firing.
Tomasz Stańko RIP – Tomasz Stańko, one of the greats of Eastern European jazz, has died at the age of 76. Stańko's career started in Krzysztof Komeda's quintet, where he contributed trumpet from 1963-1967, when he formed his own group. He worked extensively with Edward Vesala, Don Cherry, Zbigniew Seifert, Chico Freeman, Howard Johnson, Cecil Taylor, and many others. Many of his recordings have been released by ECM, an association that began in the mid-70s. » Read more
Soft Machine Set to Release New Music – It's been 50 years since The Soft Machine changed the face of music with their first album. Their blend of psychedelic rock and jazz was unique, and while the band went through many changes before disbanding in 1981 — by which time there were no original members remaining — they remained an innovative force with a style all their own. » Read more
7d Surfaces Happy Rhodes Back Catalog – We've covered singer Happy Rhodes before, both for her solo work and recently with The Security Project, but her 11 albums have been hard to track down. Until now. 7d features high-quality downloads of all her releases, and several of them are also available on CD. » Read more
Fred Chalenor RIP – We have news of another sad passing in the world of creative music. Bassist Fred Chalenor, whose creativity featured on albums by Tone Dogs, Caveman Shoestore, and many more, died on June 23, 2018 after a long battle with Alzheimer's. Tributes have poured in from the many musicians and fans whose lives he touched. » Read more