King Crimson — Vrooom
(Discipline DR 9401 2, 1994, CD)
by Dan Casey, 1995-03-01:What a pleasant surprise... After just a minute of the opening title track, it's clearly apparent that this is no rehash of the 80s incarnation of Crimson. This double-trio formation (two guitars, two drummers, two bassists) shreds through killer guitar riffs alternatively with a shimmering guitar arpeggio refrain that single-handedly blows away any tune they did in the 80s. "Vrooom," the tune, is a welcome return to a Red-type instrumental energy, perhaps fueled by the more acoustic drumming of Pat Mastelotto and Bill Bruford. Next up is the almost funky "Sex Sleep Eat Drink Dream" which has the same power, plus some shocking distorted vocal crooning which borders too closely on the unpleasant. The one-and-a-half minute "Cage" is a smoking narrative comprised of three main lines which repeat once. Can you say Primus? Crimson can, and while it never seemed they would sound so similar to a modern band, it works nevertheless. "Thrak" is the dissonant, free-form heavy improv bit which again is more of a 70s mentality Crimson, and it only works marginally well, as it did then. This degenerates into "When I Say Stop, Continue," a lower-key electronic exploration, with plenty of guitar effects (but no synth whatsoever). The closer is "One Time," and it's the only tune on the album where Adrian Belew does some true melodic singing. While this song would have been right at home on Beat, it is somewhat of an inconclusive ending here despite the catchy melody and fresh chord progression which drives it. Engineered and mixed by David Bottrill at Peter Gabriel's Real World studio, the sound is rich and clean, without the coldness that plagued the three 80s albums. Fripp and Belew work incredibly well with each other, but Bruford and Mastelotto do very little playing off of each other and Levin and Gunn do next to nothing. But the biggest flaw with Vrooom is the total time. Half-an-hour of this stuff isn't enough. Highly recommended.
by Mike McLatchey, 1995-03-01:This is Fripp's next go around with a name too familiar for an explanation, and to be honest I was expecting little from this group. Usually 70s dinosaur reunions are enough to make one run screaming for cover and this line-up’s similarity to the Yes-Union deal gives new meaning to the word "pretentious." Definitely too many aging musicians in one practice room. One more red nightmare, Bob? I suppose in the 90s this is technically an EP, yet compare its 30 minutes to the Catharsis reviews elsewhere. Let's call it a short album. Anyway, time changes and so has Crimson. Vrooom opens with the powerful title track, a piece of music recalling the Mark II era — loud and dissonant with a straightforward yet ballsy riff. Immediately noticeable after the opener is the return of Adrian Belew, whose influence on the Mk. III line-up was out of my tastes. His vocals are a factor that will make or break this for an individual, and songs such as the closer "One Time" with its pop-bossanova feel are best left to pop-critics. Another "Belew track" is the Beatles influenced "Sex Sleep Eat Dream" which is a bit more palatable than the aforementioned closer but still remains one of the EP's lest notable tracks. On the other hand, the album's best tracks are numbers 4 and 5 — the amazing "Thrak" which is close to the raucous Heldon style with shifting rhythms and bizarre effects, and the rhythmic "When I Say Stop, Continue," with more Frippertronic effects and a pulsating driving intensity. So a mixed bag, no doubt, but practically worth it for the amazing "Thrak," Crimson's best track since the old days. More like that, I think, Robert...
by Rob Walker, 1995-03-01:It seems like we've been hearing about the reformation of King Crimson for years. Well the long awaited new release is finally here. The Vrooom EP consists of six tracks lasting slightly over 30 minutes — some EP! Robert Fripp, Adrian Belew, Tony Levin, and Bill Bruford are all back from Crimson's last incarnation, accompanied by new members Trey Gunn on Stick and Pat Mastelotto on drums. This effectively gives them a double power trio, and this format is used in several of the songs in a rather unique fashion, with each trio playing completely different and independent, often asynchronous, parts. It's an interesting effect, but perhaps thankfully one they don't dwell on too long. There is really only one word to describe the music on Vrooom — HEAVY. There are elements of mid-70s Crimson here, as well as 80s Crimson and some of the work Fripp has done since. But the end product is more intense than any of those. Crunching and wailing guitars, pounding rhythms, and processed vocals all help to create the dark, sinister mood that is only rarely interrupted by more mellow, dreamy moments. The three instrumental tracks here are the best of the bunch — dense, complex, and assuredly appetizing to Crimson fanatics. The vocal tracks are a bit more basic, though no less intense. The last track, "One Time," with a more recognizable unprocessed Belew on vocals, is an odd one; completely out of character from the rest of the tunes. Bringing to mind perhaps some of the mellower 80s Crimson output, to my ears it is even more reminiscent of the relatively unknown US band The Samples. Crimson fans should undoubtedly enjoy this release — there is no hint of the musical compromise or commercialization that has afflicted the other well-known dinosaur prog-rock groups. As for others, well, if you haven't liked Crimson in the past you probably still won't.
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more
Help MoonJune Bring Great Music to Life – Like many music lovers around the world, we’ve been thrilled and amazed to hear the recordings that have been released by MoonJune from sessions at La Casa Murada in Spain. Such label stalwarts as Mark Wingfield, Markus Reuter, Asaf Sirkis, Tony Levin, Dusan Jevtovic, Vasil Hadzimanov, and many more have gathered in various combinations at the studio to produce some of the most creative music in recent years. Now, label head Leonardo Pavkovic is offering a compilation, La Casa Murada - MoonJune Sessions, Volume One, as a fundraiser for upcoming sessions. » Read more
The Pineapple Thief to Tour North America – November and December of 2019 will see The Pineapple Thief bringing their music to Canada, Mexico, and the US, and famed drummer Gavin Harrison will be on board. The band has been touring extensively in Europe, but North America will be new territory for them. » Read more
Scott Walker RIP – Noel Scott Engel, better known as Scott Walker, was one of the most intriguing and enigmatic musical figures in the second half of the 20th Century. His strange career started with The Walker Brothers, an American pop group that featured no one named Walker and no brothers. After moving to England in 1965, they had a series of hit singles. Scott's solo work started with Scott in 1967. Starting in the 80s, his work took an increasingly avant-garde turn. » Read more
Freedom to Spend Unearths June Chikuma's Archives – Jun (June) Chikuma is well known for her video game and anime soundtracks, but she also released an album of experimental electronic music back in 1986 called Divertimento where she indulged the kind of spontaneity that wouldn't work in a soundtrack. RVNG Int'l label Freedom to Spend is bringing this overlooked item to broader attention with a deluxe reissue. » Read more
Chrome - Chrome Flashback / Chrome Live / The Best Of – When I first heard Chrome back in the early 80s, my initial reaction was “Ouch!” All I heard was a wall of distortion and mangled vocals – their brand of art-punk was too much punk and too... (2000) » Read more
Hardline Project I. - A Virtual Exhibition With Music – As the title implies this multi-media CD-ROM features accompanying artwork but since the review copy only contained the music we'll leave the art to our collective imaginations. The musicians here... (2000) » Read more
La Société des Timides à la Parade des Oiseaux - Le Combat Occulté – This French avant-garde troupe has been around for a while, and though I’ve seen the name around for ages, this odds-n-sods collection is the first I’ve really heard of their strange... (2006) » Read more
John Flomer's Primal Cinema - Mysterious Motions of Memory – Mysterious Motions is synthesist / composer Flomer's debut for Spotted Peccary. As 'Primal Cinema' and the title might suggest, the music here has a strong cinematic character, full of... (1997) » Read more