Exposé Online banner

Jean-Pascal Boffo — Nomades
(Musea FGBG 4100.AR, 1994, CD)

by Dan Casey, 1994-08-01:

Nomades Cover art Some will recall J.P. Boffo as one of the original members of Troll and naturally expect (or perhaps hope for) a strong zeuhl influence on this effort. Well, you certainly won't find it here. Which is not to say the album is devoid of the zeuhl tradition, but it is only alluded to briefly in a couple of places. However, Nomades is still a success in many regards. The emphasis here is exclusively in the jazz realm, with ethnic and Middle Eastern melodies as the focus for each of the album's ten cuts. Boffo milks his Stratocaster for everything it's worth, using classic clean tones for rhythm and soaring lead tones for melodies and solos. In fact, some of his soloing is so classy and tasteful that one wonders why he doesn't do it more often within the well-defined framework of his finely-honed compositional chops. Boffo's understanding of the importance of melody is refreshing, and the whole album is very professional, to say the least. On the down side, some of the occasional sequenced lines are rather cold and mechanical. More importantly, the album focuses too tightly on a single style, which without offering enough variety to the listener will certainly limit the shelf life. It should also be re-emphasized that the music here only touches on the progressive realm (it's much more a jazz album than anything else) but because of Boffo's background it is likely to be endearing to a lot of prog fans.

by Rob Walker, 1994-08-01:

The long-awaited fourth solo album from French guitarist Jean-Pascal Boffo is in many ways a fusion of the various styles he explored on his first three albums. Nomades is a musical journey through a strange and mysterious aural landscape, full of eastern influences. Ethnic percussion, modal scales, and prominent use of the violin and soprano saxophone help to create a beautifully exotic atmosphere which serves as a foundation to showcase Boffo's considerable talent and versatility. The CD opens and closes with short pieces featuring classical guitar stylings reminiscent of Ralph Towner. Boffo's electric guitar skills emerge in the intervening eight songs, which alternately feature his soaring guitar melodies and his elegant background work, allowing the violin and sax ample spotlight as well. The overall sound is at times similar to Oregon or the Paul Winter Consort, but much more energetic and driving. For a guitarist's solo album, Boffo displays admirable restraint, only stepping forward when the music requires it. He has a keen sense of musical texture, and this CD is as much a testament to Boffo's creativity as a composer as anything else. The songs provide vivid musical depictions of various eastern themes, hinted at in titles like "Caravane," "Snake's Dance," "Turbulences," and "Arabesques." Usually an undesireable element in progressive music, the repetitive rhythms and percussion are here a critical part of the overall atmosphere. The product of all of this is a haunting yet beautiful musical portrait. For those who have looked forward to this album’s release for years, Nomades will most certainly prove more than worth the wait.

by Peter Thelen, 1994-08-01:

The master of surprises is back. Apparently this was to be his fifth album, but work on a fourth album became too expensive and time consuming, so it was temporarily placed on the back burner — so in the ten years since the demise of his original group Troll, he has released four albums which bear little or no resemblance to one another. Nomades is no exception, I would have been hard pressed to identify it as a Boffo album had I not known before playing it. The basic music here occupies an unlikely area between world-jazz and lite-instrumental rock, possibly somewhere along the Windham Hill axis, with a profusion of Arabic and North-African influences. Boffo's guitar lacings are eloquent and fluid, as might be expected, yet on some of the tracks the guitar doesn't assert itself and gets lost in a sea of dreamy orchestrations or sax wanderings. The finest moments on Nomades are those when Boffo's guitar is firmly in control, with strong melodies provided by the violin of Florence Dionisio and/or the soprano sax of Gerard Delesse, tied to earth by the strong percussive anchorings of Hervé Rouyer. When Rouyer and Boffo ease up and yield too much to the sax and synths, the music starts to stray off into new-age territory. Finally, I am often tempted to compare this with Bag's Soudain l'éleéhant, yet Nomades only achieves that kind of driving force in its most powerful moments; still, the best material on this disc (the title track, "Turbulence," "Opprande," "Snake's Dance," "Levana") shines easily through its weaknesses.

Filed under: New releases , Issue 4 , 1994 releases

Related artist(s): Jean Pascal Boffo

More info

Latest news

2017-05-19
First ProgStock Festival Set for October – October 2017 will see the inaugural edition of a festival called ProgStock in Rahway, New Jersey at the Union County Performing Arts Center. With a definite slant towards neo-progressive music, the event is sure to please many fans with the inclusion of such artists as Echolyn, Glass Hammer, and Aisles. The festival will take place October 13-15. » Read more

2017-05-05
Clive Brooks RIP – Word reaches us today of another sad passing in the music world. Drummer Clive Brooks, best known as a member of such Canterbury bands as Egg, Uriel / Arzachel, and Groundhogs, has died at the age of 67. Details are sketchy at this point. The news was reported on Nick Mason's Facebook page — Brooks was Mason's drum tech. » Read more

2017-05-02
Col. Bruce Hampton RIP – The phrase "He died doing what he loved" is almost a cliche, but in the case of Col. Bruce Hampton, it couldn't be more true. Hampton, who was born Gustav Berglund III, collapsed on stage at his own 70th birthday celebration and later passed away. The event took place at the Fox Theater in Atlanta. » Read more

2017-04-16
ProgDay 2017 Announces First Bands – Flor de Loto, Sonar, and Infinien are the first three performers to be announced for the 2017 edition of the long-running ProgDay Festival. The 23rd ProgDay takes place Saturday and Sunday, September 2nd and 3rd, at Storybook Farm in Chapel Hill, North Carolina. » Read more

2017-04-16
Allan Holdsworth RIP – Surely in the list of artists who have contributed to the sound of modern music, there is a special spot for guitarist Allan Holdsworth. His name is known to virtually every student of the instrument in jazz and rock, and his style has been so widely emulated that it's hardly worth mentioning anymore — we can just assume that every guitarist has Holdsworth as an influence. » Read more


Previously in Exposé...

Kehell - Arrow of Time – I first heard of Kehell on the Made in Japan label's "Jazz-Rock Sampler" from 1989, which was graced by the track "Triton" – among the album's best. Four Japanese...  (1994) » Read more

Lonely China Day - Sorrow – In the midst of all the noise found on the Beijing music scene, where feedback reigns and screaming is preferred to singing, there is one band that stands out from the crowd. Lonely China Day (their...  (2008) » Read more

Carmen - Fandangos in Space & Dancing on a Cold Wind – It's about time that these albums received a proper re-release after the butcher job the German Line label did with them in the late 80s (large parts of tracks missing, track indexes in the wrong...  (2007) » Read more

Soft Machine - Third – For those not familiar with Soft Machine, this is probably the best place to start; this marks the major turning point in the band's career, a shift from a more song-oriented style, through a phase of...  (1994) » Read more

Brown vs Brown - Odds and Unevens – Rock vs. jazz; punk vs. art; complex compositions vs. raw improvisation. Brown vs. Brown encompasses all of this and much more, turning in seven long tracks of blistering raw energy for their second...  (2011) » Read more



Listen & discover



Print issues