J.A. Caesar — Kokkyou Junreika
(Belle Antique 061216, 1972/2006, CD)
Tenjo Sajiki / J.A. Caesar — Shintokomaru
(Belle Antique 061217, 1978/2006, CD)
by Peter Thelen, Published 1996-08-01
J.A. Caesar – this is obviously not his real name – has been an enigmatic figure in Japanese rock and avant-garde music dating back to the early 70s. His music is impossible to categorize, each record being a radical departure from the previous, and up until earlier this year his records were impossible to find. These two albums, just reissued by Belle Antique, are very different from each other.
Kokkyou Junreika is clearly a product of the early 70s, the flavor is hard prog-rock mixed with psych, sort of a crude late-60s sort of production, and very unusual vocals. Since no credits are given in English, I can't be sure, but it sounds like we have a basic four-piece of guitar, bass, drums, and organ, with added percussion, along with a number of vocalists (lead male plus two or more female backing). The psychedelic rock basics are combined with a certain amount of role-playing on the part of the vocalists – a combination of near-operatic singing and spoken/shouted parts. The overall effect is powerful, albeit a little unrefined on the production side.
Eight years later, Shintokumaru exhibits far more refinement; that raw underground rock style has given way to a far more serious and theatrical style – in fact one is led to believe (based on booklet photos and overall feel of the music and dialog) that this is the musical score for a theatrical production of some type. Instrumentation involves some traditional Japanese instruments (biwa, shamisen, etc.) as well as rock instruments, and in general is very sparse, sometimes reminding of the first couple albums by Osamu Kitajima. Still a lot of spoken and operatic parts, hooting, shouting, and regular outbursts of great driving rock with searing guitar and violin. The heavy arpeggiated choral parts might even remind the listener of Magma at times. This is certainly an interesting listen, yet unless the listener is Japanese-fluent, one doesn't have a clue as to what's going on. Indeed this is one time when some information in the booklet, in English would have been helpful; still, it's great to finally be able to hear these obscure early Japanese artifacts.
Related artist(s): Terahara Takaaki (J.A. Seazer / J.A. Caeser)
Seaprog 2018 Artist Announcements Raise Festival's Profile – Seattle's Seaprog festival has been going since 2013, and the 2018 edition features a slate of artists that's sure to bring more attention to the event. Cheer-Accident, Bubblemath, and Free Salamander Exhibit are in the first round announcement of performers. In keeping with their tradition of focusing on regional artists, they will also present a number of artists from Washington, Oregon, and British Columbia. [Edit: Just added: Inner Ear Brigade] » Read more
Adelbert von Deyen RIP – Word reaches us that German electronic musician Adelbert von Deyen has died. His recorded legacy reaches back to 1978, when Sky Records released Sternzeit. Von Deyen, who was born October 25, 1953 in Süderbrarup, was also known as a painter and graphic artist. » Read more
Didier Lockwood RIP – Word reaches us today of the death of one of France's great jazz musicians, violinist Didier Lockwood. His playing bridged many worlds, from traditional jazz to fusion to progressive rock, and his talent can be heard on recordings by Magma, Clearlight, Pierre Moerlen's Gong, and many more. Lockwood was 62. » Read more
10 Years of Fruits de Mer - The Incomplete Angler – Those of you who are faithful followers of Exposé will know that we have been promoting Fruits de Mer and its side labels and releases from nearly its first year. Now music journalist and author Dave Thompson has written a book chronicling the past ten years as a celebration of this milestone. » Read more