Il Berlione — Il Berlione
(Belle Antique 9229, 1992, CD)
by Mike Ezzo, 1996-03-01:
It must have been 1991 or so when I received a tape from a friend of this group. Dutifully impressed to say the least, I couldn't believe that they had no CD releases yet. But finally, after a few private demo tapes, and an appearance on Lost Years in Labyrinth, Belle Antique had them record an entire album made up of new works, plus a few reworkings of pieces from their cassettes. What you get on Il Berlione is one of the most impressive-sounding albums from any Japanese band. Imagine an RIO-type approach, melded to a level of virtuosity found in fusion, and tempered to perfection by a sensitivity to progressive rock, and melodic structures. They manage to avoid any of the excesses of either RIO (noise) or jazz-fusion (soloing). This group really turned the tide around stylistically, and played an important role in shaping the course of Japanese prog in the 90s. I believe Il Berlione may have been influenced by Kenso's music. But they have given it a spicy twist, and on this album have an uncanny knack at sidestepping any particular genre. This is some of Japan's most unique music.
by Peter Thelen, 1993-10-01:
No, this is not another lost 70s Italian reissue, but instead a powerful new Japanese quintet featureing guitar, bass, saxes, keys, and drums. Their sound could best be described as a Canterbury / RIO influenced rock with a healthy dose of mid-period King Crimson. There are strong jazz elements, comparable to the Hopper / Dean period of Soft Machine, and the angularity and moodiness of Univers Zero. Guitarist Naoya Idonuma dominates many of the tracks with his ever finger-blistering leads, playing in a multitude of textures, reminding at times of Beck, Fripp, even Zappa and Santana, but the similarities are more event driven than any sort of conscious emulation, fitting a style to the moment. Hiroo Takano (saxes) generally works in close conjunction with Naoya, but does split off from time to time for some eloquent solos. More than anything else, it is his saxes and the restless rhythm section that connects their sound to the Canterbury / RIO style. Keyboardist Hirofumi Taniguchi maintains All taken, this is one excellent album, especially considering it's their first! Fans of Soft Machine, Crimson, National Health, and Henry Cow will most certainly enjoy this one.
Related artist(s): Il Berlione
Ginger Baker RIP – Legendary English drummer Ginger Baker has died at the age of 80. After coming to fame with Cream in the 60s alongside Eric Clapton and Jack Bruce, he became one of the most recognized and influential drummers of the rock era. On September 25, his family announced that he was critically ill, and on October 6 his death was confirmed. » Read more
Alex's Hand Seeks Spa Treatment – American / European band Alex's Hand has a new album in the works called Hungarian Spa, which looks to be their biggest and best yet, featuring a large roster of guest musicians. They're seeking funding to take the project on the road, and are looking for help from the crowd of wisdom. » Read more
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more
Anthony Moore - Reed, Whistle and Sticks, Out & Flying Doesn't Help – Before hooking up with Peter Blegvad and Dagmar Krause to form Slapp Happy, Anthony Moore was experimenting with some very innovative musical techniques. Reed, Whistle and Sticks is one of the results... (2001) » Read more