Il Berlione — Il Berlione
(Belle Antique 9229, 1992, CD)
by Mike Ezzo, 1996-03-01:
It must have been 1991 or so when I received a tape from a friend of this group. Dutifully impressed to say the least, I couldn't believe that they had no CD releases yet. But finally, after a few private demo tapes, and an appearance on Lost Years in Labyrinth, Belle Antique had them record an entire album made up of new works, plus a few reworkings of pieces from their cassettes. What you get on Il Berlione is one of the most impressive-sounding albums from any Japanese band. Imagine an RIO-type approach, melded to a level of virtuosity found in fusion, and tempered to perfection by a sensitivity to progressive rock, and melodic structures. They manage to avoid any of the excesses of either RIO (noise) or jazz-fusion (soloing). This group really turned the tide around stylistically, and played an important role in shaping the course of Japanese prog in the 90s. I believe Il Berlione may have been influenced by Kenso's music. But they have given it a spicy twist, and on this album have an uncanny knack at sidestepping any particular genre. This is some of Japan's most unique music.
by Peter Thelen, 1993-10-01:
No, this is not another lost 70s Italian reissue, but instead a powerful new Japanese quintet featureing guitar, bass, saxes, keys, and drums. Their sound could best be described as a Canterbury / RIO influenced rock with a healthy dose of mid-period King Crimson. There are strong jazz elements, comparable to the Hopper / Dean period of Soft Machine, and the angularity and moodiness of Univers Zero. Guitarist Naoya Idonuma dominates many of the tracks with his ever finger-blistering leads, playing in a multitude of textures, reminding at times of Beck, Fripp, even Zappa and Santana, but the similarities are more event driven than any sort of conscious emulation, fitting a style to the moment. Hiroo Takano (saxes) generally works in close conjunction with Naoya, but does split off from time to time for some eloquent solos. More than anything else, it is his saxes and the restless rhythm section that connects their sound to the Canterbury / RIO style. Keyboardist Hirofumi Taniguchi maintains All taken, this is one excellent album, especially considering it's their first! Fans of Soft Machine, Crimson, National Health, and Henry Cow will most certainly enjoy this one.
Related artist(s): Il Berlione
Freedom to Spend Unearths June Chikuma's Archives – Jun (June) Chikuma is well known for her video game and anime soundtracks, but she also released an album of experimental electronic music back in 1986 called Divertimento where she indulged the kind of spontaneity that wouldn't work in a soundtrack. RVNG Int'l label Freedom to Spend is bringing this overlooked item to broader attention with a deluxe reissue. » Read more
Seaprog 2019 Lineup Almost Complete – The Seaprog festival in Seattle is scheduled for June 7-9 this year, and they've announced their lineup of performers. The revitalized Trettioåriga Kriget will cap Friday night, perennial favorites Marbin are on Saturday, and District 97 will finish off the fest on Sunday night. In support, they've booked a stellar variety of artists from the Northwest and around the world, including EchoTest, Markus Reuter and Trey Gunn, and the live debut of the amazing Troot project. » Read more
You Can Be Part of an Ambient Electronic Project – The Gesture of History is a new electronic project put together by Sam Rosenthal of Black Tape for a Blue Girl, Steve Roach, and violist Sam Shadow. The music started as an instrumental track Rosenthal was working on for a Black Tape album, but took on a life of its own and demanded further enhancements. The majority of the funds raised will go to manufacturing costs for LP and CD editions, as well as other items as detailed on the Kickstarter page. » Read more
Jazz Composer Mark Lomax, II Releases Epic 12CD Set – In addition to being a fine jazz drummer, Dr. Mark Lomax, II is a composer in residence at Ohio State University, where he has been very busy on the compositional front. The year 2019 is the 400th anniversary of the arrival of the first ship bringing African slaves to North America, and in commemoration of this, Lomax has produced 400: An Afrikan Epic, a 12 volume set of CDs featuring a variety of different musical ensembles. » Read more
Wayne Horvitz - A Walk in the Dark & Once Dance Alone – One of Seattle’s finest composers, Wayne Horvitz, has crafted a new ensemble album for his main quartet. Horvitz’ signature technique translates into imploring melodic constructs within... (2008) » Read more