Exposé Online banner

Iconoclasta — De Todos Uno
(Musea DSCD001, 1994, CD)

by Mike Ohman, 1995-11-01:

De Todos Uno Cover art

Iconoclasta's 1985 debut was one of the crowning achievements of Mexican progressive rock, heavily influenced by Genesis (or rather, solo Steve Hackett) and possibly some of the less angular King Crimson, and featuring some of the best two-axe work this side of Kerrs Pink. Ten years later, Iconoclasta are still making albums, though with considerably less fanfare. And I'm pleased to say, they've still got it. With the departure several years ago of keyboardist Rosa Moreno, her place was not adequately filled by her brother, guitarist and chief composer Ricardo Moreno. He is still not as skilled a keyboardist as his sister (note the slow tempos on the tracks on which a complex keyboard line is required), but his playing is competent enough for this music, and is reportedly much improved since the previous album, La Reencarnación de Maquiavelo. Besides, the dual guitar interplay is so dazzling, one hardly notices the keyboards. In fact, most tracks don't even have keyboards. Don't let that scare you away, though, the music is so good you won't miss the keyboards. Moreno and second guitarist Ricardo Ortegon have been playing together so long, it has become second nature for them. The interaction between the two guitars is very naturalistic, whether playing searing dual leads, or playing an acoustic duet (which they do on "La Profecia de las Plagas"). The rhythm section of Nohemi d'Rubin (bass) and Victor Baldovinos (drums) responds appropriately to the complex melodies. There are probably more vocals on this than any other Iconoclasta album. Bassist d'Rubin is the singer, and while her voice doesn't add a good deal to the music, neither does it detract. Still, it is primarily an instrumental outing, there are only three tracks with vocals. The most disappointing thing about this album is that their style has changed very little over the course of ten years. Were it not for the deficiency of keyboards, it would be very hard to distinguish this from any other Iconoclasta album. With a dedicated keyboardist and more openness to new ideas, they could go much further. As it is, this is still a fine album that fans of this style ought to enjoy very much.


by Peter Thelen, 1995-11-01:

In the time since their first albums in the early 80s, Iconoclasta has been gradually assimilating a greater diversity of ideas into their musical pallette. Long Mexico's premier progressive rock band, they play in styles that are at once challenging and accessible. Like many of the 70s Italian bands, their instrumental forays deliver a high level of compositional skill and musicianship, with spirited driving energy and rich melodic color. There are plenty of intense guitar and keyboard solos, and a full integration of the many sounds of electric and acoustic guitars grafted directly into the fabric of the compositions. Gone is the sloppiness and poor production that sometimes plagued their early releases; also gone are those low-budget instruments, the Casios and such. The ten tracks are split – all written by guitarist / keyboardist Ricardo Moreno; most are the high power instrumental variety, with a few more folk-rock oriented vocal tunes scattered across the album, female bassist Nohemi D'Rubin handling the vocal duties admirably. On these, I'm sometimes reminded of the style invoked by Episode on some of their Edge of the Sky period material... it's rock for sure, but the basis of the composition is more folk oriented and laid back. All in all, Iconoclasta has done an excellent job with this one, and it's good to see them still going strong after so many other bands from the eighties have either called it a day or sold out. Viva Iconoclasta!


by Rob Walker, 1995-11-01:

Iconoclasta's latest release carries on in this Mexican band's readily identifiable symphonic fusion style. A mostly instrumental album, De Todos Uno focuses strongly on the guitar, and in fact, seems designed to showcase both Ricardo Ortegon's fretboard flexiblilty on the driving fusion-laced-with-symphonic pieces, as well as Ricardo Moreno's delicate classical guitar work on the quieter tunes. The 10 tracks explore everything from heavy symphonic anthems to gentle flowing vocal tunes to solo acoustic guitar pieces. Iconoclasta have by now a well defined sound of their own, and this is used to contrast with a few tracks on this album which seem to reveal an overt Anthony Phillips or Steve Hackett influence. The band maintains the same four piece lineup as on their previous album, with Moreno handling the keyboards as well as acoustic and electric guitars. The musicianship is generally strong, though the band still has an occasional slightly nagging looseness with their timing that has plagued each of their albums. To their credit, though, they are trying to pull off some tricky rhythms and changes when this quality comes out. Overall, the variety on De Todos Uno makes this one of Iconoclasta's stronger releases, and certainly something worth checking out for those interested in contemporary symphonic styled bands.


Filed under: New releases , Issue 8 , 1994 releases

Related artist(s): Iconoclasta

More info

Latest news

2018-09-05
Krautrock Documentary Seeks Funding – The next installment of the Progressive Warriors documentary series will focus on the vast body of music that falls under the banner of "krautrock." As most of our readers will know, previous films have tackled RIO and the Canterbury scene, as well as what we might call "mainstream" prog rock. » Read more

2018-07-31
Tomasz Stańko RIP – Tomasz Stańko, one of the greats of Eastern European jazz, has died at the age of 76. Stańko's career started in Krzysztof Komeda's quintet, where he contributed trumpet from 1963-1967, when he formed his own group. He worked extensively with Edward Vesala, Don Cherry, Zbigniew Seifert, Chico Freeman, Howard Johnson, Cecil Taylor, and many others. Many of his recordings have been released by ECM, an association that began in the mid-70s. » Read more

2018-07-09
Soft Machine Set to Release New Music – It's been 50 years since The Soft Machine changed the face of music with their first album. Their blend of psychedelic rock and jazz was unique, and while the band went through many changes before disbanding in 1981 — by which time there were no original members remaining — they remained an innovative force with a style all their own. » Read more

2018-07-01
7d Surfaces Happy Rhodes Back Catalog – We've covered singer Happy Rhodes before, both for her solo work and recently with The Security Project, but her 11 albums have been hard to track down. Until now. 7d features high-quality downloads of all her releases, and several of them are also available on CD. » Read more

2018-06-25
Fred Chalenor RIP – We have news of another sad passing in the world of creative music. Bassist Fred Chalenor, whose creativity featured on albums by Tone Dogs, Caveman Shoestore, and many more, died on June 23, 2018 after a long battle with Alzheimer's. Tributes have poured in from the many musicians and fans whose lives he touched. » Read more


Previously in Exposé...

Ange - Zenith An II – October 13, 2002 is perhaps a legendary date for fans of Ange. It was on this autumn evening that the band took to the stage at the Paris Zenith with a host of Ange members past and present, along...  (2008) » Read more

Cabezas de Cera - Hecho en México – Cabezas en vivo! There is no better way to experience this band – CDC’s live shows are positively amazing, exploding with energy and instrumental precision. Live they can go anywhere, jumping...  (2009) » Read more

Metamorfosi - Paradiso – It’s been quite some time since Metamorfosi tackled Hell in their classic 1973 album Inferno, and now they’re ready to take on Heaven. With the vocalist and keyboard player from that bygone era...  (2005) » Read more

Conrad Schnitzler - Blue Glow & Charred Machinery – Herr Schnitzler is probably the most prolific synthesist (we might as well say musician) on the planet. He has been around since the early days of Kluster and Tangerine Dream (he was a member of...  (1996) » Read more

Cast - Beyond Reality – Can a band really improve exponentially? Cast proves that it may just be possible. I found it hard to believe that they could do much better than their last album, Endless Signs, but their latest...  (1997) » Read more



Listen & discover



Print issues