Exposé Online

What's old

Exposé print issues (1993-2011)

• 1 (October 1993)
• 2 (February 1994)
• 3 (May 1994)
• 4 (August 1994)
• 5 (October 1994)
• 6 (March 1995)
• 7 (July 1995)
• 8 (November 1995)
• 9 (March 1996)
• 10 (August 1996)
• 11 (February 1997)
• 12 (May 1997)
• 13 (October 1997)
• 14 (February 1998)
• 15 (July 1998)
• 16 (January 1999)
• 17 (April 1999)
• 18 (November 1999)
• 19 (May 2000)
• 20 (October 2000)
• 21 (March 2001)
• 22 (July 2001)
• 23 (December 2001)
• 24 (April 2002)
• 25 (September 2002)
• 26 (February 2003)
• 27 (August 2003)
• 28 (December 2003)
• 29 (April 2004)
• 30 (September 2004)
• 31 (March 2005)
• 32 (September 2005)
• 33 (May 2006)
• 34 (March 2007)
• 35 (January 2008)
• 36 (October 2008)
• 37 (July 2009)
• 38 (July 2010)
• 39 (Summer 2011)

House of Never — House of Never
((Not on label) no#, 2013, CD)

by Henry Schneider, Published 2014-10-06

Taking their name from a Miguel de Cervantes quote “By the streets of ‘by and by’, one arrives at the house of ‘never’
” House of Never is one of several Austin area neo-progressive bands getting some notice. House of Never is Daniel Lee James (lead vocals, guitar, keyboards), Clay Finley (guitar, vocals), Van Hoisington, Jr. (bass, horns, vocals), and John McKean (drums, percussion, vocals). Formerly known as The Daniel Lee James Band, House of Never released their self-titled debut CD in 2103. House of Never is an interesting blend of ten progressive and pop tunes, most in the three to four minute range. Some of the songs are fairly aggressive, reminding me of Tool, such as the strong opening track “On Your Wave.” Others are a bit more in the Canterbury mode, for example “The Rhythm Keeps Rolling.” A couple of others are pop tunes: “Angel Tears” and “180 Degrees.” Interestingly, “Angel Tears,” in addition to its pop styling and progressive guitar licks, its lyrics approach Christian Rock. Daniel writes most of the music and Van’s driving bass figures prominently throughout. Some songs have quite intricate arrangements while others capture and convey a mood like “Mystery” or “Ship of Fortune” with its rhythmic ebb and flow emulating sailing on the high seas. There is also a hidden track included in the final song “Fine Day” that plays after a gap of silence about three minutes into the song. Even though there is such diversity in the songs, it all works wonderfully.

---

Filed under: New releases, 2013 releases

Related artist(s): House of Never

What's new

These are the most recent changes made to artists, releases, and articles.

• Review: Tír na nÓg - Transmissions
  Published 2024-11-02
• Release: Ashley Reaks - The Body Blow of Grief
  Updated 2024-11-01 14:42:06
• Release: Beat Love Oracle - Radical Risk
  Updated 2024-11-01 00:10:26
• Review: Bent Knee - Twenty Pills without Water
  Published 2024-11-01
• Review: The Smashing Times - Mrs. Ladyships and the Cleanerhouse Boys
  Published 2024-11-01
• Release: Kevin Kastning / Carl Clements - Partitas, Book 1
  Updated 2024-10-31 19:17:18
• Release: Trigon - Cosmic Kraut Jam
  Updated 2024-10-31 19:15:26
• Review: Aperus - Lost Tribe of the Shadow
  Published 2024-10-31
• Review: Matt Baber / Richard Wileman - Baber Wileman 2
  Published 2024-10-31
• Release: Hatfield and the North - The Manor Demos
  Updated 2024-10-30 12:22:43
• Review: Immersion - Nanocluster Vol. 2
  Published 2024-10-30
• Review: Annie Barbazza - Annie's Playlist 3
  Published 2024-10-29
• Review: M-Opus - At the Mercy of Manannán
  Published 2024-10-29
• Review: Martin Archer / Jan Todd - Private View
  Published 2024-10-28
• Review: Elephant9 with Terje Rypdal - Catching Fire
  Published 2024-10-28
• Release: Vanderson - 2055
  Updated 2024-10-27 22:57:39
• Release: Paul Lake - Dear Mr Fantasy / Child of the Moon
  Updated 2024-10-27 21:28:01
• Artist: Paul Lake
  Updated 2024-10-27 21:26:25
• Review: ViaMedia - Bridge of Sighs
  Published 2024-10-27
• Review: The Man from RavCon - The Time Traveler
  Published 2024-10-26