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Glass Hammer — Perelandra
(Arion no#, 1995, CD)
by Mike McLatchey, Published 1996-08-01
It's terribly sad to me that many people's impression of "progressive rock" goes no farther than Yes, Genesis, or their countless soundalikes. I don't want to be too hard on that style of symphonic rock, as many of them are artistically honest, lovingly crafted and well produced. It's just that the constant rehashing of specific stylistic elements of this niche, such as Yes like vocal harmonies, cliché ridden choruses, and instrumentalists virtually in the same style as a major influence, are going beyond trite. To keep this in perspective, it must be said that many people are introduced to the nebulous progressive genre through the more mainstream examples of the style. I mean you just don't go from Tears for Fears to Magma without something to warm you up. So on one hand, music like Glass Hammer is going to seem quite mundane to those whose musical breadth extends in the direction of the weird and wild, on the other hand, it acts as an ideal entry way for those not that familiar with progressive music's greater scope. Yes fans are going to love this, as it wears their influence like a fluorescent tie-dye. For instance, check out the last track "Heaven" with the Rick Wakeman-esque organ lines that are far too close to "Awaken" to be merely coincidence. Those that flipped over Echolyn, Spock's Beard or Ritual are probably going to love this — it's got the same sort of feel and sound.
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