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Glass Hammer — Perelandra
(Arion no#, 1995, CD)
by Jeff Melton, Published 1996-08-01
My first impressions of the album were that the music is a trite retread of the same standard progressive ideas, just performed by a different set of enthusiastic fans using weakly written material. After the third listening, I did find a few tracks which don't meet this simplistic viewpoint. The title track, (with intro) "Now Arriving/Time Marches On" is probably the best on the disk except for possibly the title track. It contains a memorable, circular keyboard/ guitar hook which is the core of the song as well as some amusing sound effects which are more of a distraction than adding to the intended dramatic flare. "Into the Night" is kind of a creepy number with an intro of a mysterious, occult voice searching for a woman in dire distress. This project is the collaboration of two keyboardists, Stephen DeArqe and Fred Schendel. Arrangements I'd classify as 'light symphonic.' The organ playing is trademark Emerson at times, orchestral at others. Randy Burt adds a notable sax outro as a swirling, echo-ey ending to "The Last Danse" which is the atypical piece on this disc. Glass Hammer influences are easily obvious in the Yes vocal style arrangements, but also with a female backing voice (e.g. Pink Floyd's "Great Gig in the Sky"). I'm not certain who the lead vocalists are; the keyboardists or guitarist may trade off on different tracks. The male voices are pleasant, but not very forceful that could have added more presence to the finished product. Guitar player Walter Moore is mostly in a supportive role playing melody lines as a counterpoint to the lead keyboards. He doesn't really get to step out much since the compositions don't call for it. Not a bad disk, really.
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