Exposé Online banner

Finisterre — In Limine
(Mellow MMP 291, 1996, CD)

by Mike Grimes, 1997-02-01:

In Limine Cover art

After a respectable first album, Finisterre returns with a solid follow-up. The band doesn't really have any weak links. All of the musicians are on about the same musical level, and their compositions and arrangements reflect this balance nicely. In this age of one-man-bands, it's nice to hear a strong group effort. At times moody and atmospheric, at times jazzy and heavy, In Limine has lots of diversity. The base five-piece group is often augmented with a variety of different acoustic instruments ranging from strings to brass to wind. These guest musicians actually contribute quite a lot to music throughout the album. The last two tracks "Algos" and "Orizzonte delgi Eventi" especially take advantage of the orchestral element. Many of the acoustic parts bring King Crimson's "The Night Watch" to mind. They don't sound exactly like that song, but recall that same mood. Even many of the shorter tracks are pretty intricate compositions with multiple sections. Often part changes involve switching the focus between the electric and acoustic instruments. One song can go from sounding like a peaceful symphonic piece to a fast-paced Ozric Tentacles style number. There are sporadic vocals, both in English and Italian, but much of the album is instrumental. Dissonant harmonies and jazzy chord voicings permeate the album. The guitarist uses many different tones and sometimes makes the guitar sound remarkably like a sax. You certainly won't get bored because any of the songs sounding too repetitive. In Limine is a well-rounded release.


by Alain Lachapelle, 1997-02-01:

Finisterre surprised us last year with their debut album. In Limine is an excellent follow-up. Compared to their first, we find here in most pieces more of an acoustic atmosphere. Time is given to install sonic foundations and stretch forward. The atmosphere is generally more pensive, carried admirably by the flute of new member Francesca Biagini, who along with the nuanced and expressive work of new drummer Marcello Mazzocchi supports the thoughtful moods found throughout In Limine. This is a gentle music rendered with due dedication by fellows Boris Valle playing the grand piano and Hammond organ, Fabio Zuppanti on a harmonically supportive bass an lead vocals, Stefano Marelli on mostly acoustic guitar and lead vocals, and also a host of guests on cello, vocals, violin, trumpet, clarinet, and Edmondo Romano (Eris Pluvia, Ancient Veil) on soprano sax and recorder. In Limine stands out as a mature work that ranks along the best in progressive rock. It becomes oft-rediscovered soundscapes strongly rooted in the essence of a commitment towards an expressive yet subtle and gentle music, a rich musical research that simply awaits your listening. Highly recommended.


by Mike McLatchey, 1997-02-01:

Still spacey, ethereal and sublime, Finisterre are one of the most interesting of the new Italian groups, skirting the Marillion school that so many are fond of and embracing that refined subtlety I thought was left being in Italy's 70s (or at least since Ezra Winston's Ancient Afternoons in 1989.) Finisterre’s music moves in slow waves, almost ambient at times. The wide palate of instrumentation including many analog synths, flutes, and guitars gives the overall feel reminders of bands like Celeste, Errata Corrige, or Banco at their most restrained. Yes, Finisterre's trump card is atmosphere and the luxurious instrumentation is quite effective in its execution. The music is folkier this time around and the spirit of Italy's 70s at times is revived with the varying classical and Mediterranean themes. While a few more intense and upbeat parts would have balanced out the entirety more, Finisterre’s blend is authentic, well thought out and precariously beautiful. I'm sure they're on to something although the potential hasn't quite panned out yet. A beautiful album overall.


Filed under: New releases , Issue 11 , 1996 releases

Related artist(s): Finisterre, Fabio Zuffanti

More info

Latest news

2017-05-19
First ProgStock Festival Set for October – October 2017 will see the inaugural edition of a festival called ProgStock in Rahway, New Jersey at the Union County Performing Arts Center. With a definite slant towards neo-progressive music, the event is sure to please many fans with the inclusion of such artists as Echolyn, Glass Hammer, and Aisles. The festival will take place October 13-15. » Read more

2017-05-05
Clive Brooks RIP – Word reaches us today of another sad passing in the music world. Drummer Clive Brooks, best known as a member of such Canterbury bands as Egg, Uriel / Arzachel, and Groundhogs, has died at the age of 67. Details are sketchy at this point. The news was reported on Nick Mason's Facebook page — Brooks was Mason's drum tech. » Read more

2017-05-02
Col. Bruce Hampton RIP – The phrase "He died doing what he loved" is almost a cliche, but in the case of Col. Bruce Hampton, it couldn't be more true. Hampton, who was born Gustav Berglund III, collapsed on stage at his own 70th birthday celebration and later passed away. The event took place at the Fox Theater in Atlanta. » Read more

2017-04-16
ProgDay 2017 Announces First Bands – Flor de Loto, Sonar, and Infinien are the first three performers to be announced for the 2017 edition of the long-running ProgDay Festival. The 23rd ProgDay takes place Saturday and Sunday, September 2nd and 3rd, at Storybook Farm in Chapel Hill, North Carolina. » Read more

2017-04-16
Allan Holdsworth RIP – Surely in the list of artists who have contributed to the sound of modern music, there is a special spot for guitarist Allan Holdsworth. His name is known to virtually every student of the instrument in jazz and rock, and his style has been so widely emulated that it's hardly worth mentioning anymore — we can just assume that every guitarist has Holdsworth as an influence. » Read more


Previously in Exposé...

Various Artists - Mannerisms - A Celebration of the Music of Geoff Mann – Priest and painter, Geoff Mann was also once the lyricist and vocalist for the English progressive band Twelfth Night. He died of cancer in February of 1993. To memorialize his life, musicians who...  (1995) » Read more

Soft Machine Legacy - Live in Zaandaam – Moving forward from the Softworks lineup that included Allan Holdsworth, 2005 brought the opportunity to that icon with guitarist John Etheridge for a newer, more vital incarnation with distinct links...  (2006) » Read more

Séguin - Récolte de Rêves – Quebec, 1975. Like many other places in the world, a popular trend was to get back to the earth, to get back listening to the heart in a simple way, far from the concerns of cities and the humdrum of...  (1996) » Read more

Interpose+ - Interpose+ – Another co-release by Poseidon Records in Japan and Musea in France, Interpose+ is a five-piece with Yes-like instrumentation (although the vocalist is female — no jokes please). Their sound is...  (2007) » Read more

Anima - Singularities – While eight musicians are credited here, the music features guitars, bass, drums, and keyboards, and some vocals / harmonies / choirs, and one might suspect this to be a basic four or five piece with...  (1997) » Read more



Listen & discover



Print issues