Exposé Online banner

Emmanuel Borghi — Anecdotes
(Seventh Records A XXII, 1996, CD)

Collectif Mu — Live au Crescent
(Seventh Records A XXIII, 1996, CD)

by Rob Walker, Published 1997-02-01

Anecdotes Cover artLive au Crescent Cover art

These two albums are products of Seventh's developing interest in contemporary French jazz. The lineups on the recordings are similar; they share the same bassist, drummer, and two sax players, and Collectif Mu adds a third sax and guitar to the mix, along with a second rhythm section. Pianist Emmanuel Borghi essentially borrows the bulk of Collectif Mu for his own recording. The music on both of these is very solid, though not exceptional, contemporary jazz, featuring a mix of cool jazz and modal post-bop influences. The ensemble sections are nicely written, with intelligent arrangements and a quasi-big-band feel at times. The soloing is competent throughout, but only occasionally (moreso on Anecdotes) catches fire into a particularly noteworthy performance. Perhaps the biggest difference between these two recordings is in the piano work; Borghi's stylings reflect a stronger influence from post-bop innovators like McCoy Tyner and Herbie Hancock, and not only give Anecdotes a more compelling modern atmosphere but also catalyze the quintet toward a much more inspired performance. Though Borghi's album is the stronger of the two, these both represent some very listenable and enjoyable small ensemble jazz.


Filed under: New releases, Issue 11, 1996 releases

Related artist(s): Le Collectif Mu, Emmanuel Borghi

Latest news

2018-05-14
Glenn Branca RIP – Experimental guitarist and composer Glenn Branca has died at the age of 69. He was known for compositions featuring large ensembles of guitars, and for the use of feedback. He founded his band Theoretical Girls in the mid-70s as an art-punk answer to what he saw as the increasing commercialization of punk music. His compositions were highly influential, with such figures as David Bowie, Thurston Moore, and John Lurie among his fans. » Read more

2018-04-05
OBEY Convention XI Set for May 24-28 in Halifax – As the 2018 festival season rapidly approaches, we’d like you to be aware of a real treasure of diverse and creative music that’s going to take place in Halifax, Nova Scotia, next month. The OBEY Convention is on its 11th outing, and features a wide range of artists from around the world. From avant-industrial noise to experimental takes on Classical Chinese music, from chamber jazz to doom metal, from ambient soundscapes to Canadian First Nations drumming, you’d be hard pressed to find a festival with more variety in sound anywhere in the world. » Read more

2018-04-04
Close to the Rain Festival in Bergen Announces Lineup – Now in its second year, the Close to the Rain Festival of progressive music is scheduled to take place in Bergen, Norway, on June 7 - 9. They've got an amazing slate of bands lined up, including such powerhouses as Anekdoten, Major Parkinson, Arabs in Aspic, Tusmørke, and many more. » Read more

2018-03-01
Seaprog 2018 Artist Announcements Raise Festival's Profile – Seattle's Seaprog festival has been going since 2013, and the 2018 edition features a slate of artists that's sure to bring more attention to the event. Cheer-Accident, Bubblemath, and Free Salamander Exhibit are in the first round announcement of performers. In keeping with their tradition of focusing on regional artists, they will also present a number of artists from Washington and Oregon. [Edit: Just added: Inner Ear Brigade] » Read more

2018-02-26
Adelbert von Deyen RIP – Word reaches us that German electronic musician Adelbert von Deyen has died. His recorded legacy reaches back to 1978, when Sky Records released Sternzeit. Von Deyen, who was born October 25, 1953 in Süderbrarup, was also known as a painter and graphic artist. » Read more


Previously in Exposé...

Ars Nova - Transi – This latest offering from this Japanese power keyboard trio is a bold step forward from their 1992 debut Fear and Anxiety. For starters this one is a full length disc; more to the point, though, is...  (1995) » Read more



Listen & discover



Print issues