Exposé Online banner

Crimson Jazz Trio — King Crimson Songbook Volume 2
(Inner Knot INK7727, 2009, CD)

by Jeff Melton, Published 2010-07-01

King Crimson Songbook Volume 2 Cover artThe late Ian Wallace championed the completion of his trio’s second recording but never had the chance to hear the final fruits of his labor. Together with pianist Jody Nardine and bassist Tim Landers, Wallace’s trio benefited from breaking down familiar prog rock classics into a logical and in many ways easier to assimilate jazz format. Again the repertoire is widely dispersed across the English band’s catalog not just focused on the older 70s material. The opening rendition of “The Court of the Crimson King” shows the trio in up-tempo calypso with a terrific outro cadenza from Wallace. The real meat of the disc focuses on the five part Islands suite with three of the passages as new compositions to mesh with versions of “Formentera Lady” and “The Sailor’s Tale.” Perhaps the drummer’s most memorable cadence intro “Press Gang” leads into Jardine’s classy “Zero Dark Thirty” before special guest Mel Collins injects his trademark tenor, creating an all new vibe. The transition into what was previously a favorite Fripp sustained guitar phrase, is now transformed into a piano-driven track with Collins adding just the right counter-melody. The 80s catalog is presented solely in the form of the ballad “Heartbeat,” understated and emotive. Closing out the disc is a terrific performance of “Lament” from Starless and Bible Black that is truly moving. The disc clearly stands as a testament to the great songwriting and arrangement skills of the players.

Filed under: New releases, Issue 38, 2009 releases

Related artist(s): Crimson Jazz Trio, Mel Collins

Latest news

2018-05-14
Glenn Branca RIP – Experimental guitarist and composer Glenn Branca has died at the age of 69. He was known for compositions featuring large ensembles of guitars, and for the use of feedback. He founded his band Theoretical Girls in the mid-70s as an art-punk answer to what he saw as the increasing commercialization of punk music. His compositions were highly influential, with such figures as David Bowie, Thurston Moore, and John Lurie among his fans. » Read more

2018-04-05
OBEY Convention XI Set for May 24-28 in Halifax – As the 2018 festival season rapidly approaches, we’d like you to be aware of a real treasure of diverse and creative music that’s going to take place in Halifax, Nova Scotia, next month. The OBEY Convention is on its 11th outing, and features a wide range of artists from around the world. From avant-industrial noise to experimental takes on Classical Chinese music, from chamber jazz to doom metal, from ambient soundscapes to Canadian First Nations drumming, you’d be hard pressed to find a festival with more variety in sound anywhere in the world. » Read more

2018-04-04
Close to the Rain Festival in Bergen Announces Lineup – Now in its second year, the Close to the Rain Festival of progressive music is scheduled to take place in Bergen, Norway, on June 7 - 9. They've got an amazing slate of bands lined up, including such powerhouses as Anekdoten, Major Parkinson, Arabs in Aspic, Tusmørke, and many more. » Read more

2018-03-01
Seaprog 2018 Artist Announcements Raise Festival's Profile – Seattle's Seaprog festival has been going since 2013, and the 2018 edition features a slate of artists that's sure to bring more attention to the event. Cheer-Accident, Bubblemath, and Free Salamander Exhibit are in the first round announcement of performers. In keeping with their tradition of focusing on regional artists, they will also present a number of artists from Washington and Oregon. [Edit: Just added: Inner Ear Brigade] » Read more

2018-02-26
Adelbert von Deyen RIP – Word reaches us that German electronic musician Adelbert von Deyen has died. His recorded legacy reaches back to 1978, when Sky Records released Sternzeit. Von Deyen, who was born October 25, 1953 in Süderbrarup, was also known as a painter and graphic artist. » Read more


Previously in Exposé...

Beggar's Farm - Itullians – I have to admit that when I saw this one I thought, "Not another tribute band." But there was that list of participants on the front cover: Clive Bunker, Mick Abrahams, Bernardo Lanzetti, Jonathan...  (2008) » Read more



Listen & discover

Premier of New Echo Us Video

From the press release:

To Wake a Dream in Moving Water takes from Echo Us' past and spins it into a whole new direction, one closer to traditional acoustic Celtic music than ever before.

To Wake a Dream in Moving Water was composed and recorded during the first few months of 2017. Although Celtic influenced and comprised of a number of re-workings of Irish folk tunes and Breton aires, the album is still in large part new and original Echo Us music that fits right in the Echo Us ‘canon’. “Wake” is a natural progression from “A Priori Memoriae”, which was released to critical acclaim in Europe in 2014.

To Wake a Dream in Moving Water is Echo Us’ ‘Celtic’ album that was planned for a long time but never executed because of the work on the trilogy that came before it. The album title is a typical ‘Echo Us’ play on words which one can find their own meaning.

“It is also both evocative of the Oregon rain, which I am told is not too unlike the rain in Ireland.”(Matthews)

To Wake a Dream in Moving Water is also a comment on conception- which was unintentional when the lyric was written. Matthews surprised himself a few months after writing it, realizing that the song was actually about the nitty gritty, biological workings of what happens when a child is conceived. The folk song it derives from musically describes a courting ritual, one that even today we can all relate to in our own way.

“Come With Me Over the Mountain" in acapella was the musical inspiration for the song, and came into my consciousness after the lyrics were written a few months prior. “ (Matthews)

As with all Echo Us recordings, a number of seeming coincidences resulted in connections being drawn where prior there were none. Another experience of similar capacity was found in oboe samples from A Priori Memoriae that echoed the traditional “May Morning Dew’, also reworked for guitar on the new album.



Print issues