Exposé Online banner

Corima — Amaterasu
(Soleil Zeuhl 50, 2016, CD)

by Jon Davis, 2017-05-09:

Amaterasu Cover art

After a band produces an album as outstanding as Corima did with Quetzalcoatl, there’s always a risk that they won’t be able to match it next time round. The good news is that Amaterasu more than matches its predecessor; the bad news is that with the bar raised even higher, Corima has set themselves an even more difficult task next time they enter a studio. These two long compositions build on the zeuhl influences of the band’s roots and add many very nice touches. The personnel and instrumentation remain intact, with Sergio Ravelo’s outstanding drumming and Ryan Kamiyamazaki’s nimble bass driving the intensity to levels most bands could only dream of, navigating relentless riffs in varying meters with furious energy that is full of subtlety rather than brutality. Francisco “Paco” Casanova’s keyboards are the anchor point for much of the music, at times providing trance-like repeating figures, at other times venturing into manic flurries reminiscent of Satoko Fujii (check out the first section of the title track). The two primary melodic instruments are Andrea Calderón’s violin and Patrick Shiroishi’s saxophones, which are sometimes supplemented by vocals. The violin is often gritty and rhythmic, as fits the music, but often leaps into soaring melodies. Shiroishi’s work is amazing, balancing adherence to the complex melodies with sections of jazzy noise-making — he’s obviously been studying his Coltrane, and hearing that kind of playing in this context is one of the things that makes Corima so special. For the vocals, parts are sweet and pure, with Calderón taking the lead, and other parts devolve into shouting and harsh accents to the throbbing rhythms. Amaterasu is sophisticated, complex, and intense, marrying relentless beats with jazzy freedom in a way that no other band does. And somehow I’m not worried that they’ll let us down with the next one.


by Peter Thelen, 2017-05-09:

This third album by Corima arrived late last year and here it is May already, and it’s definitely in need of a long overdue review. Their second solidly zeuhl-influenced album Quetzalcoatl has been out since 2012, and after blowing audiences away at Seaprog in Seattle and on other stages, it’s time for the follow-up. If the earlier album was a more Magma-clone-ish endeavor, now they have taken that influence, combined it with more of their own ideas, expanding on the vocal and jazz elements, as well as a frenetic and aggressive level of energy, growling bottom end, and the inclination to bombast, and put it all together for the listener into what are essentially two long suites, the three-part “Tsukutomi” and the six-part “Amaterasu.” The former, about 20 minutes in total length, contains a lot more growth and development in jazz areas, though listeners who appreciated the band’s dedication to the zeuhl sound will certainly not be the least bit disappointed. The dueling sax and violin solos throughout, with piano, bass, and drums driving hard behind them are at times purely magical. The title suite begins in a slightly more avant-garde zone, with piano and drums breaking and crashing throughout the opening section, eventually fading down to a beautiful and expressive violin solo with electric piano backing that opens the second phase. Later, as the volume and intensity build, the angular vocal elements come out for a slow build to a full-on screaming and shouting assault on the listener’s senses, eventually pulling back into a more Magma-like mode. The band remains the same as before, no changes in personnel, allowing their sound over time to coalesce into a stronger more concise singularity. A stronger third showing for a band that just keeps getting better.


Filed under: New releases , 2016 releases

Related artist(s): Corima

More info
http://corima.bandcamp.com/album/amaterasu

Latest news

2020-03-24
Bill Rieflin RIP – The sad news reaches us today of Bill Rieflin's death. Rieflin was best known as a drummer in bands ranging from post-punk to industrial to indie-rock to progressive rock, including work with The Blackouts, Ministry, Nine Inch Nails, Swans, Land, and King Crimson. Rieflin had been battling cancer for several years, and succumbed to it on March 24. He was 59. » Read more

2020-03-17
Cruise to the Edge and Seaprog 2020 Festivals Postponed – The worldwide outbreak of the novel coronavirus has started to produce casualties in the music world, and festivals are not immune. We've had word that both the Cruise to the Edge (originally slated for March 27 - April 1) and Seaprog (originally June 5-7) have been postponed to later dates, with those dates to be announced. » Read more

2020-03-06
McCoy Typer RIP – Word reaches us today of the passing of one of the most influential pianists in the history of jazz, McCoy Tyner. His tenure with John Coltrane in the early 60s includes some of the most treasured recordings of the era, including My Favorite Things and A Love Supreme. After leaving Coltrane's group, he had a long and successful solo career. He was 81. » Read more

2020-02-18
Jon Christensen RIP – Word reaches us today of the passing of Norwegian drummer Jon Christensen, a musician whose sensitive playing did much to help define the atmospheric sound of ECM jazz recordings. His work with Jan Garbarek, Bobo Stenson, Terje Rypdal, and many more was sensitive and varied, adapting to a wide variety of styles while maintaining a distinct identity of its own. Christensen was 76. » Read more

2020-01-21
Gong Announces UK Tour for 2020 – Having spent the last few years touring the world, including dates in Japan with psych legend Steve Hillage, multiple headline European tours and festivals, America’s Cruise to the Edge festival, a South America headline tour, and a headline performance at Tomorrow Festival in China, the band have won the hearts of both traditional and modern Gong fanbases. During this live journey, Gong has delved further into the truly psychedelic, exploratory, and mind-expanding side of the music. » Read more


Previously in Exposé...

David Bedford - The Rime of the Ancient Mariner – I never had the pleasure to hear this album when it was still only available on LP. The transfer to CD is fine, the noise is not disturbing this time. The subject of the album is the famous poem from...  (2004) » Read more

Various Artists - Conversations: Keyboard and Chamber Music by John Bilotta and David Gaines – The subtitle of this recording is “Keyboard and Chamber Music by John Bilotta and David Gaines” – Bilotta and Gaines are not the performers here, that is handled by a varied cast of...  (2011) » Read more

Terje Rypdal - Vossabrygg – The Norwegian guitarist has been a fixture on the ECM label since around 1970, and probably few have not heard at least some sampling of his work along that 35+ year trek, but probably even fewer have...  (2007) » Read more

Steve Peters - Occasional Music – My only encounter with Peters’ work to date has been his EP length disc From Shelter, released on Cold Blue a few years back, which had a fairly unified concept and approach, fitting in well...  (2008) » Read more

Raoul Björkenheim / Krakatau - Ritual – Ah Krakatau's first album, another interesting choice by Steve Feigenbaum for reissue. Krakatau has resided in ECM's stable since their third album, and all are worth checking out. Raoul...  (1997) » Read more



Listen & discover



Print issues