Carmen — Fandangos in Space
(LICD 9.00598, 1972/1989, CD)
Carmen — Dancing on a Cold Wind
(LICD 9.00601, 1975/1989, CD)
by Peter Thelen, 2007-03-01:It's about time that these albums received a proper re-release after the butcher job the German Line label did with them in the late 80s (large parts of tracks missing, track indexes in the wrong places, and sound quality uniformly wretched... sheesh!). The band got their start in Los Angeles where guitarist David Allen, his sister Angela (keyboards, vocals, flamenco dance) and Spanish expatriate Roberto Amaral (vocals, vibraphone, flamenco dance and choreography) formed the band along with British-born bassist John Glascock. The whole concept behind the band was to merge all their talents (flamenco dance and music) into a progressive rock band. They utilized a special miked stage in their performances to amplify the footwork of Roberto and Angela; it was something new and different that hadn't been done before, but in Los Angeles they were met mostly with indifference, so the entire band moved to England in hopes of finding a more receptive audience there. Within months they signed a record deal with Tony Visconti producing, and found an ally in David Bowie, who got them a spot on the late-night concert TV show Midnight Special. Fandangos in Space and Dancing on a Cold Wind were released in late '73 and early '74 respectively (the latter a U.K.-only release), and certainly lived up to the promise of their initial concept. The music ranges from classical flamenco guitar to manic hard rock, often delivered in lengthy multi-sectional suites; synthesizers and Mellotron and blistering electric guitar solos abound, with vocals freely jumping back and forth between Spanish and English in a harmonized style, with percussion delivered via footwork and castanets. Their music is rousing and restless, always changing, evolving and surprising the listener at every turn. The second album differs from the first in that it contains a side-long suite "Remembrances" (here indexed as separate tracks). Two previously unreleased studio tracks are added to the second disc as a bonus. Carmen were true originals; it’s good to have proper reissues of these available finally.
by Mike Ohman, 1994-02-01:Do you like Jethro Tull? Curved Air? Flamenco dancing? Did you ever wish for a combination of the three? Your wish has come true, and its name is Carmen! And if you don't think they could pull off such a "Hey-you-got-chocolate-in-my-peanut-butter" combination, you've obviously not yet heard a Carmen album. The players are: David Allen on vocals and guitars, his sister Angela Allen on vocals, keyboards and "footwork," Roberto Amaral on vocals, "footwork," castanets and vibes, John Glascock (later of Jethro Tull) on bass, and Paul Fenton on drums. The sound is centered around guitar, keyboards are used subtly but to good effect. David and Roberto alternate as lead singers, with occasional lead vocals by Angela. But the distinctive part, of course, is the flamenco angle, which is certainly why they are one of the most original progressive bands ever. Of course, there's Allen's guitar playing. He plays the electric guitars with the same force as the acoustics. But the one thing that assures you'll never forget is the heel-clicking, castanet-clomping dances, which is the one thing that I look forward to whenever listening to a Carmen album. It's hard to say which of the first two albums is better, both are excellent starters. But Dancing on a Cold Wind does include "Remembrances (Recuerdos de Espana)," a 23-minute rock-opera type epic, so use that as a factor in deciding which one you want first. (I haven't heard The Gypsies, the third album, yet. The prevailing opinion is that that's the last one to get, it's supposedly more subdued than its predecessors.) Progressive rock and flamenco music. Two great tastes that taste great together.
Related artist(s): Carmen
Phil Miller RIP – Sad word reaches us today of the passing of another of the great musicians of the Canterbury Scene — guitarist Phil Miller. His distinctive sound added greatly to Matching Mole, Hatfield and the North, and National Health, and he also contributed to albums by Caravan, Dave Stewart $amp; Barbara Gaskin, and many others. He was 68. » Read more
Moonjune to Distribute Tony Levin's Back Catalog – It has been announced that Moonjune will now handle distribution for Tony Levin's catalog of releases. These great albums will now be a bit easier to get hold of, so check out the site and see what you're missing. The veteran of King Crimson and Stick Men worked with a host of great players on these albums, and we've reviewed most of them over the course of the years. » Read more
Bandcamp Shines Light on Niches We Like – Bandcamp has developed into one of the best places to discover new music, and even a lot of old music is showing up there. In addition, their staff has been producing periodic articles spotlighting some interesting stylistic areas. On 20 September, they published one called "The New Face of Prog Rock" which bears checking out. » Read more
Holger Czukay RIP – Holger Czukay, a musical experimentalist without boundaries who has been involved with expanding the sound palette of rock music since the late 60s, has died at the age of 79. After studying with Karlheinz Stockhausen in the early 60s, he became fascinated with the possibilities of rock music, and was a co-founder of the pioneering group Can. He leaves behind an impressive body of work both as musician and producer. » Read more
John Abercrombie RIP – Another of the greats of jazz guitar has left us. John Abercrombie plied his way through a beautiful series of albums on the ECM label as well as bringing his talent to bear on albums by many of jazz's greatest artists. From his early work in the group Dreams to Gateway and outstanding work with Billy Cobham, Jack DeJohnette, Kenny Wheeler, and many more to his own trios and quartets, he brought a unique instrumental voice to the world. » Read more